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Book Review: Root Magic by Eden Royce

cover art for Root Magic by Eden Royce

Root Magic by Eden Royce

Walden Pond Media, 2021

ISBN-13 : 978-0062899576

Available:  Hardcover, Kindle edition, audiobook  Bookshop.orgAmazon.com )

 

 

Root Magic takes place on Wadmalaw, one of the Sea Islands off the coast of South Carolina that is home to the Gullah-Geechee nation, a unique ethnic group with a combined heritage from African and indigenous individuals with its own language and traditions. Author Eden Royce, creates a vivid picture of Gullah-Geechee culture and traditions in the setting of the Sea Islands around the time of the Kennedy assassination though her eleven-year old narrator, Jezebel.

After her grandmother dies, Jezebel’s grandfather decides it is time to teach Jezzie and her twin brother Jay the basics of root magic for the purposes of protection, such as painting their house “haint blue” so evil spirits and boo-hags can’t enter, mixing potions, and creating root bags.  The nearby marsh, previously a place the twins used to play, becomes dangerous as it tries to suck Jezzie in.  Still, the twins are fascinated by root magic and can’t wait to learn more.  Jezzie, in particular, starts to develop new powers, such as the ability to astrally project.

Things are not so easy at school. Jezzie has been jumped a year forward, and new girls from families with more money have moved to town. Jezzie, with her darker skin, mended clothes, and rumors of witchiness, becomes a target. Her only friend is Suzie, who can’t invite her over or visit her home, for reasons that become clear later.  In his grade, Jay has become friendly with the other boys, and Jezzie is worried that her connection to him is breaking.

In addition to troubles at school, there are troubles at home. A police officer has taken a particular interest in Jezzie’s family, invading their home in their absence, demanding food, threatening them, and breaking their things. He knows they are a family of root workers and his behavior towards them escalates. While Jezzie and Jay do face supernatural threats in the book, it is Jezzie’s compassion to animals and creatures in trouble (including boo-hags) that helps protect her family from this dangerous but not at all supernatural threat.

Royce’s descriptions make it feel almost like the reader could step through to the island, and she is able to set the time period effectively with just a few sentences. Jim Crow and racist policing are alive and well, and that’s built into the story. Children questioning why the school would still be segregated, the police searching Jezzie’s house without a warrant, and the effect of the Kennedy assassination on the community will get their answers without an exposition dump.  Royce’s presentation of the controversy over passing on root working practices both in the community and in the same family is also interesting, and she illustrates that root work is not a religion, but is a way of connecting with the world.

While the Gullah-Geechee nation became official in 2000, its existence is not well known, and it has a unique culture and language. Introducing Gullah-Geechee culture and language to a more mainstream audience through a middle-grade novel makes it very accessible. Eden Royce is a member of the Gullah-Geechee nation, and I think it would be very difficult to write about it from outside (in fact, there was a controversy over this not that long ago). Royce has a background as a horror writer for adults, with writing grounded in folklore and the Southern Gothic. I’m so glad she chose to use some of these same elements in this engaging historical Southern Gothic #OwnVoices novel for children. Children who enjoy this book may also enjoy Tracey Baptiste’s The Jumbies, Claribel A. Ortega’s Ghost Squad, and Marie Arnold’s The Year I Flew Away. Highly recommended for ages 8-12.

 

Contains: racism, police brutality, violence

Book Review: Mina and the Undead by Amy McCaw

cover art for Mina and the Undead by Amy McCaw

Mina and the Undead by Amy McCaw

uClan Publishing, 2021

ISBN-13 : 978-1912979479

Available: Paperback (pre-order, April 1, 2021) Amazon.co.uk )

 

It’s 1995, and seventeen-year-old Mina is spending her summer visiting her older sister Libby, who moved from their home in England to New Orleans to attend college, and works in a movie-themed haunted house, owned by Thandie, who immediately hires Mina to work there for the summer. Libby has a girlfriend, Della (this relationship is wonderful), and two roommates, Jared (who also works at the haunted house) and Lucas, an artist. Despite a difficult relationship with Libby, Mina finds herself accepted into this group of older friends, who tour her around New Orleans, sharing its gruesome stories and history as well as its vibrant (and sometimes bizarre) current atmosphere. Marie Laveau, vampires, serial killers, fortune tellers, and more, fascinate Mina as she explores the city.  Shortly after she arrives, though, she discovers a co-worker murdered in the haunted house, one of several girls killed in ways described in stories from New Orleans’ past, by someone who may be a copycat of the serial killers John and Wayne Carter (or a vampire, or both, because this is New Orleans). As the friends investigate the murders, Jared and Mina quickly become romantically involved. Soon, however, events leave teenage Mina alone to navigate the city and save whoever she can.

