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Book Review: The Third Corona Book of Horror Stories edited by Lewis Williams

The Third Corona Book of Horror Stories edited by Lewis Williams

Corona Books, 2019

ISBN: 978-1-9996579-4-9

Available: Paperback, Kindle edition

 

It seems that every horror collection published always has an introduction detailing how the publisher worked very hard to put only the greatest stories into print.  Sometimes it’s true, and sometimes it’s just lip service.  Corona Books boasts that they selected only the “best of the best” from over 800 submissions.   Thankfully, in this case it’s not an idle boast.  The stories tend towards the short side, but the quality is extremely high.  All the stories are good: there isn’t a bad, or even just fair, story in the lot.  If this collection isn’t nominated for a Stoker award in the “Anthologies” category this year, then the whole nominating process should be called into question.

 

Many of these stories clock in at only fifteen pages, and some at ten or less.  However, there’s a lot of good, concise writing packed in to that short space.  There are a few with some blood and gore, but it’s minimal.  The publishers realized that mental torture and anguish is just as effective, if not more so, then the standard hack and splatter model that is in vogue right now.  Physical pain is only temporary, but mental agony can go on for a long, long time.  In some of these stories, it lasts forever.  Seeing the fate that some of the characters in these stories are condemned to makes for a truly unsettling read.  Sue Bentley’s “Old Gods”  is a prime example.  Treasure hunter/thief Edward Cranby gets way more then he bargained for when hunting for riches in the jungles, and the true torture is that his punishment will NEVER be lightened, or end… ever.  John Haas’s “The Debt” has a less prolonged fate, and a bit more physical punishment, but it’s just as effective.  Drawing on Shylock’s  “a pound of flesh”  in Shakespeare’s “The Merchant of Venice”, the interactions between a mad doctor and the man who caused his family untold misery are truly horrifying: this  may be the best story in the book.

 

The two above stories are the best in the anthology, but the others are also extremely effective. There is no one unifying thread in this collection, other than the high quality.  The lack of a common theme makes the book that much stronger, as the ideas are quite diverse.  Molly Thynes’s  “Worse Things” takes aim at a favorite target—politicians– and shows the wretched lengths that some will go to in order to remain in power. It’s a lot more frightening than anything a real politician has been responsible for.  “The Barber”, by A.P. Sessler, is the only story written in the rarely used second person point of view.  It’s difficult to write in the second person, but Sessler uses it well in this cross between Sweeney Todd and Face/Off.  Viktoria Faust’s “Roxy” and Richard A. Shury’s “Gamer” both take a look at the warped future that may await humankind when it comes to organ donations and virtual reality, respectively. Jeremy Megargee’s “Scythe” details the fear of being old and waiting to die…when you can literally see the end coming for you.  The story ideas come from everywhere, and every one is extremely well written and effective.  This review only covers a few of the stories: there are plenty more in the book for the reader to devour.

 

This is the finest short story collection to come out in a long time, and it’s worth the price ten times over.  If short horror stories that make you squirm and keep you awake at night are your thing, you need this book on your shelf.  Highly recommended.

 

Contains: mild violence.

 

Reviewed by Murray Samuelson

Book Review: The Monster of Elendhaven by Jennifer Giesbrecht

The Monster of Elendhaven by Jennifer Giesbrecht

Tor.com, 2019

ISBN-13: 978-1250225689

Available: Hardcover, Kindle edition, audiobook

 

Elendhaven is a decaying city on the edge of the far north, rife with poverty, crime, violence, and despair, surrounded with dark waters poisoned with magic. It is here that, abandoned and nameless, Johann acquired his name and vocation as a criminal and murderer, and learned he was invulnerable– not quite human. Tall, skeletal, and pale, Johann somehow escapes the notice of the people around him– until it’s too late. Johann has been stalking fussy, nonthreatening Florian Leickenbloom, the last member of one of the great houses of Elendhaven, after his family all died from a mysterious plague. He suspects Florian is a sorcerer, and convinces Florian to hire him. On the pretense of bringing Elendhaven prosperity once again, Florian has been undermining any chances developers and businessmen offer to the city in an attempt to destroy what is left of the city. Johann is the Monster of Elendhaven, but while Florian, with his devious plans and black sorcery, may not look the part, he is equally monstrous.

