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Musings: The Gift of James Herbert and the Rats Trilogy

Today would have been the 43rd birthday for the Dylan Kowalewski, the founder of Monster Librarian.

Dylan grew up in a little bitty town in upstate New York. It didn’t have a lot going for it, but it did have one thing beloved of book lovers everywhere, and very rare indeed these days: a used bookstore. The store, Granny’s Attic, was in walking distance of his house, and whenever he had the means, he would head there. It was in Granny’s Attic that Dylan first fell in love with horror– and especially killer animal horror. I have a considerable collection of it in my possession now, most of which looks like it was well-loved even before he owned it. I’ve written about Guy N. Smith and his Crabs books before, and he just loved those (and pretty much everything else Guy N. Smith ever wrote) but he also discovered, at an early age, The Rats by James Herbert.

As Dylan planned out the beginnings of Monster Librarian, he realized that he would need to start with some reviews already up, and since nobody knew about us or was sending us books to review at that time, he started with his own collection, including reviews of a few books by James Herbert, including The Rats. So at this time, as a birthday gift, I’m sharing with you some of the earliest reviews from Monster Librarian, written by the man himself about books he truly loved.

Reader’s advisory note: If you ever read reviews of Herbert’s killer animal books, you will see that the readers he has are huge fans, and, for many of them, one of his books is the one that got them hooked on reading. If you’re trying to engage a bored reader, you might want to keep it in mind.


The Rats by James Herbert

New English Library, 1974

ISBN:0450053296

Available: New and Used
 

Giant killer rats invade London, and it is up to a small group of government folk to find a way to stop them. Herbert’s style of writing is easy to read, and the story is by far superior to the many killer rat movies made over the years.  Once it starts, the plot moves very quickly and is engrossing.  It is followed by Lair  and Domain.

Editor’s note: The Rats was republished in 2014 with a forward by Neil Gaiman. The 2014 edition is is not the edition reviewed in 2005 by Monster Librarian– he reviewed the original, 1974 paperback edition– but I’m sure Dylan would approve. How can you not like Neil Gaiman?


Lair  by James Herbert

Pan Macmillan, 1999

ISBN: 0330376195

Available: New and Used
 

Second in the killer rats trilogy by James Herbert, Lair continues the story of mutant killer rats invading England. The book doesn’t break any new ground, but if you enjoyed The Rats then you will probably enjoy Lair.  Sometimes, when reading a sequel, it isn’t that you are necessarily looking for something new, but rather you liked the first book and just want more of the same. This isn’t a bad thing at all, just be aware of what you are getting.

Contains: Rat violence.

Editor’s note: The currently available edition of Lair is not the version reviewed here, which was published in 1999, but is a reprint edition published in 2012.


Domain by James Herbert

Pan Macmillan, 2000

ISBN: 0330376233

Available: New and Used
 
Talk about having a bad day– the survivors of nuclear war in England have to face not only a lawless world with roving gangs of thugs, but also a pack of killer giant black rats. This is a plain, old-fashioned, fun read. Herbert does a fine job of keeping his story moving along. It is a fine addition to his other giant rat books, The Rats and Lair. There is a movie tie-in, Rats.

Contains: violence

Editor’s note: The currently available edition of Domain is not the edition reviewed here, but is a reprint edition published in 2012.

Enjoy!


Book Review: Dead Souls by J. Lincoln Fenn

Dead Souls by J. Lincoln Fenn

Gallery Books, 2016

ISBN-13: 978-1501110931

Available: Pre-order, paperback and Kindle edition

 

Fiona Quinn is having a bad day. She’s soaking wet, freezing cold, barefoot, locked out of her apartment without her wallet, and she just saw her boyfriend, Justin, take off in a taxi with another woman. It’s hard to believe that anyone would give her a drink, but her background in marketing makes her very convincing, and she’s busy downing mojitos when a man walks up to her, offers to buy her a sandwich and a drink, and asks her what it would take to convince her to sell her soul. Being an atheist, she says she’d trade it for the power of invisibility… but apparently lack of belief doesn’t invalidate the deal, and suddenly she owes the Devil, now called Scratch, a favor of his choosing– one that’s likely to be horrifying, graphic, and newsworthy.

As a damned soul, Fiona can identify others, and she meets Alejandro, who traded his soul to become a famous photographer. He  introduces her to a support group for those who have traded their souls and are now waiting for their favor to be called in, and lends her a book compiled over time by other damned souls seeking a way out.  Having traded her soul for invisibility so she can spy on her boyfriend, she then learns that, rather than cheating, he actually was planning to propose before he developed pancreatic cancer, and is leaving his estate to her. Feeling guilty, and wanting to restore him to health, she tries to figure out a way to change her deal with the devil to save Justin. Alejandro warns her that the devil is always a few steps ahead of what any of his dead souls may be planning, but Fiona is sure she can successfully double deal with the devil, escape her fate, and change Justin’s.

