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Book Review: Beasts and Beauty: Dangerous Tales by Soman Chainani, illustrated by Julia Iredale

cover art for Beasts and Beauty: Dangerous Tales by Sonan Chainani

Beasts and Beauty: Dangerous Tales by Soman Chainani, illustrated by Julia Iredale

HarperCollins Children’s Books, 2021

ISBN-13 ‏ : ‎ 978-0062652638

Available: Hardcover, Kindle edition, audiobook Bookshop.org  |  Amazon.com )

 

In Beasts and Beauty: Dangerous Tales, Soman Chainani brings us tales so sharp they cut, with teen protagonists who seize their agency, and subversive, unexpected re-visionings of 12 familiar stories.

The standout story in this collection for me is “Bluebeard”, a lush and bleeding horror story. Chainani has altered the story so that instead of courting a wife, Bluebeard chooses boys from an orphanage as his victims. Unfortunately for him, one boy, Pietro, is wise to what’s going on.

“Bluebeard” is just one of many excellent stories. Chainani’s version of “Red Riding Hood” would do Shirley Jackson proud, with its rejection of conformity and tradition.  “Hansel and Gretel” set in India, is very different from the original tale, although you can clearly see its roots.  This was a beautifully done variation with a very satisfying ending, if you’ve ever wanted the stepmother to get her comeuppance.  “Cinderella” is an entertaining story where a girl in love with the prince, who has been hexed into a mouse, convinces Cinderella to go to the ball and take her along. The story definitely does not go where you think it will! “Snow White” takes on racism with an unusual reversal, and disrupts the structure of fairytale narrative. “Beauty and the Beast” also addresses racism and classism in its commentary on seeing past appearances, with a prickly, bookish, Chinese “Beauty”.  “Sleeping Beauty” is genderswapped, with lyrical, gorgeous writing threaded with horror. The relationships in this were particularly troubling as Chainani was not clear on the issue of consent or its lack that is central to Sleeping Beauty stories.

Chainani does a good job taking a traditional tale and giving it just a little bit of a twist, as well. Rapunzel uses her brain instead of her hair to get what she wants; Jack grows a beanstalk hoping to find his missing father at the top; the sea witch lectures the Little Mermaid on the folly of giving up a long life and self-respect for the possibility of love.  Other stories include “Rumplestiltskin” and “Peter Pan”.  Overall, it’s a great collection that pays a creative homage to traditional stories.  Art by Julia Iredale throughout, including full-page color illustrations, complements the stories perfectly as it’s integrated into the design of the book.

Teens who grew up reading Adam Gidwitz, the Sisters Grimm, or Chainani’s School for Good and Evil series, or who enjoy fairytale adaptations such as those by Anna-Marie Macklemore (Blanca & Roja)  Emily Whitten (For The Wolf) and Emma Donoghue (Kissing the Witch) should enjoy this collection. Highly recommended for ages 10+.

 

 

Book Review: Tome by Ross Jeffrey

cover art for Tome by Ross Jeffrey

Tome by Ross Jeffrey

Independently published, 2020

ISBN-13 : 979-8647504074

Available: Paperback, Kindle edition Amazon.com )

 

Ross Jeffrey has penned a thrilling, brutal Stoker finalist that pulls zero punches yet has the class of a Ketchum story.  Juniper Correctional facility, a blight on human’s blistered history, has long housed the worst of the worst, the people who operate below the level of human beings.

The story belongs to pair of characters who are both steered by Juniper, the machine that churns and spits out souls: Warden Fleming sits on one end of the spectrum, hoarding secrets that boil beneath the prison surface, and Frank Whitten, a guard who refuses to give up the last strand of light within him.

The story spirals inward up on itself, devouring everything in its path. Juniper is pure hell incarnate, infesting its inmates, guards, and others with a darkness that is more pitch than anything supernatural. It’s not for the squeamish: Jeffrey aims for the jugular, without much subtlety, yet somehow, still manages to build an effective, claustrophobic atmosphere to constrict our deepest insecurities. Juniper as a setting becomes the main character between the pages, an effective and frightening tool that likely scored this nomination.

