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The Original Monster Librarian

In Memoriam: Dylan Kowalewski, The Original Monster Librarian

September 5, 1973-April 17, 2014

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Monster Librarian was the idea and passion of Dylan Kowalewski. Dylan, in a typical burst of optimism and energy, with an intense love of horror fiction, started the site at the end of 2005. Where he got the energy and conviction to start it off less than three months after our first child was born, while working full time and attending library school, I do not have the slightest idea. Library school was an eye-opening experience for him, as over and over again he ran into librarians or soon-to-be-librarians who told him they didn’t like horror fiction, didn’t want to read it, and didn’t know what to hand readers who asked for “something like Stephen King.” He was tired of going to bookstores and finding only the same three or four authors in the “horror” section. Anne Rice and Stephen King were just the tip of the iceberg, but you would never know that from looking there.

Dylan himself grew up down the street from a used bookstore called “Granny’s Attic”. Remember used bookstores? I do. The one I frequented at that age was run by a guy with a beard and a very sneaky cat, with shelves of yellow-spined DAW paperbacks. Dylan’s, apparently, was stocked with killer animal (and killer plant) books from the 1970s and 1980s. As we cleared out the bookshelves in his basement study so new carpet could be installed, he let go of a lot of books, but Guy N. Smith’s Crabs books, James Herbert’s The Rats, and many other well-worn paperbacks stayed.

While I’m not actually working in a library anymore, I do have the degree, and I’ve been a children’s librarian in a public library, a school librarian in an elementary school. I’ve also had plenty of anecdotal experiences in which I’ve run into people who were non-readers who became readers when they discovered Stephen King, or Alvin Schwartz’s Scary Stories to Tell in the Dark, or R.L. Stine. I’ve seen all of these attacked by censors and belittled as trash reading or merely a stop on the way to “real” literature.  And I firmly believe that the world becomes a better place when people learn to read and to love reading. Dylan believed that too, and felt that a lot of kids, teens, and adults, were turned off to reading because the people who have the most influence– parents, teachers, and librarians– didn’t see the value of reading horror for pleasure. He always maintained that reading for entertainment is enough reason to read– there doesn’t have to be deeper meaning, and sometimes a tree really is just a tree.

And so he started Monster Librarian, writing short, objective reviews of just a few sentences, almost completely by himself, and publishing them every week, to create a resource for all those people (especially librarians) who told him “I don’t like reading horror, but I need to know about it”. For a long time that’s the only name by which people knew him. At a conference he attended, someone finally took him around and introduced him– “This is Dylan, the Monster Librarian”.  And he’s the only person who, I think, can ever own that title. At one point he worked full time, had a second job in a library, and put in probably the equivalent to a part-time job in time and effort for the site, as well as being a devoted and loving father and husband.

Most of the people who knew Dylan through Monster Librarian knew him mainly online, but both he and I have been lucky to have both authors and reviewers call us friends. This site became what it is because, in spite of his being an intensely private person, his personality and love of the genre and the horror community always shone through. Bret Jordan, Bob Freeman, David Agranoff, Rhonda Rettig (formerly Wilson), Erik Smith, Kelly Fann, Michele Lee, Colleen Wanglund, Darlene Wanglund, Dave Simms, Patricia O. Mathews, Diana Lord, Sheila Shedd, Hannah Kate, Lucy Lockley, Aaron Fletcher, Julie Adams, and so many more contributed to making this site what it is– a place where parents write to thank us for finding the right book for their reluctant reader, authors contact us to tell us that finding their book reviewed here convinced them to keep writing, small presses and self-publishers get their names out into the mainstream, Midwestern moms confess their love for horror, and librarians discover the gems of the horror genre.

The work of all these people has made the site a success.

But Dylan is the one who made it happen.

And to quote Amy Dalton,  his coworker from the Southport Library, “the only thing monstrous about the Monster Librarian was the size of his heart.”

 

If you have any memories or stories about your friendship or interactions with Dylan that you would like to share, feel free to email me at kirsten.kowalewski@monsterlibrarian.com.

