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Book Review: Death’s Dreams by Darryl Dawson

Death’s Dreams by Darryl Dawson

Darryl Dawson Books, 2019

ISBN: 978-1-7331921-4-9

Available: Paperback, Kindle edition

 

Death’s Dreams is the wildest, most original collection of short stories to come barreling down the pike in a long, long time.  If you’re looking for stories that are seriously OUT THERE, with a decent touch of blood splashed around the pages, this book is the place to be.  Why this wasn’t nominated for a Stoker award is beyond me, as it is certainly good enough to justify a nomination.

The collection is loosely held together by the idea that ol’ Death, the Grim Reaper himself, is losing it.  All the horrors he’s seen over the years while riding his figurative pale horse have started to get to him, so he finds a shrink to talk to and unload all his stories on.  Those stories make up the basis of this collection.  Make no mistake, what he’s seen in these stories would be enough to put any rational person in a padded room.   “New Identity” is a hellish look at what happens when one bad person makes a mistake and winds up the prisoner of a person who is a lot worse.  It’s a common plot device, but this story is truly terrifying.  “Night Train” may be the most original one, as it contains an actual phantom (or not?) train running in the storm drains beneath the city, that promises possible escape to those who need it.  Simply open the door to one of the train cars, and step into another dimension.  “There Really Are No Accidents” is a viciously ironic story concerning one woman’s attempt to take a brutal revenge on her scummer of a husband, and what befalls her.  This one also showcases author Dawson’s twisted sense of humor. The end of the story might well make you laugh, despite its nastiness.  Written with only dialogue, “The Claim” concerns a camera that causes the death of everyone it takes a picture of.  The author’s choice of format for this story makes it stand out from the others, as it can be a tough format to work with, but Dawson does it with ease.  “The Champion of Suffering” is a fantastic revenge story, as the evil killer starts the story already executed through lethal injection, and in Hell.  The protagonist has to decide if he is willing to sacrifice and condemn himself to Hell, just to go after the killer and inflict more punishment.  Is the death penalty enough?  How much is vengeance  worth to him?  This is an outstanding story that also raises some good questions about the nature of retribution.

The overall quality of all the stories is extremely high; there isn’t a bad one in the collection.  Some are better than others, but they all do a good job showcasing the author’s fertile imagination and skill.  The only drawback is the lack of dialogue between Death and the psychiatrist.  The first chapter was an excellent setup between the two of them, but that thread never really got explored to its potential, as they barely show up for the rest of the book.  If the interaction between Death and the doctor had been fleshed out more, this could have been an outstanding novel, instead of an outstanding collection of short stories.  Despite that minor quibble, Death’s Dreams is a book not to be missed.  Keep an eye out for this author in the future. Highly recommended.

 

Contains: violence, gore, profanity, sex

 

Reviewed by Murray Samuelson

 

 

 

 

Book Review: The New Annotated Lovecraft: Beyond Arkham edited with notes by Leslie S. Klinger

The New Annotated H. P. Lovecraft: Beyond Arkham edited with notes by Leslie S. Klinger

Liveright Publishing, 2019

ISBN-13: 978-1631492631

Available: Hardcover, Kindle edition

 

The New Annotated H. P. Lovecraft: Beyond Arkham is a handsome volume of the master’s short stories. This volume collects 25 of the prolific author’s stories, including such famous titles as “The Music of Erich Zann”, “Pickman’s Models”, “The Tomb”, and “The Horror at Red Hook”. It is a heavy book, and I would definitely recommend making sure you have a clean, clear table to read it on.

When you consider an annotated book, the most important thing is of course the annotations, or notes. These notes are printed in an appropriate and easily readable shade of red. They are clear, and they explain fully each and every detail the reader might not have been previously aware of. Leslie Klinger has clearly done extensive research, hunting all manner of information down to provide us thorough, precise explanations of all sorts of short hand descriptions of things in Lovecraft’s stories.

This is a big, beautiful book. If you are a fan of Lovecraft, or you just like short stories that discuss strange, otherwordly monsters, this is highly recommended. This is definitely for ADULT readers.

 

Reviewed by Ben Franz

 

Musings: 2020 Is Nearly Here! The Classics Are Coming!

phantom       

It’s been a big year for looking back, with the establishment of the Paperbacks from Hell imprint, Looking forward to 2020, it appears that it will be a big year for looking even further back.  The publication of several books of ghost and Gothic tales in 2019 looks like it was the beginnings of a return to the classics of the genre. 2020 will bring the first volume of HWA’s Haunted Library series that will be published in conjunction with Poisoned Pen Press, The Phantom of the Opera by Gaston Leroux. In addition, Crystal Lake has just announced that they’ll be publishing Crystal Classics, dark tales from the late 19th and early 20th century,  with occasional titles that “challenge” a classic title, and the covers look lovely. Their December newsletter says the first three of these are out in paperback and will also be available as ebooks: they are The Great God Pan by Arthur Machen, with an introduction by William Meikle;  Dagon Rising, a “challenge” to Lovecraft by William Meikle; and The Willows by Algernon Blackwood, with an introduction by Jasper Bark. I’ve been watching over the past several years now as some of the older or lesser-known writers are starting to be introduced to readers who may never have encountered them before, and I think we’ll continue to see this appreciation of writers from earlier times. Given the publication of books like Monster, She Wrote this year, which set a focus on lesser-known women writers (or women writers whose supernatural work was lesser-known) I think we can be sure that there will be more to uncover and appreciate! Of course, time, and literature, and our fears, move on forward, and I think we’ll see more diversity among contemporary writers in 2020 as well, if what I’m already seeing is any indication. It’s an exciting time to be a writer, publisher, librarian, researcher, and reader, and I can’t wait to see what directions the genre goes in next.