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Book Review: The Book of X by Sarah Rose Etter

cover for The Book of X by Sarah Rose Etter

The Book of X by Sarah Rose Etter  ( Bookshop.org | Amazon.com )

Two Dollar Radio, 2019

ISBN-13: 978-1937512811

Available: Paperback, Kindle edition, audiobook

Cassie was born with a knot in her torso, a strange genetic mutation that has been carried on through generations of women in her family. The way she lives in and perceives her body, and the way other people react and interact with her because of her body, are also knotted together, in a way she can’t escape. Although her story is shaped by the grotesque, that is something true of most other women, too: the way they live in and perceive their bodies, and what others expect of them because of their bodies, can leave them trapped as well.

The way Cassie describes the realities of her daily life suggests that she is an unreliable narrator– her father makes money from mining from the meat quarry on their land-  but what she describes– doing chores, shopping with her mother, hanging out with a friend, sitting through school– is banal. She has vivid, poetic visions of body parts: rivers of thighs, fields of throats, bodies sliced through at the torso, and her own stomach, flat instead of knotted.  Her mother, who also has a knot, wants Cassie to disguise it with makeup, new clothes, and diet, feeding her rocks instead of ordinary food. Even the boy she likes doesn’t like her body because of the knot. Despite a painful experimental treatment, Cassie is unable to get rid of the knot that causes her physical and emotional pain. The meat that her father mines is bodiless, a place where she feels good about herself. But even that is taken from her when she is sexually assaulted in the meat quarry.

Cassie escapes to the city, where she can be anonymous. Even though people in the city don’t all know about her knot, they still have expectations. At her job she is expected to always be optimistic and cheerful, with a smiling face. When she takes a man back to her apartment and he sees her knot, he leaves. She is not defined by her knot in the same way that she was when everyone knew about it, but she is still trapped, this time by expectations of what a woman is supposed to appear like publicly as well as privately.

More autonomous that she used to be, she once again visits a doctor, but walks away from a supposed “new” treatment that appears identical to the one she has already gone through. Eventually she does find a doctor willing to do a complicated and painful surgery that would allow her torso to be unknotted, but it doesn’t leave her body, or her attitude, unmarked.  She is still unable to endure the trauma of returning to her hometown, where she would have to see the physical pain her mother’s knot is causing her, revisit the scene of her sexual assault, and witness the “normal” existence of getting married and having a family that her best friend has. Even though the knot is no longer there, Cassie can’t see her body or self as being beautiful or worthy of love, and her self-loathing finally destroys her.

Had Etter taken a different path in telling Cassie’s story it would be bleak but not enthralling or horrific. But the surreal elements of Cassie’s environment (like the knot and the meat quarry), while very real to her, make the reader doubt the reality of the situation, coming back to the words more than once to be certain you understand. The Book of X, while giving us Cassie’s point of view of her own story, also embodies the difficult relationships and sometimes unreal feelings and perceptions that many women experience– and that is what makes it so disturbing and unforgettable. It’s no surprise that this book won the Shirley Jackson Award. Recommended.

Reader’s advisory note: Readers who enjoy the work of Carmen Maria Machado may also appreciate The Book of X. 

 

Book Review: Burn Our Bodies Down by Rory Power

cover for Burn Our Bodies Down by Rory Power

Burn Our Bodies Down by Rory Power

Delacorte Press, 2020

ISBN-13: 978-0525645627

Available: Hardcover, Kindle edition, audiobook, audio CD  (  Bookshop.org  | Amazon.com  )

Seventeen-year-old Margot, trapped in a disturbing codependent relationship with her abusive mother, finally finds an escape after discovering she has a grandmother living just outside Phalene, a small town only a few hours away. Arriving in Phalene, Margot quickly meets Tess, daughter of a wealthy landowner whose property is next to Margot’s grandmother’s farm, and Tess’ friend Eli. Tess and Eli tell Margot her grandmother has a reputuation as an eccentric, but offer to walk her to her grandmother’s house. On the way, the three teens discover the property is on fire, and Eli carries a girl out of the fire who is identical to Margot in looks and age, but who Margot has never seen before. The police are suspicious and take all three to the station to question them, but are clearly focused on Margot, especially because this isn’t the first fire to take place on her grandmother’s property, and the two girls are so identical it’s hard to believe Margot doesn’t know her.

