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Book Review: The Empire of the Moon and Stars and Other Stories by Simon Bleaken

cover art for Empire of the Moon and Stars and Other Stories by Simon Bleaken

The Empire of the Moon and Stars and Other Stories by Simon Bleaken
Independently published, 2025
ISBN 979-8343998535
Available: Paperback, Kindle edition
Buy:  Bookshop.orgAmazon.com

 

The Empire of the Moon and Stars is an interesting mix between horror and science fiction, independently published by a writer who is definitely worth watching – and reading.

 

The title story “The Empire of the Moon” is a fine example of what I mentioned above, namely an extremely disquieting mix of horror and science fiction. Another standout is “Anarred Asylum”, a very dark story where madness and supernatural merge. Admittedly, suspension of disbelief is hard to maintain throughout the whole tale: however, it remains a powerful journey into horror. “Ocean Song” is yet another strong, quite horrific piece, revolving around the invasion of deadly parasites coming from the sea.

 

I won’t even try to describe what happens in “A World Behind Glass”. It will suffice to say that it has all the features of a nightmare, where anything bad can happen and no explanations are required.

 

“Final Words” is an atmospheric piece, revisiting the secrets surrounding the elusive Robert Chambers book, The King in Yellow, while “The Breath of the God” is a claustrophobic example of “archaeological” horror.

 

The final section of the volume, called “Echoes of the Future”, is extremely oriented toward science fiction. Readers looking for an author who can write both horror and science fiction will want to check this collection of stories out.

 

 

Reviewed by Mario Guslandi

Book Review: Lichtenberg by Tom O’Connell

cover art for Lichtenberg by Tom O'Connell

Lichtenberg by Tom O’Connell

Temple Dark Books, 2025

ISBN: 9781068250736

Available: Hardcover, Kindle edition

Buy: Amazon.com  | Temple Dark Books

 

Lichtenberg is a grim, bleak dystopian tale that keeps the reader interested throughout, because it always maintains a flicker of hope throughout the novel.  For the readers out there that enjoyed books like Cormac McCarthy’s The Road, this should be a perfect read.   The book is written in the present tense from the perspective of Riven, a soldier in the Corps, the group tasked with protecting the City of Raidon from the Ramasites. Raidon is one of the remaining bastions of civilization, and all inhabitants have one fear: that the Ramasites, humans trying to survive outside the city, will one day band together and destroy it.  No matter that none of the city’s inhabitants remember the time before whatever calamity happened, it’s just what they have been told, and it’s what the historical archives tell them.

 

The job of the Corps, a loosely disciplined army of troops that love violence, is simple: patrol the countryside, and kill anyone they find.  Men, women, children– all are a threat, and must be eliminated.   The plot centers on Riven, and the doubts he starts having with the validity of the mission of the Corps, which of course is its only reason for existence.  The narrative is really more about Riven and how he sees things.  That’s why the first-person present tense (a style I normally loathe) actually works for this book.  It lets the reader get into Riven’s head in an immersive and immediate way. A significant amount of the writing concerns Riven’s thoughts and feelings regarding the Corps and what they do.  It’s a fairly in-depth character study, and it is well done.  The story doesn’t provide any information from before Riven’s time, or after it, since he is the focal point of the story.  This is one of the few times I have read a book written in this style that actually works, since too many books written in the present tense come off like bad movie scripts.

 

This is not just a detailed psychological novel: there are plenty of things happening in the story, more than enough to keep the pages flipping.  The interactions between the Corps and Ramasites provide a good deal of the action, as well as some of the basis for Riven’s discontent.  There are violent gun battles that show the inhumanity of the Corps members, and some of the training that takes place inside the walls of Raidon helps explain how the soldiers became what they are.  When you are raised on violence, you are likely to do the same to others, as they demonstrate on the Ramasites.  It all builds to a very satisfying conclusion that hits with a bang, and Riven’s fate is quite dramatic: it would look incredible on the silver screen.  The only thing I didn’t understand was the brief epilogue chapter, The way the book ended before that was perfect as it was: open ended, but with hope for the future.   In closing, definitely a good one, and worth checking out. Recommended.

 

 

Reviewed by Murray Samuelson

Book Review: The Witch of Willow Sound by Vanessa F. Penney

The Witch of Willow Sound: A Novel

The Witch of Willow Sound  by Vanessa F. Penney

ECW Press, 2025

ISBN-13 ‏ : ‎ 978-1770418424

Available: Paperback, Kindle edition, audiobook

Buy: Bookshop.orgAmazon.com

 

 

The story starts with the burning of a woman. Author Vanessa F. Penney details the fire singeing the feet and its expansion as it rises up her body, the crackling sound of the fire, the color of the smoke, the logistics afterwards, the small rituals that have to be done when you burn a witch. It is easy to get rid of the flesh, but what to do with the bones? The prologue yanks you into this novel about the disappearance of Madeline Luck, the local witch, though the rest of the book is a slow burn (no pun intended).

 

Madeline Luck has been missing for three months. Her niece, Phaedra, also known as Fade, is given the task of finding her, due to the family’s rightful distrust of the local police department. Even though she used to be very close to her aunt, especially when she lived with her at Willow Sound, Fade hasn’t seen her for over 20 years. 

 

The reader follows Fade’s steps as she makes her way up unmarked paths to get to her aunt’s house, atop a secluded cliff in Nova Scotia, and works through the mystery of her disappearance. As Fade gets deeper and deeper into the case, she exposes shocking town secrets, uncovers literal skeletons in the closet, and learns the deep history of witchlore from a bumbling but lovable historian named Nish, who becomes Fade’s sidekick in solving the mystery. The novel keeps you guessing until the very end to find out if it was Fade’s aunt, Madeline, that was burning at the stake at the beginning of the book, or if she was the one that set the fire. 

 

The book moves at a slow pace, with each detail mentioned being an important clue to the final resolution. The author has a gift of bringing you into the woods where Madeline’s ethereal house stands, with a haze over the sound and a large shadow cast upon the nearby, distrustful town of Grand Tea. The town is literally under a shadow of a huge rock which threatens to fall and crush the residents. The air is full of suspicion and tension, directed at Madeline, who the townsfolk blame for all their misfortunes. Fade will not find any help from them.

 

The Witch of Willow Sound  is a delightful book that transports you into the landscape of Nova Scotia. It explores witchlore, and feminist ideas of the suspicion of women who do not conform to the gender norms expected of them. Even though it is labeled as horror, I would say it’s more of a mystery, with historical and gothic elements. It is a sweet tale about memory and expressing your appreciation of people before they are gone. Fortunately, Fade discovers this before the end of the novel.

 

This would make a great book for a reading club and would spark great debate about how society views women who live just for themselves. Men living alone in the woods are “self-sufficient” but somehow women living on their own are viewed with suspicion and labeled as witches who need to be taken into the fold. Labels such as cat lady (witches are also known to have black cats) and spinster (an occupation of spinning wool into yarn which was a way for unmarried women to support themselves during the Middle Ages) have similar attributions. Why can’t some of us just like animals more than people and be left alone with our hobbies without fear of being burned at the stake? Is that too much to ask for? Recommended. 

 

Reviewed by Lucy Molloy