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Book Review: Slasher Girls & Monster Boys edited by April Genevieve Tucholke


Slasher Girls & Monster Boys edited by April Genevieve Tucholke

Speak, 2015

ISBN-13: 978-014751408

Available:

 

 

Slasher Girls & Monster Boys  is an anthology of stories by YA authors, including Kendare Blake, Jonathan Maberry, Carrie Ryan, Leigh Bardugo, and Marie Lu. Each story is based on a horror movie, television show, or fiction, or some combination. Strangely, the inspirations for the stories are only indicated at the end of each story, upside down in tiny print at the bottom of the page. Observant fans with a wide knowledge of the genre will probably be able to hazard some good guesses, but it really doesn’t matter– the theme is incidental, and the stories stand on their own.

Some stories stand out more than others. Nova Ren Suma’s “The Birds of Azalea Street” is a creepy tale about three girls who uncover a neighborhood pedophile. April Genevieve Tucholke’s “The Flicker, The Fingers, The Beat, The Sigh” riffs on I Know What You Did Last Summer, with an outcast girl from school as the victim. The awfulness of the teenagers, and the regret and memories of the narrator, as well as the eventual consequences, are what make this a horrific and tragic story. In “Fat Girl With a Knife” Jonathan Maberry gives us a great character with a taste for revenge who discovers a talent for zombie-killing. I would love to see him do more with this character, as it felt like this ended too quickly.  Megan Shepherd spins a story about a girl who outwits death in “Hide and Seek.”  In “Sleepless”, Jay Kristoff pulls the rug right out from under your feet, just when you think you’ve figured out what’s going on. This is one of the best stories in the book.  In Marie Lu’s powerful “The Girl Without A Face” a boy at the height of privilege is forced to face the consequences of raping a girl who died by suicide by her ghost. What part of this story is most horrifying is up to the perception of the reader. “Stitches”,  by A.G. Howard, while it required a significant suspension of disbelief as regards medical procedures, is an imaginative twist on Frankenstein, and a great character study of a girl whose abusive father makes a deal with a “collector” to have her amputate his body parts and replace them with others in order to pay the bills. Finally “On the I-5” gives us the story of a hitchiker ghost out for revenge.

Some stories didn’t hit quite the right note with me. Carrie Ryan’s “In The Forest, Dark and Deep”, is a surreal, disturbing, and bloody take on Alice in Wonderland. It’s one of the truly horrific tales in the set, but I’m not sure most teens will have the patience for the style. “Emmeline”, by Cat Winters, mixes up several movies and books to create a supernatural tale set in the era of World War I, setting up an uneasy Angela Carter-esque romance that can only end badly. While I enjoyed the story I don’t know that it has a contemporary enough tone to appeal to modern teen readers. “Verse Chorus Verse” gets into the price a parent is willing to pay for their child’s fame, and the build-up is freaky, but as it’s mostly told from the parent’s point of view, it didn’t seem to really belong in a YA anthology.  In”The Dark, Scary Parts and All” a bullied, grief-stricken girl is offered the power to do her worst, if she’s willing to take it. The relationships and decisions in this story just felt off.  “M” is a strange little story that seems to belong more in an Agatha Christie novel than in an anthology of horror stories. I wanted to like it more, as there was a very Edward Gorey-esque influence, and the choice of a blind main character was interesting, but it wasn’t enough. “A Girl Who Dreamed of Snow” seemed more like fantasy than horror, with a shaman girl  sacrificing the men who kidnap her to appease spirits who will end a plague and save humanity from extinction.

A strong majority of the authors in this anthology are women, which seems to be the case overall in YA horror right now, as are the majority of the protagonists. In the cases where the story is told from a boy’s point of view, he is not usually presented in a terribly sympathetic manner, and generally it’s difficult to believe he isn’t getting his just desserts. Very few stories stood out to me as presenting a woman with agency: “Fat Girl With a Knife” has a main character who’s already out for revenge against the school bullies when a zombie outbreak starts, “A Girl Who Dreamed of Snow” has a girl with a plan in place that she carries through, and the girl in “Hide and Seek” is smart, strategic, and tricky. I loved seeing these characters take charge.

While I found this anthology to be a mixed bag, it covers a lot of ground, and I think most readers, especially girls, will find something to enjoy. Recommended.

 

Contains: gore, violence, murder, torture, references to pedophilia, references to rape, references to suicide, body horror

 

Editor’s note: Slasher Girls and Monster Boys was a 2019 Summer Scares YA pick. 

 

Book Review: The Horror Collection, Black Edition by Kevin Kennedy


The Horror Collection: Black Edition edited by Becky Narron and Kevin J. Kennedy

KJK Publishing, 2019

ISBN-13: 978-1798000991

Available: Paperback, Kindle edition

 

The Horror Collection: Black Edition is an anthology of horror short stories.

“The Lake is Life”, by Richard Chizmar describes a troubled, teenage girl whose parents are facing divorce. She seeks emotional refuge visiting her grandmother at a tranquil lake.  There is a bloody massacre, and the keys to who and why are in the girl’s past. Unfortunately, the author never clearly explains her past.