A significant part of the book has to do with Margot’s developing relationship with her grandmother. At first, her grandmother is loving and welcoming, if inflexible, but early on Margot realizes that her grandmother is also being evasive and, at times, outright lying to her. The reader will see clearly the similarities between the behaviors of Margot’s grandmother and mother; it becomes clear early on why Margot’s mother never wanted to speak about her family. Margot also begins a close friendship with Tess, which has the marks of the beginnings of a crush on her, but this is never followed through on. Margot, Tess, and Eli are determined to solve the mystery of the girl who died and how that might be related to the earlier fire, and Margot as well wants to learn about her family’s past. There is clearly something going on that her grandmother is hiding, and a diary Margot finds contains clues as to what led to her mother’s behavior and some of the reasons she may have passed the trauma of her own childhood on to Margot.

The science-fictional twist at the end leads to some particularly gruesome body horror, and thoughtful readers may still find themselves disturbed by the long-term consequences of not eliminating all of the loose ends. Burn Our Bodies Down punches up the action faster than Wilder Girls but meanders in the middle, until it reaches its fast-paced and gory conclusion. Power has done a great job of showing the effects generational trauma and the difficulty of breaking that cycle. Even in relationships that haven’t sustained the kind of damage as the family in this book, there are very few girls who want to grow up to be just like their mothers, and Burn Our Bodies Down does an excellent job of portraying a time of life when most girls are separating to explore and form their own identities.

Graphic Novel Review: Frankenstein: Junji Ito Story Collection by Junji Ito

Frankenstein: Junji Ito Story Collection by Junji Ito

Viz Media, 2018

ISBN-13: 9781974703760

Available: Hardcover, Kindle, comiXology

Junji Ito, the master of horror manga, adapts Mary Shelley’s classic, Frankenstein in this graphic collection. Victor Frankenstein is obsessed with creating life from death. He stops at nothing to create his giant, only to be repulsed by his design. Abandoned and angry, the creature takes his revenge on those Victor loves.

I read a few reviews that were critical of Ito’s adaptation, indicating that they felt that adapting Shelley’s novel restricted his horrific artwork and storytelling. I would have to disagree, particularly regarding the art. While it is true Ito is skilled at the grotesque, his ability to draw beautiful characters seems to go unnoticed. For instance, is titular character in Tomie is gorgeous, which I think makes the horrific scenes in the manga so effective. The same can be said of his art for Frankenstein. The Creature, and moreover the companion Victor creates for him, are horrific. The character designs are signature Ito. Ito takes some liberties with the story, but not enough that it takes away too much from Shelley’s original novel. Purists may be disappointed, however.

Included in this collection are six short stories that center on a high school student named Oshikiri who lives alone in a strange mansion while his parents are away. In “Neck Specter”, he murders his best friend Kojima over petty jealousies and buries him on his family’s land, only to discover that when he unearths him that his neck has grown longer. Soon he is seeing everyone around him growing long, winding necks and accusing him of his crime. “Bog of Living Spirits” tells the tale of a small body of water near Oshikiri’s high school where it is rumored the ghost of a jealous girl drowns handsome boys that wander into the area. In this story, Kojima is alive and followed relentlessly by the high school girls who adore him. When he volunteers to help the other students tidy up the land around the bog, the girls are distraught and beg him not to go. Were they right, especially when they witness him falling in and not resurfacing? Oshikiri becomes friends with a seemingly lonely girl in “Pen Pals”. The young girl begins receiving insults and death threats in letters after she tells them of her new friendship. Oshikiri finds out the disturbing truth when he visits her at home. In “Intruders”, Oshikiri befriends some classmates who are interested in alternate dimensions, and who want to explore his mansion after he describes the strange footsteps he hears. There, they discover their own graves, complete with rotting corpses.

“Hell of the Doll Funeral” is the shortest story in the book, but one of the most gruesome. Children are starting to turn into dolls, and parents burn them before the affliction completes its cycle. One mother refuses to do so, and the result is terrifying.

The last two stories in the book gives the reader an uncommonly light-hearted look into the Ito family, specifically the family dog. The Matlese named Non-Non was clearly the ruler of the family.

While this volume is a departure from works such as the aforementioned Tomie, Uzumaki, and Gyo, it is still very enjoyable. Ito’s art style is unique and highly detailed. I would recommend this title for those who like graphic adaptation of classic horror, body horror, horror manga, and interesting stories.

Contains: blood, body horror, gore, nudity

Highly recommended

Reviewed by Lizzy Walker