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Booklist: Final Girls

      cover art for My Heart Is A Chainsaw by Stephen Graham Jones  Wow, final girls have really had a great summer! July saw the release of The Final Girl Support Group by Grady Hendrix (reviewed here), and with the very end of August, I see Stephen Graham Jones’ newest book, My Heart Is A Chainsaw, is being released. The final Girls Support Group by Grady HendrixI have not had the opportunity to read that yet, but I highly recommend The Final Girls Support Group (on a side note, my daughter was delighted that the characters were getting therapy).

The final girl is the survivor who takes down the monster in slasher movies. When fiction touches on her, it’s usually in a meta sort of way. Here are a couple of titles to try out if you are in the mood for a tale about final girls.

 

 

 

 

Final Girls by Riley Sager follows Quincy Carpenter. the lone survivor of a massacre at a cabin in the woods ten years earlier. Quincy, along with two other girls, Lisa and Sam, who survived slasher-style massacres, were labeled “Final Girls” by the media.cover art for Final Girls by Riley Sager  She has done her best to move on, finding a boyfriend and starting a baking blog, but things start to fall apart when Lisa apparently dies from suicide, leaving a message on Quincy’s voicemail. Then Sam, who has been off the grid for years, appears at Quincy’s door and Quincy’s carefully constructed life starts to fall apart. The twist in this story was not what I expected it to be. Sager does a great job of deconstructing the final girl trope and this was a very difficult book to put down.

 

 

 

 

cover art for Final Girls by Mira Grant  Final Girls by Mira Grant introduces Esther Hoffman, a journalist determined to debunk proprietary virtual reality technology that situates participants in horror movie scenarios to force them to face their worst fears. The scientist in charge, Dr. Jennifer Webb, challenges Esther to try it out with her. Events out of their control result in the two of them being trapped in the virtual reality scenario together, with disturbing results.

 

 

 

 

Final Girl by David Hutchison

Final Girl Pocket Manga vol. 1 by David Hutchison drops four girls in a seemingly abandoned, isolated town, where they are stalked by its residents, and must escape their nightmare situation. Only one of them can be the final girl, though… Readers voted for their choice of final girl, and a bloody, full color climax reveals the survivor.

 

 

 

 

 

cover art for The Last Final Girl by Stephen Graham Jones  The Last Final Girl  is also by Stephen Graham Jones. Taking a . chance with an experimental format, he has written it in a screenplay format, following the structure of a slasher movie. His love of the genre is clear, with many references to existing movies and “in-jokes”. The structure and the dependence of the audience’s understanding of the text on comprehension mean this will appeal to a very niche audience, but that audience will love it. Graham has also written an amazing final girl in his last novel, The Only Good Indians. 

 

 

 

 

The Mary Shelley Club by Goldy Moldavsky starts us out with a final girl– Rachel Chavez, who was attacked in her home and survived. Rachel is a scholarship student at a fancy private school who starts out with no friends, cover art for The Mary Shelley Club by Goldy Moldavskyuntil she discovers a secret club of horror lovers, The Mary Shelley Society, who create “fear tests”, horror scenarios that they try out on friends, classmates, and family. There’s no way this could end badly, right?

Book Review: 56 Days by Catherine Ryan Howard

cover art for 56 Days by Catherine Ryan Howard

56 DAYS by Catherine Ryan Howard.

Blackstone Publishing, 2021

ISBN-13 ‏ : ‎ 978-1982694654

Available: Hardcover, hardcover large print, CD Bookshop.org )

 

We knew it was coming. Just as 2020 had to finally hang up its tainted spurs and 2021 decided it needed some negative attention, a novel about COVID-19 was inevitable.

 

The only mystery was whether it would be any good, or just capitalizing on the modern plague.

 

Set in Dublin, Oliver and Ciara meet 56 days ago, just as the virus hits Ireland. 35 days ago, the lockdown begins. Yet, instead of doing what most fledgling couples would, Ciara moves in with Oliver. I highly recommend NOT doing this in real life. Relationships are tough enough; the virus can cause isolation to drive the most “normal” person to near homicidal tendencies.

 

Oliver is not who he seems to be, and with the pandemic, prolonged time together shaves away the masks we wear, leaving behind the true faces underneath. What did Oliver and Ciara learn about each other? What drove one to kill the other?

 

Catherine Ryan Howard takes a chance with allowing 56 Days to build at a slow, steady burn. If readers hang on, they will be rewarded in a blistering second half that delivers on what is promised.  She has produced a quality suspense novel here that will undoubtedly win her new fans with this story that refuses to play by the rules. That’s a very good thing.

 

The format is interesting, beginning with the discovery of the body and then jumping between the lovers and the pair of officers, Kurt and Lee, who struggle to piece together this timely mystery.

 

The reader is immediately thrust into a story that is narrative heavy, describing the scene where a dead body is found.

 

Is it Oliver or Ciara?

 

It’s an intriguing puzzle that will keep readers buzzing.

 

Recommended for any suspense/mystery readers who are ready for the first big COVID hit.

 

Reviewed by David Simms

 

Book Review: All Our Hidden Gifts by Caroline O’Donoghue

cover art for All Our Hidden Gifts by Caroline O'Donoghue

All Our Hidden Gifts by Caroline O’Donoghue

Walker Books, 2021

ISBN: 978-1536213942

Available: Hardcover, audiobook, ebook (Bookshop.org)

 

 

O’Donoghue’s foray into YA literature delivers tricks and treats for fans of Gothic, mystic stories dealing with social themes; but magic doesn’t solve everything this character-driven YA paranormal fantasy set in contemporary Ireland.

 

Sentenced to cleanup duty in detention, 16 year old Maeve discovers an old mixtape, a Tarot deck, and an uncanny knack for reading the cards. When her former best friend Lily goes missing after a heated exchange, classmates soon start avoiding Maeve like she’s some kind of creepy occultist. As she finds herself immersed in a world of fantastic possibilities she doesn’t fully comprehend, Maeve discovers a new friend in artsy Fiona. Ultimately, Maeve confronts a dangerous entity summoned by powerful emotions and explores her uncorked inner magic skills, while becoming increasingly regretful about how she dumped and ostracized Lily.

 

There are supernatural elements to the story at every turn, but this subtle gem explores far more than magic. This is also a book about another secret superpower: empathy. Maeve, who is white and from a comfortably middle class family, navigates themes of diversity with detailed, well-developed characters that include non-binary, bisexual love interest Roe; biracial, Filipina friend Fiona; former BFF Lily who has hearing loss; and queer lesbian sister Jo.  Perspectives on racism, homophobia, and classism are explored in context, in unscripted, messy, and uncomfortably realistic ways.  O’Donoghue deftly creates a tone of authentic growth across these topics instead of patching over tough spots. Maeve fumbles, misunderstands, and makes bad choices, but keeps trying. Growth doesn’t happen easily, and Donoghue sidesteps an investment in “likability”,  so readers journey with the protagonist in learning that while intention matters in magic, it doesn’t count in interpersonal relationships or the fight for social justice.

 

The romantic interludes sometimes feel a bit out of place, but packed with mysticism, magic, queer liberation, and the drama of teen friendships, this contemporary tale will likely have strong appeal for readers looking for complex characters and edgy situations in a speculative framework. Readers of DeAngelis’ Bones & All, Older’s Shadowshaper, Okorafor’s Akata Witch, Power’s Wilder Girls, and Adeyemi’s Children of Blood and Bone will find much to enjoy in Gifts. Ages 14+. Highly recommend.

 

Minimal gore, but contains bullying, references to hate crimes and homophobia.

 

Reviewed by E.F. Schraeder