Much like the devil, J. Lincoln Fenn managed to keep a few steps ahead of me all through the book, with a twisty plot that somehow managed to tie together the beginning of the story with the end in a manner that is both ironic and truly gruesome. The favors Scratch calls in are turned against Fiona and her fellow dead souls, as he forces them to use the gift they bargained for in warped, grotesque, and graphically portrayed ways, both against humanity in general and each other.  Social media, photography, and marketing strategies all take prominent roles in the way the story plays out: Alejandro uses his images to capture souls, and Fiona uses her marketing talents to manipulate others, using her marketing trinity of novelty, misery, and desire.

Fenn’s writing is a trap: it starts out slowly, and the first quarter of the book creates unease, but there is no indication of the stomach-churning events to come. While I don’t think Fenn is aiming to be extreme, this is not a book for the squeamish. Some of the favors called in create images and visceral reactions that I won’t be able to let go of easily. Dead Souls is a well-crafted tale that, in addition to provoking unforgettable reactions in the reader, also provides food for thought, and it will disturb your thoughts next time you turn on the news. I won’t be surprised if it makes the shortlist for the Stoker this year. Highly recommended for public library collections. Reader’s advisory note: try recommending Dead Souls to readers who enjoyed Fenn’s debut novel, Poe, or Lauren Beukes’ Broken Monsters.

 

Contains: Graphic violence and gore, suicide, implied cannibalism, suicide, torture, mutilation, and descriptions and imagery depicting mass killings.

Book Review: I Walk In Dread: The Diary of Deliverance Trembley, Witness to the Salem Witch Trials by Lisa Rowe Fraustino

I Walk in Dread: The Diary of Deliverance Trembley, Witness to the Salem Witch Trials, Massachusetts Bay Colony, 1691 (Dear America) by Lisa Rowe Fraustino

Scholastic, 2011

ISBN-13: 978-0545311656

Available: Used hardcover, Kindle edition

 

I Walk in Dread is part of the Dear America series, which consists of fictional first-person narratives in diary format by girls between ages 9-14,  in a variety of historical time periods. This particular book is the diary of Deliverance Trembley, an orphaned 12 year old girl living in Salem, Massachusetts in 1691, at the time of the Salem Witch Trials. Deliverance and her sickly older sister, Mem, are hiding a secret– their uncle, who is also their guardian, has left them on their own, with instructions to tell no one that he is gone. While Deliverance is definitely a girl of her time, she also, unlike most others, can read and write, both of which are considered tools of the Devil. Her dreams are disturbing, and her interactions with actual historical figures are varied. For instance, she worries that Sarah Goode, who she knows only by reputation, is a witch who has cursed her chickens, but still lets her and her daughter into the house during a cold night. She’s acquainted with many of the major players, but not intimate with them, with the exception of Martha Corey– an observer who is unsure what to think, and afraid of being found out.

Martha Corey is portrayed as an intelligent, kind, and God-fearing woman who keeps her own counsel. She is observant enough to notice that Deliverance and Mem are alone, and asks Deliverance to read aloud to her, allowing Deliverance to earn enough to feed herself and her sister. Martha’s wise conversation and good character are evident to Deliverance, and when Martha is accused, Deliverance becomes certain that the accusations of the afflicted girls are unjustified. Her behavior as the examinations progress even causes her sister to believe that Deliverance is a witch. It is a compelling story, as minor details like the ability to read and write, a fight with her sister that ends with a Bible sliding into the fire, strange dreams, and a refusal to attend the examinations all together take on an ominous cast as the story continues and the hysteria builds.

While some aspects of the story are implausible (it’s difficult to believe that in over three months, no one actually figured out that the girls were living at home without supervision), the author worked hard to develop a historically accurate representation of the time, place, and events of the witch trials, and I think she succeeded. The back matter includes a historical note, reproductions of primary source documents, an author’s note, and acknowledgments, all to create a more complete picture and provide historical background for young readers this is true for all books in the Dear America series). Fraustino does a good job of humanizing the accused, with her detailed character development of Martha Corey, and of expressing the confusion and conflicted feelings a young girl living in Salem but outside the main events of the story could be feeling about her peers, authority figures, and members of the community. For children, especially girls, who are not quite ready for a more graphic discussion, but are interested in the Salem Witch Trials, this is a good starting place.  Adults who like a compelling story may like it, too. Appropriate for grades 4 and up.

Reader’s advisory note:  Historical fiction readers looking for more might like The Witch of Blackbird Pond by Elizabeth George Speare. A possible nonfiction follow-up for those interested in more detail is Witches! The Absolutely True Story of the Disaster in Salem. by Rosalyn Schanzer.

Or, for a list of books for varying ages (with varying levels of appropriateness) related to the Salem Witch Trials, check out this book list.