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Book Review: The Cuckoo Girls by Patricia Lillie

cover art for The Cuckoo Girls by Patricia Lillie

The Cuckoo Girls by Patricia Lillie  ( Bookshop.org | Amazon.com )

Trepidatio Publishing, 2020

ISBN-13 : 978-1950305247

Available: Paperback

 

The Cuckoo Girls is a collection of eighteen stories (three are “drabbles” and counted as one in the table of contents), eight of which are original to the collection, and includes “Abby”, a story narrated by the mother of an autistic teenage girl that appears to be an early version of the beginnings of  Lillie’s debut novel The Ceiling Man (I wish she had mentioned this in her story notes as I was not familiar with the novel). I’m glad Lillie expanded the story as the novel apparently includes Abby’s point of view, something I felt was really missing here.  In stories like “That’s What Friends Are For”, about a woman who grew up in a haunted house where she made friends with the ghosts,  and “Mother Sylvia”, which is told from the point of view of the witch in Hansel and Gretel, Lillie shows the imagination to re-vision and reverse familiar schemas, so it appears that in “Abby”, she just needed more space to express that. It’s an eerie and disquieting story as it is.

 

Doppelgangers, twins, parasites, and children gone wrong populate Patricia Lillie’s stories, from her surreal “The Cuckoo Girls” and  “In Loco Parentis”, to those, like “Mother Sylvia” and “The Robber Bridegroom” clearly based on fairy tales, and those mystical but grounded in fact, like “Notes on the Events Leading Up to the Mysterious Disappearance of Miss Lotte Clemens” ,  a fascinating story based on actual newspaper accounts. Other stories are brief but clever, such as “Laundry Lady” and “Three Drabbles Brought to You By the Letter E”, and there is commentary on the tragedies that can be caused by small town “togetherness” in “And One For Azazel (With Jellybeans), a Bradbury-esque tale about a little girl who is blamed for causing the colors of things in her town to change, and “Wishing You The Best Year Ever” about a family held responsible for the fate of a town’s star baseball team.

 

This is an enjoyable and imaginative, if uneven, collection of insightful, quiet, and disquieting, stories about women and girls trapped by circumstance, family, society, and themselves, that leaves me intrigued enough to look into Lillie’s novel. Having now seen the difference between “Abby” and the first few chapters of The Ceiling Man, I would say she’s grown significiantly as a writer and is one to watch for in the future. Recommended.

 

Contains: mention of suicide, mild gore, violence, dismemberment, body horror

Reviewed by Kirsten Kowalewski

 

Editor’s note: The Cuckoo Girls is a nominee appearing on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in a Short Story Collection. 

 

 

Posted on March 29, 2021 by , Reply

Book Review: Eight Cylinders by Jason Parent

cover art for Eight Cylinders by Jason Parent

Eight Cylinders by Jason Parent

Crystal Lake Publishing, 2020

ISBN: 9781646693061

Available: Paperback, Kindle edition ( Bookshop.org  |  Amazon.com )

 

A motor with eight cylinders represents power, a strong machine that can outrun the competition with minimal difficulty.  That being said, Eight Cylinders is closer to a six, maybe seven cylinder story.  It’s a solid piece of machinery that will give readers a smooth ride to the destination, but it could have used a few more ponies under the hood to turn the story into a real road-burner.

 

This is one of those stories with little explanation for what happens: it’s a classic ‘here’s a crazy situation, how do we get out of it?’ story.  Seb McCallister is a lifetime crook who winds up on the wrong end of a shootout in a dope deal gone bad in Las Vegas.  Badly wounded, he powers out of Vegas behind the wheel of his V8 Dodge Charger SRT Hellcat, driving off into the desert.  He passes out from loss of blood, and wakes to find himself in a dilapidated camp in the middle of the desert, surrounded by mountains on all sides.   The camp itself is inhabited by a small group of vagabonds, some of whom have been there a long time.  When he tries to escape, Seb quickly learns that the mountains are riddled with caves occupied by a huge, tentacled monster that somewhat resembles a crazed land squid, and the squid makes mincemeat of anyone who tries to leave.  Within a day, Seb helps to convince the camp residents to make a run for it.  What follows is the inevitable Mad Max-style race across the desert, complete with tricked-out vehicles packing plenty of blasting power, both under the hood and in the form of armaments.  Seb and his new friends must outwit and outfight the monster if they want to escape the desert.

