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Book Review: Only Ashes Remain (Market of Monsters #2) by Rebecca Schaeffer


Only Ashes Remain by Rebecca Schaeffer

HMH Books for Young Readers, 2019

ISBN-13: 978-1328863553

Available: Hardcover,  Kindle edition, audio CD

 

Only Ashes Remain is the follow-up to Not Even Bones (previously reviewed here). At the beginning of this book, Nita and Kovit have escaped from the Death Market, leaving chaos and over a hundred deaths in their wake. Kovit, a former mob torturer, goes on the run, and Nita turns herself over to INHUP, the international organization charged with policing “unnaturals” and eliminating the dangerous ones. Shortly thereafter, she discovers that the boy she freed from her mother,Fabricio, who betrayed her to the Death Market, is also the son of someone high up in a mob family, and is on the run from them as well. In the first of many incidents in the book, Nita has to make decisions about whether vengeance, and death for those who threaten her, is worth the price. Taking advantage of INHUP’s willingness to take her to her closest relatives, she decides to contact her mother in Toronto, who saves her from a police investigation. Nita is unwilling to go back to the role her mother wants her to play in hunting and killing unnaturals, and leaves her, connecting with Kovit once again. Video of Nita with her ability to heal has been shared on the Internet, and her anonymity has been compromised, leaving her in constant danger from bounty hunters. Nita has some desperate choices to make, and feelings that she must come to terms with, about herself, Kovit, and who she can trust.

Many of the characters here tread questionable moral ground. Where previously Nita was a complicit but passive participant in the murders her mother committed, then a desperate victim of a black market dealer willing to do terrible things to escape and survive, now she has agency. And, as might be expected from a traumatized teenager raised in a home where murder is the norm, her impulsivity causes some serious problems, and her judgment is really, really poor.  Crossing her line of when it’s acceptable to kill becomes easier and easier for her, so much so that even Kovit warns her about what she is becoming– and Kovit never lets go of the knowledge that he is truly a monster. Nita, while she can’t witness Kovit’s enjoyment in torturing others without fear and disgust, also can’t break the connection she has with him. Only Ashes Remain is still gory and graphic in places, but in terms of torture, dissection, and body horror, much more is implied than shown (that doesn’t mean it isn’t shown at all, but it wasn’t quite as hard for me to handle).

Although Kovit’s background is considerably fleshed out, we’re already pretty clear on what kind of relationship he has now with Nita. Nita is a less sympathetic character, probably because she is claiming her agency in some pretty murderous ways and keeps doing exactly the wrong thing after being told not to do it. Still, the plot races along, characters new and old add some interesting flavor, with a few loose ends possibly showing up again in the third book. We’re left wondering what’s reallly going on at INHUP, how Fabricio and his family play into the story, if the mob will catch up with Kovit, what role Nita’s mother plays in all of this, and how Nita and Kovit’s story will end. Despite the fact that Kovit is a monster who feeds off people’s pain and Nita is now responsible for multiple murders, Schaeffer has been a virtuoso in drawing them as characters that the reader still wants to make it.

There’s a lot of moral gray area to navigate in this book, as well as the gore, murder, and torture, so, again, it will take a special kind of reader to appreciate it.  For those readers, though, Only Ashes Remain is a solid sequel to the first book in the series. Highly recommended.

 

 

Musings: Girls As Protagonists in their Own Stories in YA Fiction

I know we just visited the topic of “where did all the boys as protagonists go”  not that long ago but a piece I just read in The Mary Sue made me want to come back and look at it from another angle. The article, which is totally not about YA horror fiction, talks about three female protagonists of vampire media franchises from the 2000s, all of which are grounded in horror fiction tropes: Elena Gilbert of The Vampire Diaries  (based on the YA series by L.J. Smith), Sookie Stackhouse of True Blood (based in the Southern Vampire Series by Charlaine Harris), and Bella Swan (from the YA series Twilight) 

So you don’t have to read the entire thing, the essence of the article was that the author saw in all three of these characters that they were defined by their romantic relationships– that their stories wouldn’t have existed without their love interests. All three of these characters are caught up in  (straight) romantic triangles (which I guess makes them more of romantic V’s)– and their role in triangles end up, for the most part, erasing the rest of their character, even though they are supposedly the protagonists,