“Pie Bingo: Last Man Standing”, by Veronica Smith describes a dystopian future with overcrowded jails.  The authorities need to winnow the jail population. Prisoners can opt to play bingo for pies, conjugal visits and freedom. However, if they don’t win, they won’t like the consolation prizes. The story is memorable because of the gruesome, sadistic details of the contest.

“Goblin Financial”, by Lee McGeorge is a lesson about the consequences of bad debts. A woman reneges on a loan she should have used for her education, causing her creditors emotional pain. She runs, but they have a hideous debt collector, and a horrific way of making themselves whole.

Readers familiar with the concept of informed consent in human experiments will cringe at “The Switch”, by Mark Lukens.  A financially desperate man agrees to be locked alone in a room for pay and told he must not flip a switch on the wall. The purpose, benefits, alternative choices and risks are not explained to him. Readers can guess what happens; it’s not really an experiment, because the researchers know the outcome.

“Those Who Watch from on High”, by Eric Guignard is an interesting account of emotional and psychological stresses on a drone pilot. Bored, isolated and suffering from disrupted sleep/wake cycles, an Air Force lieutenant in the Nevada desert struggles with reality. Is he looking down at a terrorist’s young son in the Afghan desert with a drone, or is he watching the terrorist’s hut from the desert floor? When he gets the order to fire on the hut, will he obey? If he does, what will he do the next day?

“The Ghost of Agnes Gallow”, by James Byers is an impressive poem about a witch whose curse stalks a family over generations on Halloween Eve.  Reciting his poem of ten stanzas of rhyming couplets out loud adds to the enjoyment.

Kevin Kennedy warns that  “A Tarantino Oz”contains strong doses of sex, violence and profanity. Readers who dislike Quentin Tarantino’s movies and misogyny should skip this story. Kennedy says all fairy tales were originally horror stories. In this tale, characters of L. Frank Baum’s The Wonderful Wizard of Oz meet for an orgy and murderous rampage.

In “Smolder”, Michael Arnzen uses the well-known difficulty of stopping smoking and the Surgeon General’s health warning to draw readers into his story. Who knew that there is something magical about each word of  “SURGEON GENERAL’S WARNING: Smoklng Causes Lung Cancer, Heart Disease, Emphysema, And May Complicate Pregnancy”?  A concerned husband tries to help his pregnant wife kick the habit. He finds a hidden pack of cigarettes, but has no idea that calamity strikes smokers when words of the warning are destroyed.

 

Contains: Gore, graphic sex and profanity

 

Reviewed by Robert D. Yee

Book Review: A New York State of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

A New York State Of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

Hippocampus Press, 2018

ISBN-13: 978-1-61498-237-1

Available: Paperback, Kindle edition

 

Horror writers, both established and new, live all over New York State, from the Big Apple to Upstate.  Each has their own take on the macabre.   In this anthology of frightening tales set in their home state, they put their talents and imaginations to good use: the writers, editors, and publisher pledged to donate the proceeds to Girls Write Now, a New York City nonprofit that matches at-risk teen girls with mentor writers, to help create and benefit a new generation of New York writers.

From the beginning, A New York State of Fright promised to give a great variety of tales, and it did.  There is something for everyone here. A woman addicted to fashion gets her shoe fix with an unknown designer.  The incredible heels demand to be worn, no matter the cost. A collection agent for a Latino mob runs the neighborhood handing out beatings to death at will… until the victims decide they’ve had enough.  People trapped in the subway while a hurricane bears down on the city discover that when rain floods the tunnels, the water washes more than rats up out of its darkness.  A visit to the old abandoned lighthouse in New York Sound is said to let you reach out to lost loved ones…  but maybe they will reach back.  A psychopath is recreating the past in murders: a crime reporter has a tip for the lead detective that will break the case wide open.  A man buys an estate and recounts to his realtor how he met his wife, an incredible story filled with werewolves… or is it?  During the dog days of summer three drinking buddies sit in their favorite bar and ogle the hottie outside.  The game is simple: is she alive or dead?

Some stories worked better than others for me.  My favorites were: “Eyes Left by Jack Ketchum and Edward Lee; “Everybody Wins” by Lisa Mannetti; “Blood Will Tell” by JG Faherty; “The Grim” by Allan Burd; and “Heels” by Alps Beck.  Each of these used enough realistic elements to give an authentic feel to their stories, and also had a unique twist.  The pacing and flow was good in them, the descriptions were descriptive without being overdone, and the characters were believable.  The stories drew me in, and wouldn’t let go.  The other tales were okay: some worked better than others for me.  However, this entire collection suffered to one degree or another with a variety of grammar issues.  Spelling, run-ons, telling vs. showing, garbled phrases, and punctuation issues all reared their ugly heads.  Due to this, I had trouble following some works.  The only work that I have read previously by an author with a story in this volume is Lucifer’s Lottery by Edward Lee.

Contains: Sexual situations, Sexism

 

Reviewed by Aaron Fletcher

Editor’s note: A New York State of Fright: Horror Stories From the Empire State is a nominee on the final ballot of the Bram Stoker Awards in the category of Superior Achievement in an Anthology.