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Book Review: The Good Demon by Jimmy Cajoleas

Life would have to be pretty awful and lonely for a person to agree to be possessed by a demon, but Clare has had a pretty traumatic life, and her demon not only takes her away but protects her from danger. Several years after she discovered her addict father dead from an overdose, her secret is revealed, and her stepfather, an abusive alcoholic, has the demon, who Clare calls her Only, exorcised by an evangelical preacher and his son, Roy.  Bereft, Clare is on a mission to retrieve and reintegrate with her Only, the one being who truly knows and loves her, but clues left by the demon instruct her to make friends with Roy, and despite their rocky beginnings, Clare and Roy become friends.

The One Wish Man has the power to grant Clare’s wish, but there is always a price.  In her eagerness to reunite with her Only, Clare chooses to overlook some obvious red flags: a cardinal crucified upside down at the entrance to the One Wish Man’s property, a nightmarish walk to his house, a stolen scroll of human skin, and others. As Clare’s investigations reveal a rottennness and lust for power at the center of town that is more than its terrible place in history (the Trail of Tears, the KKK, and tornadoes, among other disasters). Clare has to decide how far she can trust her Only, and whether her Only’s love is worth enough to sacrifice the new relationships she is building.

The Good Demon takes place in the deep South and has some great Southern Gothic trappings, and the trope of rottenness under the surface of a small town plays out well here. Clare is an unreliable narrator, and there’s a strange feeling of unreality enfolding her story. Oddly for a book set in the South, outside of Clare’s brief mentions of the town’s history with slavery, the KKK, and Native American genocide in the context of “terrible things happen here”, there aren’t actually any identifiable African-American characters and the book doesn’t really touch on race, which would pretty much flavor everything there. Of course, we are seeing all of this from Clare’s point of view, which is pretty narrow, since her life appears to be basically doing nothing at home, stealing from the secondhand store, or going to the library, and rarely encountering people other than her mother and stepfather, who spend much of their time drunk and arguing, so maybe she is really just that isolated from her community. The more time you spend with her, the more you can see why Clare wants her demon back so badly, and that any child would be in that position may be the saddest and most terrifying thing of all. Recommended for YA collections.

Contains: occultism, body horror, sex, gore, mild violence, attempted rape, references to suicide, drug and alcohol abuse.

 

 

 

 

Book Review: Ash Rising by Katya Lebeque

Ash Rising by Katya Lebeque
Wordsmith Press, 2018
ISBN-13: 978-1983106095
Available: Paperback, Kindle edition
**This review is cross-posted from Monster Librarian’s YA blog, Reading Bites**
Post-apocalyptic fairy tale. Do I have your attention yet? Ash Rising is set in the world of Cinderella, after her happily ever after. After a horrific genetic mutation that was supposed to help feed the world, and instead leeches the ground of its fertility and mutates the birds of the kingdom into giant predators who think humans are pretty tasty little snacks.
Ash lives in a once-grand manor, having renounced her title and opted instead for a life as a cook. Until the carriors came and she found herself the only one capable of keeping what remains of her household alive. While she has a complicated, resentful relationship with her stepmother, there are no evil stepsisters here. Ash dearly loves what family she has, and is determined to do the best for them.
Pluck Katniss Everdeen from Panem and plop her down in a fairy tale, and this is what you’d get. Dark, enduring, and brilliantly written, Ash Rising is a lovely and engaging read. Lebeque balances the gray grimness of disaster with the young spark of characters who can still, maybe, believe in the dream of a better life. Definitely highly recommended.

Contains: violence, some gore, language.

Reviewed by Michele Lee

Book Review: Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke, illustrated by Allen Williams

Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke, illustrated by Allen Williams.

Katherine Tegen Books, 2019

ISBN-13: 978-0062414465

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

 

Who better to take Pan’s Labyrinth, Spanish filmmaker Guillermo del Toro’s critically acclaimed dark, surrealist fairytale of a film and translate it into a children’s book than German children’s fantasy author Cornelia Funke? Ofelia isn’t your ordinary princess in a tower with a life under the control of a vicious, dictatorial stepfather: she is a child caught in the middle of a revolution in Fascist Spain, who discovers she is also the main character in a mythical story.  Although she is the protagonist, the film was not a children’s movie, and the story is framed by adults’ actions and points of view (specifically, the sadistic Captain Vidal, who is Ofelia’s stepfather, and Mercedes, their housekeeper, who is a rebel spy).

The book alternates between Ofelia’s view of the world as a magical place; the story of her family (including mother, stepfather, and new brother) and the battle between the soldiers (headed by Captain Vidal) and the rebels; and intertwined fairytales that touch on their reality. All three of these together lead Ofelia to take on a magical quest at the entrance to an ancient labyrinth on their property at the urging of the elemental, Pan, a faun who tells her that she is really a princess, the daughter of the king of the underworld.  The faun tells her she will have to undertake three tasks in order to rejoin her parents in the underworld. The obstacles presented by dinner parties, a sick mother, a baby brother, an angry stepfather, the violence of the Fascists toward the rebels, and Mercedes the housekeeper’s subterfuges, all must be navigated in order for Ofelia to sneak off and try the terrifying tasks for a faun she isn’t exactly sure she can even trust.

Cornelia Funke’s poetic and fantastical language and style of writing perfectly suits the fairytale nature of the story.  Yes, Ofelia’s story takes place in a specific historical setting, but the reader doesn’t have to know the history of the Spanish Civil War to fall in love with this tale (although I wouldn’t have been averse to a historical note). Due to its being based on a film targeted to adults, however, there are some disturbing moments of violence and implied torture and cannibalism, as well as a significant amount of bloodletting. There is plenty of foreboding and horror in play here, even presented as a children’s book.

Allen Williams’ illustrations really make the book work. Many pages are framed with bending tree branches around the text, giving the reader a feeling of really traveling through a portal into an ancient forest. The individual fairytales are printed on gray paper and have a full page black-and-white pencil illustration facing them, bringing the fantastical to life. The drawing opposite the story “When The Faun Came To Life” is strikingly similar to the creature in the film. I strongly recommend that if you choose to purchase this, you spend the extra few dollars for a hardback for the pleasure you’ll get from the combination of text with illustration.

This isn’t a simple novelization. Cornelia Funke has created something special here, making del Toro’s darkly magical film and narrative accessible to young people.  Highly recommended, especially for del Toro and Funke fans, for ages 12+.

 

Contains: violence, blood, murder, brief scenes of torture, implied torture, death in childbirth, implied cannibalism