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Book Review: The Wild Inside by Jamey Bradbury

The Wild Inside by Jamey Bradbury

William Morrow, 2018

ISBN-13: 978-0062741998

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

Mother’s rules: never lose sight of the house; never come in with dirty hands, and most importantly, never, ever, make a person bleed.

The Wild Inside is a different kind of thriller. It’s been compared to a mix of Stephen King and the Bronte sisters, but that’s an unfair deal. What Bradbury has done is something unique, and should stand apart from those names. It truly is a wild novel both in narrative and story, something that adventurous readers should devour this spring and summer, despite the arctic bite that infects every chapter. It should also resonate strongly with the YA crowd and would do well to infiltrate that market, too.

Tracey Petrikoff is an unusual young woman. Kicked out of school for fighting, she harbors a darkness that usually can be contained. She seeks to please her parents and loves her little brother, even if things get a little crazy. When her mother passes away, Tracy is forced to grow up and help her father, an Iditarod musher who has been suspended. She also races, and aches to make the profession her life, although her behavior steps in and keeps her sidelined.

She is forced to focus on her hunting and trapping, skills she excels at, as she has a natural sense of what the prey feels and thinks. She keeps her mother’s warnings at the front of her mind, yet impulsiveness often rears its ugly head. When a stranger crosses her path in the wild, her knife flashes and blood spills. Her father saves his life, unaware that it could be his daughter who nearly killed the man. After a discovery nearby threatens to change her life, Tracey finds her world slowly unraveling. Then a boy steps out of the same woods to rent a room on their property: a character who holds more secrets than she.

What sets The Wild Inside apart from other contemporary YA fare is Bradbury’s narrative style. First person narrative is common, but while it’s not always well done, here the author excels. Bradbury’s style is both razor sharp and claustrophobic, resulting in a tense, but welcoming read. Dialogue tags are thrown to the side, often clashing with internal thoughts, forcing the reader to discern which is which: a heady, often trippy, experience that may put off casual readers, but for the dedicated, will bring rewards. Tracey is one of the more memorable characters in recent YA literature due to her moral makeup and her struggles both within herself and with the outside world.

Recommended for the thriller lover who craves something different, much different and can handle a different kind of narrative.

Contains: gore, violence, murder, descriptions of child abuse, LGBTQ+ themes

Reviewed by Dave Simms

 

 

 

Book Review: Freaky Franky by William Blackwell

Freaky Franky by William Blackwell

Telemachus Press, 2017

ISBN: 978-1-945330-94-0

Available: Paperback, eBook

 

Freaky Franky by is a gory, yet moralistic, tale about the increasingly popular, cult religion of Santa Muerte. Santa Muerte’s origins include elements of pre-Columbian  gods, European symbols of death and plague, and Catholicism.  It is said to have tens of millions of devotees in Latin America, especially Mexico and the American Southwest, among the disadvantaged, poor and downtrodden.  In Mexico, Santa Muerte is said to be popular among members of rival drug cartels.  The Roman Catholic Church and several Protestant denominations condemn its practice.

 

The Lady’s symbol is a female skeleton dressed in a robe, which usually carries a globe and scythe.  Devotees light candles and give offerings of tobacco smoke, alcohol, money and food.  The Lady grants wishes for love, wealth, health and protection.  However, she also grants wishes for vengeance and power over others.

 

Freaky Franky begins with seemingly unrelated horrific murders in Mexico and Prince Edward Island (PEI).  Equally gory murders and a violent sexual assault follow in the Dominican Republic.  Soon it is clear that the common thread is that worshipers of Santa Muerte are to blame.  In particular, Franklin, an expat who fled from a tragic childhood in Prince Edward Island, is responsible for much of the mayhem in a Dominican resort town.

 

However, in this story the Lady grants wholesome wishes as well.  A Mexican doctor in PEI uses Santa Muerte to cure Franklin’s nephew.  Anita, Franklin’s estranged sister, travels to the Dominican Republic to reconnect with him.  She prays to the Lady to help a young vacationing couple and turn Franklin away from doing evil.  Devotees can use Santa Muerte for good or for evil.  However, the novel makes it clear that those who use it for evil will be severely punished in their mortal life and in their afterlife.  Franklin struggles between these choices.  Can he be saved?

 

The plot is initially confusing until the common thread of Santa Muerte becomes clear after the first few chapters.  Thereafter, it moves along well.  The characters are mostly one-dimensional.  However, Franklin and Helen, Anita’s bullied friend, are interesting when they waver between using the Lady for evil and good.

 

Contains: graphic sex, sexual assault, violence and gore.

 

Reviewed by Robert D. Yee

Book Review: Halloween Carnival: Volume 3 edited by Brian James Freeman

Halloween Carnival: Volume 3 edited by Brian James Freeman

Random House Publishing Group – Hydra, 2017

ISBN-13: 9780399182051

Available: Kindle ebook

Halloween Carnival: Volume 3 is another installment to Freeman’s anthology collection  with five more tales of horror associated with my favorite holiday.

In Kelley Armstrong’s “The Lost Way,” we enter the town of Franklin, where children have a habit of losing their way every Halloween. Dale is determined to find out why his schoolmates keep disappearing. This Halloween, he follows his stepbrother into the forest, where he is forbidden to venture, and finds the reason. The problem is, he finds out the truth much later than he anticipates, and certainly not how he remembers it.

Kate Maruyama’s “La Calavera” focuses on Trish, who is mourning and struggling with the untimely death of her best friend and roommate, Jasmine. They always did everything together: the Día de los Muertos Festival at the Hollywood Cemetery used to be one of their shared rituals. Things changed when Hector came along. The time has come that Trish make her pilgrimage with an unexpected guest, to let her go, and to pay penance.

“The Devil’s Due”, by Michael McBride, takes place in the idyllic town of Pine Springs, Colorado, a thriving small community that has been prosperous for generations. All of this good fortune has not come without a cost, however: the townspeople have practiced special traditions, and, for these, the town goes on. When Thom refuses to take part, the townspeople become angry and demand the ritual continue.

Anne discusses the disturbing events of a picnic she enjoyed with her spouse, Evan, in Taylor Grant’s “A Thousand Rooms of Darkness.” Anne has been diagnosed with samhainophobia, a fear of Halloween, and phasmophobia, a fear of ghosts. She finally builds up the courage to tell Evan after experiencing an episode during a picnic, after she talks with the therapist she’s been avoiding for months. In the weeks leading to Halloween, when things for Anne get particularly bad, she receives a phone call that her therapist has died. Her paranoia increases as she worries about harm coming to Evan. Then there is the matter of the demon she hears as it gets closer to Samhain.

In “The Last Night of October”, by Greg Chapman, we meet Gerald, wheelchair bound and suffering from emphysema. Every Halloween, Gerald  waits for the boy in the Frankenstein monster’s mask to come knocking at his front door. This year, it is different. There is his nurse, Kelli, who waits with him, and hears Gerald’s tale of woe. Will they both be able to face the child and remain sane…or alive?

Something unique about this particular anthology is the theme of lies: lies people tell themselves to avoid the truth, lies about relationships, lies that a community propagates to its own end, lies about fear and sanity, and lies people tell so they can sleep at night. While there isn’t anything too graphic in this volume, I would recommend it for adults and teenagers who can handle their horror. Recommended.

 

Reviewed by Lizzy Walker