 

Everything in the story is a quick setup for the final chase, and thankfully, it’s worth it.  Jason Parent knows how to write an exciting, end of the book blast.   Complete with awesome vehicles, firepower, nitrous, and some nice creative touches with parachutes, the last forty pages are a full roar towards the finish, with all the excitement anyone could want.  This part of the story isn’t running on eight cylinders, it’s running on twelve.   It’s the part leading up to the end where the story could have used a little chrome and paint, in the form of more detail.  Little explanation is given for the backstories of the other characters, or the camp itself, or even where (or when) the camp and characters exist.  Another twenty pages or so to flesh out the beginning and middle sections of the story could have turned this one into a real monster.  Eight Cylinders is a perfectly good, exciting story, but it almost feels like a test run for what could be a much bigger version in the future.   The parts are all there in terms of character, mystery, and storyline, and the way the story ends, it could easily keep going.  The question is, will it?

 

This is certainly worth the read, and will likely leave readers clamoring for a novel-length sequel (this is only 100 pages)  There are a lot of unanswered questions in the story, and it would be nice to see where it goes next.  Recommended.

 

Contains: violence, mild gore, profanity

 

Reviewed by Murray Samuelson

Posted on March 23, 2021 by , Reply

Book Review: Goblin by Josh Malerman

cover art for Goblin by Josh Malerman

Goblin by Josh Malerman
Del Rey (May 2021)
ISBN-13 : 978-0593237809
Available: Hardcover, Kindle edition, audiobook  ( Bookshop.org | Amazon.com )

 

After several blockbuster novels, and with Malorie, the sequel to Bird Box still fresh in readers’ minds, Josh Malerman finally gets to introduce the town of Goblin to fans everywhere.

 

Goblin is Derry. It’s Oxrun Station. It’s Cedar Hill. It’s Green Town. It’s all of us in our hometowns and yet, it’s something brand new, where the greats would likely fear to live. Think of Goblin as Derry’s disturbed little brother.

 

This book, comprised of a sextet of short novellas, takes the small town motif and shreds it, molding it into something which fills the reader with uneasy pleasure from cover to cover. Malerman seems to display more skill, more darkness, with each story.

 

“A Man In Slices” shows how friendship can be a tricky concept. One boy does whatever he can to help his lonely friend, at any cost.

 

“Kamp” is a lighter tale about a man petrified of a seeing a ghost. Everyone in his family has, and he knows his time is coming. How Walter copes with the expectation will make many readers feel a bit better about their own issues with things that go bump in the night.

 

“Happy Birthday, Hunter” displays the heart and obsession of a man who cannot give up the hunt. Nash’s addiction comes to a boiling point during his 60th birthday party when he decides to kill Goblin’s most prized game in the north woods, a place from which no one ever returns.

 

“Presto” is a love affair with magic, the oldest and darkest kind where a young boy seeks to learn the secrets behind his favorite performer in a story which channels classic Bradbury.

 

“A Mix-Up at the Zoo” details the inner struggle of Dirk, a man who switches jobs to become a tour guide in a zoo, a far cry from his other employment in the slaughterhouse. He finds a talent for understanding the mighty beasts within the cages, but feels a certain darkness brewing when he drifts off in thought.

 

“The Hedges” is the final story in the collection. Mazes built in corn and the famed topiary in the film version of The Shining emerge here. Young Margot claims to have solved the unsolvable creation by Wayne Sherman. What she finds at the end causes her to alert the Goblin police, a decision that might be worse than keeping the secret to herself.

 

The mythology of Goblin’s history is richly drawn within these stories, and connects them with a style that keeps the reader turning pages. Malerman has created a town which may even be darker than King’s, Grant’s, and Bradbury’s nightmares. Goblin is all Malerman and should be listed on every horror reader’s itinerary of places to visit, with the lights turned low and the night breeze creeping into the room. Highly recommended.

 

Reviewed by David Simms

Posted on March 22, 2021 by , Reply
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