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Musings: Stephen King Gets Schooled on Diversity in the Media

Awards are not the end-all and be-all, but they do have meaning: libraries make purchases based on lists of award winners and recommended titles, and so do readers. When a well-regarded organization hands out an award, there is a ripple where often that book, or movie, or theater production, will also be held in high regard and rise to the top. It might even stay there decades later, after it has become dated or recognized as problematic (true of a number of early Newbery and Caldecott winners).

Many award-granting institutions have undergone upheavals in the past dozen years or so: debate over the World Fantasy Award Fantasy Award, the Sad Puppies fiasco that attempted to taint the Hugo Awards, the renaming of the Laura Ingalls Wilder Award, the recent cancelling of the RITA Awards. There has also been a more obvious scrutiny of the Oscars, starting with the #OscarsSoWhite hashtag. Any hope that public criticism of the Oscars’ lack of diversity would have an impact on judges’ considerations was dashed this year  as the Oscars failed to nominate any woman for Best Director, just three nominations for artists of color, and, despite acclaim for both Us and Midsommar, zero nominations from the horror genre (I’m also baffled that Frozen 2 didn’t get a nomination for Best Animated Feature: it is a gorgeous film).

I haven’t felt like the Oscars were worth my attention for years, but with Joker, The Irishman, 1917, and Once Upon a Time in Hollywood racking up the nominations even I couldn’t escape the blinding whiteness and maleness of the slate. It has to make you question, are Martin Scorsese and Quentin Tarantino really the only directors capable of making an Oscar-worthy movie? I know  women and people of color are making great movies, and that there are outstanding horror movies that deserve a look. There are stories out there being told from a fresh point of view that deserve to be seen and heard.

Author Stephen King is a judge, and decided this was the time to put himself out there and tell us:

 

I guess now that he’s won the Distinguished Contribution to American Letters, he’s become on authority on what makes quality art. Which is apparently not diversity?  Twitter does not seem to agree.

He later backtracked a little, saying everyone deserves “a fair shot”, whatever that means (marginalized people start with less than a fair shot so..?). Here we’ve got an old white guy (he comes within a day of sharing a birthday with my mom, who is in her seventies) who has locked down the bestseller lists for decades.  There can’t be too many people who haven’t heard of Stephen King, read one of his books, or watched a movie adaptation. At this point in his life, could he identify a fair shot if it walked up to him and tapped him on the nose? How many promising writers could have “New York Bestselling Author” on the cover of their books if King didn’t have a permanent place there?

Stephen King is positioned in publishing in a way that he could make a big difference in making available quality work from diverse and #OwnVoices creators, maybe not so much in the movies, but definitely in fiction. My background is mostly as a K-12 librarian, and maybe you aren’t familiar with the authors for that age group, but one of the big names is Rick Riordan, who gained his recognition writing contemporary fantasy with kids who discover they are demigods from various world mythologies. Riordan was able to use his privilege as a popular, bestselling, writer to start a publishing imprint with the specific mission of finding #OwnVoices authors who have stories to tell grounded in their own mythologies and legends. Riordan is a name, but he certainly isn’t in Stephen King’s league when it comes to name recognition, number of books written, or number of copies sold. For King to say he would never consider diversity, but only quality, is a blind spot I hope is rectified by the reaction to his tweet. Because he has the ability to find and promote #OwnVoices creators in a way that most writers do not. And it would be wonderful if he did.

Posted on January 15, 2020 by , Reply

Book Review: How Quickly She Disappears by Raymond Fleishmann

How Quickly She Disappears by Raymond Fleishmann

Berkeley, 2019

ISBN-13: 978-1984805171

Available: Hardcover, Kindle edition, audiobook

 

This novel has been billed as the cross between The Dry and Silence of the Lambs.  That’s a boast if I ever read  one. Is it accurate? Read on to find out. If nothing else, it’s a fine thriller that has a great comparison line.

Set in 1941 in the wilds of Alaska, the story begins with Elisabeth Pfautz living in a small town with her husband who works as a teacher, and her daughter. Everything seems normal– boring, even– but they’re content with life.

The postal plane arrives on a regular schedule, their only connection the outside world. One day, a different pilot and carrier, Alfred Seibel, lands and asks a small favor: to be put up in the family home as the agreement states as part of an old town rule. Alfred departs the plane and inserts himself into Elizabeth’s life. With Alfred being German, the situation could get ugly, easily, for both sides.

Once he’s settled into the house, Elizabeth is plagued by dreams of her twin sister, Jacqueline, who disappeared twenty years prior, never to be found.

Alfred quickly inserts himself into her family, and the town. Yet one day, he murders a local, a close friend of Elizabeth’s. Once in prison, Alfred tells her he has information about Jacqueline and how he might be able to solve the mystery that has plagued Elizabeth for most of her life. With a poor marriage and no life in the desolate land, she accepts his request to visit him in prison.

He offers her this: for each gift she gives him, he’ll take her one step closer to her sister.

She accepts, and finds that although Alfred begins innocently enough, he quickly steps up his game. As Elizabeth discovers the cost of each gift she gives, he has her hooked with the puzzle he hands her.

Alfred turns out to be a quality villain who is much more than he seems to be, full of flaws that Lecter never revealed. Elizabeth is no Clarice. but she’s not meant to be. Her surroundings, family, and town, all serve as antagonists in her quest to find her sister, or at least the final piece of the puzzle. This literary fiction novel masquerading as a thriller/horror hybrid lulls the reader into a stark place that ultimately delivers in all three genres.

A challenging, yet highly rewarding, read for this new year.

 

Reviewed by David Simms

 

Posted on December 31, 2019 by , Reply

Graphic Novel Review: Harrow County Library Edition, Volume 3 by Cullen Bunn, illustrated by Tyler Crook

 

Harrow County, Library Edition Volume 3 by Cullen Bunn, illustrated by Tyler Crook

Dark Horse Comics, 2019

ISBN-13: 9781506710662

Available:  Hardcover, Kindle, comiXology

Emmy finds out more about her real family as she stands against supernatural entities threatening to destroy Harrow County and, ultimately, herself. Additionally, hunters from a neighboring town have heard tales of the creatures wandering the woods in Harrow County and want to prove their mettle by bringing one of them back. They may regret their decision in the end. Later, Emmy’s “haints” lead her to one of their kin who is strung up and dead. Emmy determines the killing was committed by someone familiar with how to kill them. When she finds her friend Bernice is responsible, their bonds of friendship and trust are further tested as they stand on opposing sides. Can they come together to face the evil that Emmy’s family has resurrected from the earth?

Harrow County, Library Edition Volume 3 contains volumes 5 and 6 of the series. It includes a sketchbook, art and painting process notes, a selection of “Tales of Harrow County” shorts by guest creators, and more. I love all the shorts that include the goblin, Priscilla. She’s adorably fierce.

This is a great continuation of Emmy’s story. Bunn keeps the suspense and adventure going well. As with the previous volumes, this is a fast-paced story, but the artwork will keep you on a page longer than you need to read. Crook’s art is fantastic and makes a great pairing with Bunn’s story. This is first time I have reviewed a physical copy, too. The oversized hardcover book is beautiful. The photographs I have included don’t do it justice. If you can get yourself a physical copy, I recommend it. You won’t be disappointed.

 

Contains: blood, body horror, gore

 

Highly recommended

 

Reviewed by Lizzy Walker

 

 

 

 

 

 

 

 

 

Posted on December 31, 2019 by , Reply
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