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Book Review: Halloween Carnival: Volume 2 edited by Brian James Freeman

Halloween Carnival: Volume 2 edited by Brian James Freeman

Hydra, 2017

ISBN-13: 9780399182044

Available: Kindle edition

 

Spring is upon us, and that means, for me anyway, lamenting the passing of the fall and winter. In doing so, I like to read Halloween anthologies, prepping for the year’s best holiday. I originally picked these titles up on Net Galley, but I enjoyed the Halloween Carnival volumes so much that I purchased them so that I could relish the tales of the macabre throughout the year. Halloween Carnival: Volume 1 was a lovely little read, and Volume 2 is equally as good.

Five tales are contained within the pages of this book. Leading off is “Mr. Dark’s Carnival” by Glen Hirshberg. Professor R. loves Halloween, especially regarding the history of the local legend, Mr. Dark’s Carnival. Little is known about Mr. Dark, let alone the carnival itself. There are second and third hand accounts, but never, as the professor mentions in a lecture to his students, primary source accounts. The carnivals that people are invited to, by ticket only, are never the real thing—merely pranks or frat parties. Will this year be any different? He will only find out if he accepts the ticket from the body on the bridge.

“The Facts in the Case of My Sister” by Lee Thomas introduces us to young David, who loves magic, mesmerism, and hypnosis. When David’s little sister, Joyce, becomes so wracked with fear at the monsters in her closet that her screams echo the halls, he feels compelled to help her. He discovers much too late that his aid was a terrible thing to inflict on her. This story goes back and forth between adulthood and childhood and does so effectively. This is one of the strongest stories in this collection. I had to put the book down for a bit to let it sink in. I won’t ruin it, but the tension and realization of what happens because of David’s influence is dense and heartbreaking.

“Mischief Night” by Holly Newstein tells the tale of Willard, an alcoholic with a temper, and Nolan, an angry teenager from a broken home. When Nolan injures himself in his attempt to hide after a Mischief Night prank gone wrong, the two find themselves in a deadly situation.

In “The Ghost Maker” by Del James, a gangster, who is good at his job of making people disappear, answers the door to the wrong person when he’s invited to a Halloween party thrown by one of the big bosses. I think this had an interesting premise, but it wasn’t the strongest story in this collection.

“The Pumpkin Boy” by Al Sarrantonio is a chilling little story about missing children, a town legend, and the adults who struggle with their own demons while trying to make sense of the events that unfold. Jody Wendt has gone missing. Detective Len Schneider, with  perpetual doubt lingering in his mind, after he was too late during a previous case, is convinced this case will redeem him. More boys go missing in the meantime, and reports are coming in of sightings of the mysterious Pumpkin Boy.

The stories in this volume are less about gory scares than they are about psychological horror. Other than the theme of Halloween, the themes of struggle and loss permeate the tales in different ways. This is evidenced strongly in “The Facts in the Case of My Sister,” “Mischief Night,” and “The Pumpkin Boy” particularly. Recommended, especially for  fans of the Dark Screams anthologies.

Contains:

“Mr. Dark’s Carnival”: suicide

“The Facts in the Case of My Sister”: graphic description of domestic abuse

“Mischief Night”: alcoholism, death

“The Pumpkin Boy”: child abduction, child murder, gore

 

Reviewed by Lizzy Walker

Graphic Novel Review: Archival Quality by Ivy Noelle Weir, art by Christina “Steenz” Stewart

Archival Quality by Ivy Noelle Weir, art by Christina “Steenz” Stewart

Oni Press, 2018

ISBN-13: 9781620104705

Available:  Paperback

 

After losing her job at the library due to her failing mental health, Celeste “Cel” Walden lands an archivist job at the Logan Museum, previously a sanitarium. The position, she finds out quickly, is a bit odd. She is required to live on site, keep strange hours, and work with a secretive supervisor, among other things. There are also mysterious noises that can be heard through the vast halls at night, making the environment creepier than it is during daylight hours. Cel also experiences losing time, strange and unsettling dreams, and fainting. She can’t afford to lose this job: how is she going to cope with the strange goings-on that are occurring around her? Who is the mysterious girl, Celine, haunting Cel’s dreams, and eventually, her waking hours?