For fans of brutal, effective horror, with echoes of Edward Lee, Richard Laymon, and Jack Ketchum, Tome will not disappoint. Recommended.

 

Contains: Extreme gore and violence, body horror, racism

 

Reviewed by David Simms

Editor’s note: Tome is a nominee on the final ballot of this year’s Bram Stoker Award in the category of Superior Achievement in a First Novel. 

Book Review: Root Magic by Eden Royce

cover art for Root Magic by Eden Royce

Root Magic by Eden Royce

Walden Pond Media, 2021

ISBN-13 : 978-0062899576

Available:  Hardcover, Kindle edition, audiobook  Bookshop.orgAmazon.com )

 

 

Root Magic takes place on Wadmalaw, one of the Sea Islands off the coast of South Carolina that is home to the Gullah-Geechee nation, a unique ethnic group with a combined heritage from African and indigenous individuals with its own language and traditions. Author Eden Royce, creates a vivid picture of Gullah-Geechee culture and traditions in the setting of the Sea Islands around the time of the Kennedy assassination though her eleven-year old narrator, Jezebel.

After her grandmother dies, Jezebel’s grandfather decides it is time to teach Jezzie and her twin brother Jay the basics of root magic for the purposes of protection, such as painting their house “haint blue” so evil spirits and boo-hags can’t enter, mixing potions, and creating root bags.  The nearby marsh, previously a place the twins used to play, becomes dangerous as it tries to suck Jezzie in.  Still, the twins are fascinated by root magic and can’t wait to learn more.  Jezzie, in particular, starts to develop new powers, such as the ability to astrally project.

Things are not so easy at school. Jezzie has been jumped a year forward, and new girls from families with more money have moved to town. Jezzie, with her darker skin, mended clothes, and rumors of witchiness, becomes a target. Her only friend is Suzie, who can’t invite her over or visit her home, for reasons that become clear later.  In his grade, Jay has become friendly with the other boys, and Jezzie is worried that her connection to him is breaking.

In addition to troubles at school, there are troubles at home. A police officer has taken a particular interest in Jezzie’s family, invading their home in their absence, demanding food, threatening them, and breaking their things. He knows they are a family of root workers and his behavior towards them escalates. While Jezzie and Jay do face supernatural threats in the book, it is Jezzie’s compassion to animals and creatures in trouble (including boo-hags) that helps protect her family from this dangerous but not at all supernatural threat.

Royce’s descriptions make it feel almost like the reader could step through to the island, and she is able to set the time period effectively with just a few sentences. Jim Crow and racist policing are alive and well, and that’s built into the story. Children questioning why the school would still be segregated, the police searching Jezzie’s house without a warrant, and the effect of the Kennedy assassination on the community will get their answers without an exposition dump.  Royce’s presentation of the controversy over passing on root working practices both in the community and in the same family is also interesting, and she illustrates that root work is not a religion, but is a way of connecting with the world.

While the Gullah-Geechee nation became official in 2000, its existence is not well known, and it has a unique culture and language. Introducing Gullah-Geechee culture and language to a more mainstream audience through a middle-grade novel makes it very accessible. Eden Royce is a member of the Gullah-Geechee nation, and I think it would be very difficult to write about it from outside (in fact, there was a controversy over this not that long ago). Royce has a background as a horror writer for adults, with writing grounded in folklore and the Southern Gothic. I’m so glad she chose to use some of these same elements in this engaging historical Southern Gothic #OwnVoices novel for children. Children who enjoy this book may also enjoy Tracey Baptiste’s The Jumbies, Claribel A. Ortega’s Ghost Squad, and Marie Arnold’s The Year I Flew Away. Highly recommended for ages 8-12.

 

Contains: racism, police brutality, violence