Cons of this book: I wasn’t thrilled to see a seventeen-year-old girl romantically involved with a college-aged boy, although I appreciated that Mina at least had agency in her relationship with Jared.. I also didn’t think it was great that a high school girl was spending time in a bar, although given the setup of the story I don’t think it was unrealistic. However, as the police are significantly involved with Mina, Libby, and their friends, I had trouble believing that they would allow a minor with no adult supervision to wander New Orleans.

Having visited New Orleans, what I love most about this book is the way it brings New Orleans to life. It’s a love letter to the city, not just a setting but almost a character. Mina’s love of horror, which not only includes her own favorite movies, books, and enthusiasms, but holds her family together, from her mother’s Laurell K. Hamilton books to her sister’s job in a haunted house, is also a beautiful thing to see and I think there are many, many girls who will relate to her and have a blast joining her on this rollercoaster ride of horror, crime, romance, friendship, and betrayal.  Recommended.

Contains: Murder, torture, sexual situations, blood-drinking.

 

Reviewed by Kirsten Kowalewski

Book Review: Chew on This! edited by Robert Essig

Cover art for Chew on This edited by Robert Essig

Chew on This! edited by Robert Essig

Blood Bound Books, 2020

ISBN: 9781940250465

Available: Paperback, Kindle edition  Amazon.com )

 

Chew on This is a themed horror anthology dealing with…food.  Can food actually be horrifying?  Based on this book, the answer is a resounding “yes.”  It combines creativity and gut-wrenching disgust into a brew of good stories.  Fair warning: some of these stories are truly barf-inducing, and sicker than any “splat” style horror writing.   Combinations of food and body fluids (and limbs), babies roasted in ovens: it’s all on the table.  This is a fun batch of horror stories, and also the National Restaurant Association’s worst nightmare.

 

With only a few exceptions, the overall story quality varies from good to very good, and most of them aren’t disgusting, just good, smart stories.  Some of them are “cycle” stories, where the story focuses on one event and then ends, leading into another of the same event.  Chad Lutzke’s “Cherry Red” and Kristopher Trianna’s ‘The Feeding” fall into this category.  One deals with a psychotic kid and his fascination with red cereal box toys, the other with a sandwich delivery service that takes much more than the customer’s money.  Ronald Kelly’s “Grandma’s Favorite Recipe” is Kelly doing what he does best: taking a lovable southern character, in this case the “saintly granny,” and turning her into something more sinister, by way of her cooking.  Vivian Kayley’s “Roly Poly” is notable for its entertaining look at the lengths some unfortunate women will go to for weight loss. It’s also the only story in the book with a happy ending.  Shenoa Carroll-Bradd’s “Barrel Aged” may be the most intriguing story, although it might take a second read to understand, as the author squirrels away the most important details in only a few sentences.

 

If you want to avoid (or read first) the stomach churners, here they are.  They are solid pieces, just gruesome.  Tonia Brown’s “A Woman’s Work” features the aforementioned cooked human baby, and John McNee’s “With a Little Salt and Vinegar” has an eating contest, with dead fetuses on the menu.  Nikki Noir’s “Magick Brew” is a hilarious look at combining a certain reproductive body fluid with margaritas to make a drink that renders the consumer ravenous with lust…to the extreme.  The true pukefest is K. Trap Jones’s “Seeds of Filth”.  With restaurant employees combining any and all types of bodily fluids with condiments and serving them to rude customers, this story is likely to make the average reader upchuck their last meal.  It might be the most revolting story ever committed to paper.

 

Overall, Chew on This is a well-written, creative anthology, it just takes a stomach of iron at times to read the full book.  Recommended.

 

Contains:  violence, profanity, gore, body horror, cannibalism, and everything disgusting you can think of

 

Reviewed by Murray Samuelson