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Graphic Novel Review: Mississippi Zombie by Bradley Golden, Alex Barranco, Joe Wight, Marcus H. Roberts, et al.

Mississippi Zombie: A Horror Anthology by Bradley Golden, Alex Barranco, Joe Wight, Marcus H. Roberts, et al.

Caliber Comics, 2020

ISBN-13: 9781643377131

Available: Paperback, Kindle, comiXology

 

Caliber Comics brings us Mississippi Zombie: A Horror Anthology, a series of walking dead tales set in rural Mississippi. In “Mississippi Crossing Part 1”, Private John Hilliard of the 1st Battalion, 155th Infantry tells the story of his fight against the incoming zombie horde from the north. “Mississippi Crossing Part 2” presents two rednecks in a bar arguing over whether the zombie threat on the news is real, part of a government conspiracy, or if the town psychic was right, and it’s the beginning of the Apocalypse. The conspiracy theorist gets fed up and leaves the bar in a huff, only to discover the truth for himself. “Mississippi Crossing Part 3”, begins on a football field, where zombies break into the arena to wreak havoc on the unsuspecting public. One player fights his way free, only to board the wrong school bus. In “Grave Times”, Theodore and Angela Brown are newlyweds when the unthinkable happens. Angela succumbs to a mysterious illness and turns. Her devoted husband keeps her chained and locked in their basement. He delivers a freshly robbed corpse to her, but it isn’t warm enough for her refined palate. “Zombie Attack on Horn Island”, told around a campfire, includes hapless settlers, a vengeful witch, and bloodthirsty zombies. In “It’s All About Commerce”, four friends are trying to get to Commerce, Mississippi for safety to find something potentially much worse than the living dead. “Planet Z” gives us a science fiction take on the zombie story. It’s Christmastime in an industrial colony in Jackson, Mississippi. Unfortunately, the zombies didn’t get the memo about peace on Earth and good will to men.

I thoroughly enjoyed the stories in this anthology. They are short, sweet, and full of zombies. I want to focus on the artwork for a bit. Phil Williams provides chaotic, intense art for the “Mississippi Crossing” segments, especially when the zombies attack. It’s very well executed. The art for “Grave Times” by Antonio Acevedo is highly detailed and has some great shadowy effects. Shaun Barbour’s art in “Zombie Attack on Horn Island” and Harrison Wood’s art in “It’s All About Commerce both feel close to what you would see in Eerie or Creepy. Rod Espinosa has a slick art style that is great for a sci-fi horror comic. It would be great to see him do art for a Warhammer 40K comic.

I would recommend this for anyone who wants to support independent, well-done horror comics. I think it is important for libraries to find ways to hold these in their collections as well. Highly recommended.

Contains: blood, gore, zombies

 

Reviewed by Lizzy Walker

Posted on March 28, 2020 by , Reply

Book Review: Doll Crimes by Karen Runge

Doll Crimes by Karen Runge.

Crystal Lake Publishing. 2019

ISBN-13: 978-1646693146

Available: Paperback, Kindle edition

 

Karen Runge is a force that will leave a scar on the genre. Jack Ketchum mentored her, and those influences are felt within the novel, but she’s her own writer and has a style that’s nobody else’s but her own. Doll Crimes is more of a nod to Elizabeth Massie’s Wire Mesh Mothers; it’s the horror novel Gillian Flynn should have penned.

Doll Crimes  examines the human soul: the good, the bad, and the downright evil.  It’s written in a manner that digs so deep that readers will have a tough time forgetting the characters, long after the final page is turned. Yes, it might disturb some, but only in the way a good horror novel should.

Runge opens the novel with a mother and her daughter on the run. From what, or who, we have no idea, but they’re moving in a direction that appears dangerous and devolving. The daughter is the main character; her mother is a mere fifteen years older than her, which makes for a relationship dynamic that is closer to sisters or close friends than a maternal bond.

