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Book Review: Grotesque: Monster Stories by Lee Murray

cover art for Grotesque: Monster Stories by Lee Murray

Grotesque: Monster Stories by Lee Murray

Things in the Well, 2020

ISBN-13 : 979-8611527153

Available: Paperback, Kindle edition ( Amazon.com )

 

In Grotesque: Monster Stories Lee Murray has written tales in a wide variety of styles and subgenres in the horror genre. The combination of her imaginative twists on familiar tropes and the New Zealand setting and atmosphere creates some great creepy, dread-inducing, and horrifying tales.

 

Interestingly, three of Murray’s stories include mindless, killer creatures. In addition to her zombie story, “The New Breed”, which raises the question of who really is the monster in the story, two very different stories provide unique versions of the golem. “Grotesque” is a horror story about the uncovering of an underground passage between two French chateaux, framing events of 1560 when the sixteen-year-old king of France had to be smuggled out, sealing the passage behind him to contain… something.  “Into the Clouded Sky” revisits a character Murray has written about previously, Taine McKenna. This is a nonstop adventure with supernatural visitors, terrifying sand golems, and natural catastrophe, set in New Zealand, and moves at a breakneck pace. These two stories were original for this collection.

 

Other strong stories include “Edward’s Journal”, a Lovecraftian tale told in epistolary manner, paints a lush, wet, and terrifying portrait of an English soldier with the mission of burning the Maori people’s crops to force them to move of their land, lost and starving in the New Zealand forests in an increasingly surreal and sanity-breaking situation; “Selfie”, a post-apocalyptic story with a disturbing amount of creative and vividly described body horror; and “Dead End Town”, an incredibly grim and difficult story to read even before the supernatural gets involved, as it involves repeated violence towards and sexual abuse of a child.

 

I was excited to see a kaiju story, “Maui’s Hook”. I think these must be difficult to write, especially from the point of view of a person experiencing it,  because it’s hard to appreciate giant monster violence when it’s aimed at an individual human instead of another giant monster. Murray did a great job creating a terrifying, unkillable monster and chronicling its violence in a setting and context that I haven’t seen in kaiju films.

 

I haven’t touched on every story in this review but I found them all compelling. Grotesque: Monster Stories should have something to interest almost everyone. Highly recommended.

 

Reviewed by Kirsten Kowalewski

Editor’s Note: Grotesque: Monster Stories is a nominee on the final ballot for this year’s Stoker Awards in the category of Superior Achievement in a Fiction Collection.

Posted on May 22, 2021 by , Reply

Book Review: Bloody Britain by Anna Taborska, illustrated by Reggie Oliver

 

cover art for Bloody Britain by Anna Taborska

Bloody Britain by Anna Taborska, illustrated by Reggie Oliver

Shadow Publishing, 2020

ISBN 978-0957296299

Available: Paperback ( Bookshop.org )

 

The legends and lore of ancient Britain are an essential part of its history, and in Bloody Britain, Anna Taborska shows us that its dark past is never really dead. In a disturbingly calm, conversational tone, Taborska reports the details of torture, murder, revenge, and punishment that evolve from familiar stories and settings into new short story plots with a contemporary feel.

 

Some of the best stories in this collection find horror in the midst of everyday encounters while their innocuous titles belie the violence to come. Who would expect the nice man collecting money for a cancer charity in “Teatime” to be a serial killer who revels in making people suffer their greatest fears? What would make anyone think that a giant worm would be waiting for an opportunity to pop out of a church crypt like the monster in “Cyril’s Mission” does?

 

Two of the most inventive tales, “Rockstar” and “Daylight Robbery,” also give us something deeper to think about as we ponder the characters’ behavior. When the singer in “Rockstar” secretly pays an anonymous writer for lyrics that end up describing real murders, it calls to mind the bad choices some people make for fame and profit. “Daylight Robbery” also focuses on status. It paints the picture of a futuristic, divided society, one in which designer babies become privileged adults who drive around in electric cars wearing “smart suits” while poor immigrants are literally blind and persecuted as terrorists.