 

 

Women in Horror Fiction: Women in Horror Month– Introducing “Shelley’s Daughters”, by Colleen Wanglund

 

February is officially Women in Horror Month, and while it began with a focus on women in the horror film industry—including actresses, writers, directors, and others working behind the scenes— our goal is to expand this focus to include female horror authors. There are so many women writing horror, some famous but many who are not well-known. Their work is not published and pushed by the major publishing houses; most female authors are published by small houses and in some instances, they self-publish (hooray for the internet!).  And yet, time and again, “Best of” lists continue to be made up of male writers.  Are the women any less worthy?  Is their work not as good as their male counterparts?  Hell no!  We don’t know why female horror authors, for the most part, are overlooked, but we hope to remedy that. So, here at Monster Librarian, we are going to make an active effort to promote women in horror not just by occasionally publishing interviews, but by compiling an index of published women horror writers from Ann Radcliffe to the present.  It’s an ambitious project, but there is no resource that really addresses this topic: in her Reader’s Advisory Guide to Horror Fiction, Becky Siegel Spratford was able to spotlight only five women writers, although I know she would have liked to include more.  Colleen Wanglund and I are going to be spearheading this project, which we’re calling “Shelley’s Daughters”, If there are people who would like to contribute, you can contact  me at our general email address, monsterlibrarian@monsterlibrarian.com, or at kirsten.kowalewski@monsterlibrarian.com. And now, some words from one of my favorite women in horror, and partner in crime (or at least in promoting women writers of horror), Colleen Wanglund.

 

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Women in Horror Month

by Colleen Wanglund

I am a woman in horror; I am one of Shelley’s Daughters, and I am proud to be able to say that.

I was exposed to horror at an early age, both books and movies, thanks to my parents. When I was in high school I wanted to be a writer, but life got in the way and I got sidetracked. At the age of 39, I was asked to write a book review as a favor for a friend of mine. The book was Vicious Verses and Reanimated Rhymes: Zany Zombie Poetry for the Undead Head (2009 Coscom Entertainment). That began my journey back to being a writer. And I cannot thank that friend enough as he has also become a sort of mentor. For years I’ve written book reviews, eventually branching out into film reviews, and the genre I’ve always written about is horror. I have dabbled in fiction here and there, but only recently have I begun to seriously write horror fiction. I won a horror fiction contest for unpublished writers with my short story “Slugs”, I’ve recently sold a short story titled “The Mad Monk of St. Augustine’s” to an upcoming anthology, and I’m working hard on finishing up a novella based on Japanese Pinku (exploitation) films.

But why the love affair with horror? One answer is that I have many fears in this life and horror allows me to face some of those fears at a safe distance. I can put my fears and anxieties to paper as a sort of therapy. It has the potential to help me wrap my brain around some of the horrible atrocities committed by humans all over the world and throughout history. I also find horror to be the most “real” genre out there. Everyone suffers tragedy—in varying degrees, mind you—and horror can act as a catharsis for the feelings associated with those tragedies. We can relate, empathize, or sympathize to what is happening on the page (or on the screen).

As a society horror brings people together to face our collective fears, whether real or imagined. Serial killers, monsters, ghosts—they all represent something for everyone. And I’ve said before that I think women have a unique perspective to bring to the table when it comes to writing horror. We are more emotional and I believe that translates well to the development of characters and the situations they may find themselves in. We live our own horrors in childbirth, letting our children out into the real world, love and loss. We are viewed as the weaker sex, depicted as needing saving, yet at the same time we are expected to be strong for the people around us—our children and loved ones. We are the caregivers and that doesn’t stop because the apocalypse is upon us.

I would like to eventually see Women in Horror Month become unnecessary, but for now it’s needed.  All too often women are being overlooked in a genre they—we—love, and that’s just wrong. I think my main objective is to get the reader to see that gender shouldn’t matter in writing horror stories.  What should matter is the story itself.

 

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Stay tuned and see what we come up with next to promote “Shelley’s Daughters”, and the women of horror fiction!

 

Women in Horror Fiction: Who’s Where? An Index to Women in Horror Month, 2014

It has been a huge month for participation by women writers in horror here. I thought that it would be easier on people trying to find information on a particular writer if I just compiled links to this month’s posts here. I am awed by the variety of the women who write horror. They’re everywhere!

I also found all kinds of great links to posts by or about women writers in horror this month, and I shared most of those on ML’s Facebook page, but I’ll compile a list of those links as well. Not in this post, though. 🙂

Introduction

V.C. Andrews 

Joan Aiken

Tonia Brown: Guest Post “Romancing the Groan”

Debbie Cowens

J. Lincoln Fenn

Wednesday Lee Friday

Sephera Giron

Hannah Kate

Sarah Pinborough

Angeline Hawkes

Karen H. Koehler

Michele Lee

Lori R. Lopez

Lisa Mannetti

Elizabeth Massie

Ann Ward Radcliffe

Suzanne Robb

Mary SanGiovanni

Mary Shelley

Alexandra Sokoloff

Becky Siegel Spratford: Guest Post “Discovery of Women Horror Writers for Public Library Collections”

Barbie Wilde