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Book Review: The Kidnapping of Alice Ingold by Cate Holahan

The Kidnapping of Alice Ingold cover art

 

 

 

 

 

 

 

 

 

 

 

The Kidnapping of Alice Ingold by Cate Holahan

Thomas & Mercer, 2025

ISBN: 9781662529764

Available: Paperback, Kindle edition, audiobook

Buy:  Bookshop.org | Amazon.com

 

 

If you want to know how to turn an old plotline into something entirely new that no one has thought of, author Cate Holahan is clearly a good person to ask. Here, it’s the old ‘kidnap a rich couple’s kid for ransom’ shtick. The idea has been tweaked before, with the old Mel Gibson film Ransom coming to mind, where Mel offered the demanded ransom payment as a bounty on the kidnappers instead. Not only has Holahan come up with something much wilder (and written it very well, I might add) she also manages to use this country’s current obsession with artificial intelligence as part of the plot’s backbone. If you like mystery/thrillers, this is a must-get.

 

I’ll try to give the basics without spoiling it. Catherine and Brian Ingold fill in the rich couple role, Brian is kind of like the Elon Musk of AI– very driven, very wealthy… and, perhaps, a bit nutty. Their 19 year old daughter, Alice, is kidnapped. Here’s where it gets fun, and the plot rides off on a brand new track. The kidnappers make no ransom demands, but instead send riddles to solve, leading the family, the cops, and the FBI all over the country. The notes are made available to the public, as the kidnappers demand, and it turns the hunt for Alice into the craziest version of a nationwide scavenger hunt.

 

What makes this so great is that Holahan, with her plotting, is always two steps ahead of the reader, and she excels at going to unexpected places. Example: when the mystery of the kidnapping is solved, you would expect that to be the final climax of the book, right? Not even close– it’s only about the halfway point of the book! The story zips off on a new thread that still relates to the old one, but you’ll never see it coming. The twists and turns continue right to the end, Hitchcock himself would be proud of this one. The difference is, the pacing in this is much faster than the pacing ol’ Hitch used in his films.

 

The way the author uses the whole concept of A.I. in the book deserves mention also. As my fans (all two or three of them) know, I dislike tying in novels to current day events, the tendency of people to do that and try to make every book a statement really irks me. In this case, I’ll make an exception. The whole idea of A.I. and where it is taking us as a society is a big part of the idea behind the book, but, key point: it’s part of the plot. This isn’t a book written just to prove a point. Instead, through the actions and opinions of the characters in the book, the author asks some very good questions about where the whole thing is headed, and whether or not it is worth it. It’s a smart author that can get readers to think about these things, yet avoid preaching their own personal opinion, whatever that may be. Both the pro and con sides of the idea help define the actions of the book characters, and it may cause you to start asking questions yourself.

 

The bottom line is: don’t miss this one, just pony up the dough and get it. You won’t regret it. The only thing I would change is the cover art, it’s a clunker. After reading this, the real mystery to me is: how the hell have I not heard of this author before? I’m not making that mistake again! Highly recommended.

 

 

 

Reviewed by Murray Samuelson

 

 

Book Review: Nematodes by David Smith

Nematodes by David Smith

Temple Dark Books, 2026

ISBN: 9781068250729

Available: Hardcover

Buy:  Temple Dark Books (pre-order, available in January)

 

 

If you thought Lord of the Flies and its premise of “kids running wild amid societal  breakdown” was a cool concept, but wanted a version that was light on philosophy and heavy on excitement (with plenty of gunfire) then you will love Nematodes. The basic idea is taken and amped up way past the redline, and includes the author’s own original twists to the idea in the narrative.

 

The setting is rural America, in the town of Paradise, a year after nematodes (microscopic worms that are part of our ecosystem) have killed almost all of the adults in America, turning them into flesh-eating, raving lunatics that soon die from the effects. If you saw that old movie  The Crazies, the adults are kinda like that. Only kids, age 15 and under, are left. The author does an excellent job portraying Paradise and its inhabitants.