 

There are also traditional ghost stories in Bloody Britain. The ghosts include a woman who died in a meat packing factory (“The Haggis Queen”), a young wife and her servant, falsely accused of being her lover, who were both murdered by her husband (“The Gatehouse”), and even ghost dogs that roam around a pet cemetery (“A Walk in the Park”).

 

Although the events are rather predictable in a few of these short stories, they are still  entertaining due to Taborska’s writing style and skillful use of dialogue and description. For example, in “Night of the Crone,” a gang of degenerates gets what’s coming to them when they disturb a monolith in a stone circle. There is also a man who gets into trouble when he dares to inspect a shipwreck at “Formby Point,” and an innocent person imprisoned in the Tower of London who has an encounter with the ghost of Lady Jane Grey. In “The Cat Sitter,” a woman is targeted by a witch who haunts the woods nearby, and in “The Lemmy/Trump Test,” people of low social status are killed for sport. Even the curious student in “Out of the Light” can’t avoid disaster when he becomes addicted to reading a fascinating, evil book he’s borrowed from the bowels of the Bodleian Library.

 

So, light the fire, lock the door, and curl up with a diverting story and a nice cuppa. Recommended.

 

Reviewed by Nova Hadley

 

Editor’s note: Bloody Britain is a nominee on the final ballot of this year’s Bram Stoker Awards in the category of Superior Achievement in a Fiction Collection. 

Posted on April 8, 2021 by , Reply

Book Review: Spectral Evidence by Gemma Files

Spectral Evidence by Gemma Files

Trepidatio Publishing, 2018

ISBN-13: 1947654181

Available:  Paperback, Kindle, Nook

Spectral Evidence is a short story collection that has a bit of something for everyone: old gods, vampires, witchcraft, and even a few stories about monster hunters saving ordinary humans from the deadly extraordinary. The stories, with the exception of “Spectral Evidence”, flow smoothly together, anchored well by short stories about an antagonistic alliance between a mountain witch and two female hunters that are scattered throughout the work.

It is clear in the dialogue of her characters that Ms. Files does extensive research in each story’s subject matter, from a doomed archaeologist describing the architectural structure of an ancient temple in “A Wish from a Bone”, to the incident report-like format of “Spectral Evidence”, to the medically specific ways a zombie-turning drug affects the protagonists in “Imaginary Beauties.” This attention to small details gives a vivid credibility to each storyline.

There are no wholesome protagonists in these stories: even the hunters are significantly flawed, which actually creates a more realistic portrayal of the archetype than in other works. While Sam and Dean’s illegal activities are opaquely glossed over in Supernatural (e.g., stolen credit cards, fake IDs, trails of bodies), for example, Ms. Files’ hunters embrace them, even flaunt them. The opening story of the witch Allfair Chatwin and the hunters Samaire and Dionne (!) Cornish begins in the maximum security unit of a female penitentiary.  “Crossing the River” is about the planning of a prison break, and, while there are no heroes here, the character development was compelling enough that I was excited when I realized “Black Bush”, placed two stories later, picked up where “Crossing the River” left off.

“Spectral Evidence” is a unique short story. As mentioned, it is in an incident report format, describing photographs and other evidence of an investigation gone horribly wrong. Descriptions do leave more to the imagination, but this choice over actual pictures resulted in a few re-readings to get a complete understanding of what was going on. I admire the attempt of the experimental storytelling, but its format made the story feel out of place with the rest of the selections. It may have been better served in another collection.

Spectral Evidence is recommended for all horror fans. There are many strong female protagonists in these stories, which may appeal to specific audiences.

Contains: gore, graphic sex, violence, witchcraft

 

Reviewed by Wendy Zazo-Phillips

 

Editor’s note: Spectral Evidence is a nominee on the final ballot for the 2018 Stoker Award in the cagegory of Superior Achievement in a Fiction Collection. 

Posted on May 5, 2019 by , Reply
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