Cel’s fear and apprehension of mental health treatment, and the stigma that is attached therein, resonated with me. Between losing her beloved library position as a result of her failing mental health and what she “sees” of Celine’s experiences in the sanitarium, Cel’s experiences provide a lens for viewing the history of mental health care, particularly for young women. I had my own negative experience with the mental health care system, so I understand fully Cel’s apprehension. I think Weir has captured that fear well in this book. While there is much good that mental health care can do for those who need it,  it’s difficult to trust it when you have had a potentially harmful experience. Compound that with the stigma placed on those who cope with mental health issues, and it is perfectly understandable why Cel’s reaction is appropriate to the character. Even as her boyfriend Kyle and others try to reassure her, she still struggles, sometimes to the point of falling into cyclical logic that tells her she is broken. For me, Cel was extremely relatable.

While Archival Quality isn’t strictly horror, it has the elements of a fantastic ghost story. It would be a great book for YA and adults alike. Since it is set in an archive, I think archivists and fellow librarians would be interested in this book just for the setting. Steenz provides fantastic artwork to Weir’s story. It’s simplistic and colorful, while not being overpowering. I particularly love the depiction of Cel’s supervisor Holly and her style. Steenz and Weir make a wonderful creative team, and I look forward to seeing what they do in the future. Recommended.

 

Stay tuned for an interview with the creators of Archival Quality!

 

Contains: references to mental health and outdated, harmful practices/”cures” previously used in mental health treatment.

 

Reviewed by Lizzy Walker

Kickstarter for Soft Matter from The Dark North

We recently reviewed The Dark North– Volume 1 from international publisher The Dark North. They currently have a Kickstarter going for their second project, Soft Matter. If you are interested in more information, the press release is below.

A link to the Kickstarter is here.

NEW SCIENCE FICTION FROM THE DARK NORTH

 

SOFT MATTER

 

A Stunning Blend of Science Fact and Fiction

 

Following the successful crowdfunding campaign on Kickstarter for the narrative art book The Dark NorthVolume 1, the same team is dipping their toes in uncharted waters with science fiction novel Soft Matter, by Swedish debut writer Pär Karlsson.

 

It’s a chilling story about a Swedish family, where the son – a soldier – ends up in an irreversible coma, and the father – a respected neurosurgeon – loses everything but his mind. A top secret medical facility in the United States offers them a startling solution, and their decisions will end up affecting them for the rest of their lives.

 

In a stunning blend of science fact and fiction, psychology and existentialism, Soft Matter explores what it is to be human, even if your body isn’t your own.

 

2018 marks the 200 year anniversary of Mary Shelley’s Frankenstein – the first science fiction novel – and we at the Dark North only saw it fitting to bring these eternal questions into new light. Pär’s tragic – but also inspiring – tale of a family in ruins makes something of a Frankenstein for the 21st century.

 

For Soft Matter, Pär did extensive research in the fields of neuroscience and psychology and put these scientific fields in the face of a terrifying opportunity. The result is a mesmerizing story, with a premise that may very well end up a reality in our near future.

 

The Kickstarter crowdfunding campaign for Soft Matter will go live on April 11.

 

 

Scandinavian Talent is an International Matter

 

Based in Stockholm and Los Angeles, The Dark North is an international publisher with one, simple goal: to bring Scandinavian talent in the fields of science fiction, fantasy and horror (and everything in between) to the rest of the world.

 

Since the dawn of the Swedish gaming wonder at the turn of the century, Scandinavia is breeding ground to some of the finest artist and writers on the globe. We hunt for treasures in the desk drawers of concept artists. We search for unpublished, fantastic writers in the far corners of the North. And we truly and sincerely believe that we have only seen the tip of the iceberg.

 

With The Dark NorthVolume 1, we started a journey that took a few of these artists over the Atlantic and straight into the publishing powerhouse of Dark Horse Comics in the USA. Volume 1 currently has an Amazon Vine rating of 4.5 out of 5 and has received stunning reviews worldwide.

 

One can only wonder where this will lead, with Soft Matter and beyond.

 

Reviewers and journalists, feel free to contact us for digital review copies of the novel and press photos.

 

Robert Henrysson, +46 (0) 73-343 91 90, E-mail: henrysson74@gmail.com

Kickstarter: kickstarter.com/projects/darknorth/343207490

Facebook: facebook.com/darknorthart/ Web: darknorthart.com