 

Here, a rough social order has emerged, run by the strong, and force is the only law. The children are shown as you might expect– petty, extremely cruel, lying constantly to save themselves, and willing to turn on each other whenever necessary. Oh, and very foul-mouthed, of course! It’s a nice job showing what is likely to actually happen, as opposed to trying to portray the kids as suddenly maturing and acting like adults. Some readers might nit-pick about the lack of detail concerning how the kids managed to survive for over a year with no electricity and running water, (cooking and toilet problems come to mind) but this isn’t written like Verne’s The Mysterious Island, where every little survival detail is provided. In this case, doing so would have slowed the narrative, and the intent here is clear: provide a high-speed story that doesn’t ever let up.

 

It never does, and that’s why it works. Early on, the story revolves around Ben and his younger siblings, and their clashes with Caleb and his slimy brothers Rikki and Marcus, who run the town. Partway through, a couple of surviving adults are introduced, and the scope of the narrative expands to include some areas outside of Paradise, as well as a BIG twist to the plotline, it shifts from being just “survival of the fittest” to “will humans survive, in the face of what they learn about the nematode infestation?” The reason given might seem a little wacky for some readers, and really changes the narrative, but I thought it showed good creativity by shifting away from where the reader expects the story to go. This also allowed the author to have the kids forge new alliances among themselves, which again, does a nice job of keeping the reader guessing, and elevating interest.

 

Even if the author had made the plot more predictable, this is easily worth reading for the high-octane pacing. Someone is always being hunted for a reason, and that keeps the tension high throughout, wondering if one of the children will survive into the next chapter. There’s enough character development that readers will hurt when some of the characters are killed off, especially considering how heartless some of the murderous kids are. You thought the Children of the Corn were bad news? They are bush-league amateurs compared to Caleb and his gang. Paradise is truly a “take no prisoners” world, and it can be a bit tough to read at times, but it makes for a real page-turner of a story.

 

Bottom line here is: if you want to see an ugly, ultra-violent world where the kids are every parent’s worst nightmare, you don’t want to miss this. Definitely recommended!

 

 

Reviewed by Murray Samuelson

 

Book Review: Acquired Taste by Clay McLeod Chapman

Acquired Taste by Clay McLeod Chapman

Titan Books, 2025

ISBN-13: 9781835410783

Available: Hardcover, audiobook, Kindle edition

Buy: Bookshop.orgAmazon.com

 

 

I attended a great panel at the 2025 American Library Association Annual Conference in June titled “Crossing Thresholds: The Rise of Transgressive Horror,” moderated by the amazing Becky Siegel Spratford with Clay McLeod Chapman, Eric LaRocca, and Hailey Piper at the 2025 ALA Conference. They discussed how their stories subvert genre norms and push boundaries, their creative processes, and future projects. Shortly afterward, the Titan Books reps ushered attendees to their booth in the exhibit hall for signed copies and to meet the authors. After devouring all their books, I felt compelled to write reviews for each of them.

 

Clay McLeod Chapman’s Acquired Taste is a collection of 24 previously published short stories and 1 novelette, each with strong characters and themes.

 

In “The Fireplace,” a family moves into a new home, and the hearth beckons to the man of the house. In “Cyan, Magenta, Yellow, and Key”, a pastor gets his reward after leading some Boy Scouts to a book burning. In “The Spew of News,” people are becoming something else after their obsessive viewing of a popular right-wing news channel, and a son finds his parents have fallen victim to its influence. “Baby Carrots” will leave the reader wondering about the bag in their own refrigerator. In “Fairy Ring,” a son visits his elderly mother, who has been afflicted with some kind of fungal infection, in the hospital. In “Pump and Dump”, a new father finds a breast pump for his wife at a garage sale but really needs to test it to make sure it works. Strange stuffed toys in “Knockoff” show the obsession and materialism of viral media toys.

 

These are only a fraction of what the reader will encounter. Rest assured, all the short stories in this collection will live in your brain well after you have finished them. If you are looking to add short horror story collections to your library, pick this up. Highly recommended.

 

 

Reviewed by Lizzy Walker