The 2000s and early 2010s were a pretty good time for YA horror with boys as protagonists, though. Cirque du Freak by Darren Shan was very popular, and I know that here at Monster Librarian we read a lot of books where boys were, at the very least, point of view characters. Harry Potter drew a lot of those kids into a darker fantasy as well– the last book came out in 2007, just before my cousin turned eighteen. And in Harry Potter, there is a spark for change, because smart girls and passionate women save the day over and over, waiting for doofus teenage boys to get a clue about saving the world.  And girls who  grew up with Harry Potter noticed, and wanted the girls in their books to be the heroes (and villains) of their own stories.  And thus we get Jane McKeene from Dread Nation, who is strong, smart, and commonsensical; murderous Nita from Only Ashes Remain; the troubled girls of Sawkill Girls who alternate between being victims, villains, and survivors.

I don’t know why so many men turned away from writing books with boys as protagonists. But what we’re seeing now is, I think, the product of women seeing themselves erased from the types of stories they grew up loving, and wanting to see not just themselves but also a growing diversity in the kinds of protagonists we see in YA novels (or any novels, or any writing). They are hashtagging #WeNeedDiverseBooks and #OwnVoices because additional voices, their voices, need to be heard. Fear is just part of girls and women’s daily lives, and I don’t think enough people realize quite how scary it can be.

But there’s a lot of fear to face in today’s world that is not exclusive to women and girls  (hello, climate change, genocidal dictators, twisted social media policies, hate crimes, cyberbullying, school shootings). Who is writing the stories that resonate with boys today? Somebody needs to open their eyes past what they’ve seen of themselves so far. Yes, male characters have taken center stage for many years, but do we really want stories written in the past that make us cringe today to be the models we give those kids?

Let’s move forward with authors coming up with great stories that will showcase original characters and engage all kinds of readers. That’s our goal in libraries, right? It’s my goal, anyway. There are so many good books coming up, and I can’t wait to see what kids of vibrant writing lies ahead.

Book Review: The Ghost Hunter’s Daughter by Caroline Flarity

The Ghost Hunter’s Daughter by Caroline Flarity

East Side Press, 2019

ISBN-13: 978-0996845007

Available: Paperback, Kindle edition

 

Anna Fagan lives in a haunted house, but that’s the least of her problems. Her father, Jack, is well-known for his ability to “clear” spirits from the objects they haunt, but since the traumatic death of her mother, his ability is fading and he’s picked up the habit of hoarding, aggressively. He stores holy water in the refrigerator, and “cleared” objects in the basement, where Anna is forbidden to go (the results of Jacks’s hoarding exposed when Anna breaks into the basement later in the story is one of the most appalling things in the book: previously haunted objects are the least of the problems).  Now the lack of space has led Jack to rent an office to reinvigorate his business. He has hired a new investigator, Geneva Sanders, a scientist who has invented a new way to see the electrical activity that indicates that ghosts and supernatural forces are at work.

Anna is also suffering from grief and guilt over her mother’s death, but at school, she has other problems. With the exception of her friends Doreen and Freddy, Anna is mocked by other students with the nickname “Goblin Girl”. Izzy, the school sleazebucket, has decided she’d make a perfect target for his meanness and slut-shaming, while also throwing disgusting homophobic slurs at Freddy. Anna, focused on getting her crush, Craig, to notice her, while trying to manage her family problems and an uptick in paranormal activity, misses out on the serious problems Doreen and Freddy are dealing with. As levels of hostility and violence rise in town, Geneva theorizes that unusual solar flares are being harnessed by a malevolent spirit who is using them to feed on people’s anger and pain.

Flarity’s choice to make Anna the point-of-view character works beautifully here. There is so much going on in this book, especially in the larger picture of things, and yet we see that world through the self-centered tunnel vision of a teenager– which is perfect for a teenager in a YA novel. Our view widens with hers, and we see the story pull together as she does. Getting the story from Anna’s point of view means we are up close to her character growth.

This book reminds me a lot of Lois Duncan’s YA books, except that her books didn’t have the broader supernatural conspiracy behind this story. I’m not sure how many boys would choose to read this, but I hope they will, because there are parts that should really make them think. How many people say and do things without thinking, especially when they are angry or feeling hopeless, that regret it later?

Recommended.

 

Contains: suicide, suicidal ideation, mental illness (hoarding), self-harm, animal cruelty, bullying, abusive adults, violence, cyberbullying. rape culture, distribution of provocative images of a minor.