Imagine the worst, most impoverished parts of Dickens’ London, populated with vengeful mages with black sorcery, and deathless, monstrous killers from myth, and pour a dark wash over it all, and you will have a pretty good picture of Elendhaven. Imagine a monster, in thrall to a sorcerer, seeking agency to pursue its desires, but thwarted again and again in the face of Florian’s need for vengeance for his sister. Johann has flashes of humor and empathy that provide occasional light moments, and there are a few moments of sadness and regret on Florian’s part. But none of it, nor the twisted love and desire that underlie the story redeem either character.

Giesbrecht’s worldbuilding is  vivid and fascinating, and I would love to see further exploration of it either in additional novellas or a longer book. My hat is off to her for creating a powerfully descriptive, memorable and fascinating story around two completely irredemable characters who somehow manage to connect with both each other and the reader. It’s a book the reader won’t soon forget.

Book Review: Only Ashes Remain (Market of Monsters #2) by Rebecca Schaeffer


Only Ashes Remain by Rebecca Schaeffer

HMH Books for Young Readers, 2019

ISBN-13: 978-1328863553

Available: Hardcover,  Kindle edition, audio CD

 

Only Ashes Remain is the follow-up to Not Even Bones (previously reviewed here). At the beginning of this book, Nita and Kovit have escaped from the Death Market, leaving chaos and over a hundred deaths in their wake. Kovit, a former mob torturer, goes on the run, and Nita turns herself over to INHUP, the international organization charged with policing “unnaturals” and eliminating the dangerous ones. Shortly thereafter, she discovers that the boy she freed from her mother,Fabricio, who betrayed her to the Death Market, is also the son of someone high up in a mob family, and is on the run from them as well. In the first of many incidents in the book, Nita has to make decisions about whether vengeance, and death for those who threaten her, is worth the price. Taking advantage of INHUP’s willingness to take her to her closest relatives, she decides to contact her mother in Toronto, who saves her from a police investigation. Nita is unwilling to go back to the role her mother wants her to play in hunting and killing unnaturals, and leaves her, connecting with Kovit once again. Video of Nita with her ability to heal has been shared on the Internet, and her anonymity has been compromised, leaving her in constant danger from bounty hunters. Nita has some desperate choices to make, and feelings that she must come to terms with, about herself, Kovit, and who she can trust.

Many of the characters here tread questionable moral ground. Where previously Nita was a complicit but passive participant in the murders her mother committed, then a desperate victim of a black market dealer willing to do terrible things to escape and survive, now she has agency. And, as might be expected from a traumatized teenager raised in a home where murder is the norm, her impulsivity causes some serious problems, and her judgment is really, really poor.  Crossing her line of when it’s acceptable to kill becomes easier and easier for her, so much so that even Kovit warns her about what she is becoming– and Kovit never lets go of the knowledge that he is truly a monster. Nita, while she can’t witness Kovit’s enjoyment in torturing others without fear and disgust, also can’t break the connection she has with him. Only Ashes Remain is still gory and graphic in places, but in terms of torture, dissection, and body horror, much more is implied than shown (that doesn’t mean it isn’t shown at all, but it wasn’t quite as hard for me to handle).

Although Kovit’s background is considerably fleshed out, we’re already pretty clear on what kind of relationship he has now with Nita. Nita is a less sympathetic character, probably because she is claiming her agency in some pretty murderous ways and keeps doing exactly the wrong thing after being told not to do it. Still, the plot races along, characters new and old add some interesting flavor, with a few loose ends possibly showing up again in the third book. We’re left wondering what’s reallly going on at INHUP, how Fabricio and his family play into the story, if the mob will catch up with Kovit, what role Nita’s mother plays in all of this, and how Nita and Kovit’s story will end. Despite the fact that Kovit is a monster who feeds off people’s pain and Nita is now responsible for multiple murders, Schaeffer has been a virtuoso in drawing them as characters that the reader still wants to make it.

There’s a lot of moral gray area to navigate in this book, as well as the gore, murder, and torture, so, again, it will take a special kind of reader to appreciate it.  For those readers, though, Only Ashes Remain is a solid sequel to the first book in the series. Highly recommended.