The two travel from town to town, scamming people for food, shelter, money and more, but are aiming higher. They seek something permanent, even if they’re not quite sure what that entails. They shack up with a pair of interesting characters at different places in the story. One may be helpful to the girl, or simply another shadow with varying degrees of darkness. The other, a drug dealer, just might be a bit more stable than the mother.

More details regarding the plot would spoil the emotional heft of the book but please give this one a shot. The gut punch, the visceral impact Runge inflicts upon the reader, is a tough one, but there’s a strong reason to wade through the razor-tinged gauntlet of the travels of these two broken characters: the writing.

Doll Crimes should turn out to be one of the strongest efforts of 2019, and a portent of things to come from Karen Runge, through her ability to wrench the emotion from the everyday pain characters navigate. She knows this pain. She’ll also likely know success if there’s any justice left in this twisted society.

The loss of one’s innocence is key here, and made much more powerful by the fact that the character believes it to be what families do. Recommended.

 

Contains: child abuse

Reviewed by David Simms

 

Posted on March 5, 2020 by , Reply

Book Review: Death’s Dreams by Darryl Dawson

Death’s Dreams by Darryl Dawson

Darryl Dawson Books, 2019

ISBN: 978-1-7331921-4-9

Available: Paperback, Kindle edition

 

Death’s Dreams is the wildest, most original collection of short stories to come barreling down the pike in a long, long time.  If you’re looking for stories that are seriously OUT THERE, with a decent touch of blood splashed around the pages, this book is the place to be.  Why this wasn’t nominated for a Stoker award is beyond me, as it is certainly good enough to justify a nomination.

The collection is loosely held together by the idea that ol’ Death, the Grim Reaper himself, is losing it.  All the horrors he’s seen over the years while riding his figurative pale horse have started to get to him, so he finds a shrink to talk to and unload all his stories on.  Those stories make up the basis of this collection.  Make no mistake, what he’s seen in these stories would be enough to put any rational person in a padded room.   “New Identity” is a hellish look at what happens when one bad person makes a mistake and winds up the prisoner of a person who is a lot worse.  It’s a common plot device, but this story is truly terrifying.  “Night Train” may be the most original one, as it contains an actual phantom (or not?) train running in the storm drains beneath the city, that promises possible escape to those who need it.  Simply open the door to one of the train cars, and step into another dimension.  “There Really Are No Accidents” is a viciously ironic story concerning one woman’s attempt to take a brutal revenge on her scummer of a husband, and what befalls her.  This one also showcases author Dawson’s twisted sense of humor. The end of the story might well make you laugh, despite its nastiness.  Written with only dialogue, “The Claim” concerns a camera that causes the death of everyone it takes a picture of.  The author’s choice of format for this story makes it stand out from the others, as it can be a tough format to work with, but Dawson does it with ease.  “The Champion of Suffering” is a fantastic revenge story, as the evil killer starts the story already executed through lethal injection, and in Hell.  The protagonist has to decide if he is willing to sacrifice and condemn himself to Hell, just to go after the killer and inflict more punishment.  Is the death penalty enough?  How much is vengeance  worth to him?  This is an outstanding story that also raises some good questions about the nature of retribution.

The overall quality of all the stories is extremely high; there isn’t a bad one in the collection.  Some are better than others, but they all do a good job showcasing the author’s fertile imagination and skill.  The only drawback is the lack of dialogue between Death and the psychiatrist.  The first chapter was an excellent setup between the two of them, but that thread never really got explored to its potential, as they barely show up for the rest of the book.  If the interaction between Death and the doctor had been fleshed out more, this could have been an outstanding novel, instead of an outstanding collection of short stories.  Despite that minor quibble, Death’s Dreams is a book not to be missed.  Keep an eye out for this author in the future. Highly recommended.

 

Contains: violence, gore, profanity, sex

 

Reviewed by Murray Samuelson

 

 

 

 

Posted on March 4, 2020 by , Reply
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