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Book Review: Bitter by Akwaeke Emezi

Cover art for Bitter by Akwaeke Emezi

Bitter by Akwaeke Emezi.

Knopf Books for Young Readers, 2022

ISBN-13 ‏ : ‎ 978-0593309032

Available:: Hardcover, paperback, Kindle edition, audiobook

Buy:  Bookshop.org  |  Amazon.com

 

 

Bitter is a prequel to Pet. In Pet, Jam accidentally brings a monstrous angel created by her artist mother through a gate to our world, opened by her bleeding on the image. In Bitter, we learn that it isn’t the first time Jam’s mother brought an angel through.

 

The city of Lucille is filled with protests turned violent. Bitter, who grew up in foster homes where she felt unsafe, has found refuge in Eucalyptus, a residential school for artistic teens run by Miss Virtue . She avoids the protests, focusing on her art, believing there’s no hope for change. She meets Aloe, a sound artist training to be a street medic to help the Assatta, grassroots revolutionaries, and he starts giving her hope. I liked the idea that everyone can contribute in their own way, even if they aren’t on the front lines.

 

After a particularly violent protest, Bitter, who can make her art come to life briefly with blood, creates a monstrous creature and brings it to life in hopes of ending the violence. Unfortunately, the intention he sensed in her was anger, so instead of helping her stop it, he becomes an angel of Vengeance, a hunter of monsters (in this case billionaires and politicians) who wants to kill or burn away evil. When Bitter refuses to help, he convinces members of Assata to hunt with him, but despite their anger, none of them are ready for the brutal, impersonal violence of the angel.

 

Bitter realizes she can force him back through the gate, but the damage is done, with both innocent and not-so-innocent people dead. Bitter and the Assatta cover up the angel involvement and are able to use the incident to gain concessions and change the system to make it more equitable, the beginnings of the mostly utopian world that exists at the beginning of Pet.

 

Emezi wrote Bitter during the pandemic and watched their fiction come far too close to reality. They were becoming progressively more disabled while it was written: they dictated it to a friend over Zoom.

 

Bitter is an angrier book than Pet, and the characters are older teens: while Pet works as a middle grade book and almost a fairytale, Bitter is definitely YA. Highly recommended.

 

 

Reviewed by Kirsten Kowalewski

Book Review: Siren Queen by Nghi Vo

cover art for Siren Queen by Nghi Vo

 

Siren Queen by Nghi Vo

Tor.com, 2022

ISBN-13 ‏ : ‎ 978-1250788832

Available: Hardcover, paperback, library binding, KIndle edition, audiobook

Buy:    Bookshop.org  | Amazon.com

 

 

This is not so much a horror novel as it is an homage to classic monster movies and a critique of golden-age Hollywood. Readers looking for blood and gore will not find it here. What they will find is a dark, beautifully written warning about the dangers of ambition. Told in first person by the protagonist, the story reads like a memoir.

 

CK is a Chinese-American girl obsessed with acting in the movies, at the beginnings of the talkies. She is working bit parts for children off the books for a director at Wolfe Studios, who wants to present her as his new discovery once she turns 18. CK is impatient and tracks down a retired actress who gives her information that will get her an audience, and a contract, with Oberlin Wolfe, using blackmail photos. Due to this leverage she is able to demand that she not be cast in stereotypical roles for Asian women (an issue faced by real-life Chinese-American actress Anna May Wong in this time period).. She takes the stage name Luli Wei, a name that happens to also be her sister’s.

 

Getting a studio contract is similar to making a bargain with faeries. In exchange for fame and fortune, the studio owner controls your life (this is a fairly accurate description of the Hollywood studio system at the time, even without faeries’ involvement). There’s even a version of Tam Lin that takes place within the story.

 

Directors don’t know how to cast CK since she can’t be cast in stereotypical roles, but finally she is cast as a monster, the Siren Queen, and the movie and its sequels are blockbuster hits. Despite her ability to cause scandal and her defiance, the studio can’t get rid of her. CK has a lesbian romance with rising star Emmaline Sauvignon which the studio ends because it interferes with their narrative of the kind of person Emmaline is supposed to be. Later, she gets involved with a scriptwriter hired to do edits on the script of the last Siren Queen movie.

 

Despite knowing her contract would eventually have negative consequences for her, I couldn’t help loving CK for her ambition and refusal to let studio officials and directors walk on her, and for her own love of playing the role of a vengeful monster and loving it. The classic monster movies are clearly an inspiration to the author, and the critique of racist stereotypes and queer erasure in casting at that time is something I am glad to see brought to the attention of modern readers. Highly recommended.

 

 

Reviewed by Kirsten Kowalewski

Book Review: How to Succeed in Witchcraft by Aislinn Brophy

 

How to Succeed in Witchcraft by Aislinn Brophy

G.P. Putnam’s Sons Books for Young Readees, 2022

ISBN-13: 978-0593354520

Available: Hadcover, paperback, Kindle edition, audiobook

Buy:  Bookshop.orgAmazon.com

Shay is one of the few students of color at T.K. Anderson Prep. In a world where only licensed magic users can get top jobs, she is a striver. She has a higher level of magical strength than anyone else in her class,  and the second highest GPA. Her rival, with a slightly higher GPA and slightly lower magic level, is Ana.

 

At a meeting about the application process for a scholarship the school offers for a student to attend the University of Wilmington, which offers magic licensing, theater teacher Mr. B, who heads the scholarship committee, suggests to Shay that if she wants the scholarship she should participate in the school play, which is intentionally “diverse”. Shay is a terrible actor, but discovers she has been assigned the lead role of Valeria. Ana, also a student of color, is cast as her sister, Gabriela.

 

As the year goes by, Shay stumbles into friendship with Ana, and then into a (closeted) romance. Mr. B. continues to single Shay out for special attention and private rehearsals, violating her physical space (she does not like to be touched: based on this and other behaviors I think she is coded as autistic). She is uncomfortable, but none of the other kids seem to be bothered by Mr. B. When Shay is accidentally outed, he is cold to her, turning his attention to Ana, until Shay convinces him she isn’t a lesbian, so she can keep his attention and win the scholarship.

 

One night Shay’s dad’s car dies while he is on his way to pick her up from school, leaving her on campus alone. While she is walking the school grounds, she sees Mr. B. and student choreographer Brittany kissing. Brittany is sharing her magic with him, which makes him stronger, but leaves her open to manipulation. Shay decides she has to tell, even if it means losing the scholarship, and does so in such a public way that the administration is forced to act.

 

There’s a lot of subtext on privilege, systemic racism and classism, college admissions, the impossibility of the American dream, and the way sexual and emotional abusers take advantage and get away with it. Mr. B is a truly predatory character and Shay’s eventual confrontation with him is terrifying, At the same time, this is a really sweet rivals to lovers sapphic romance with some great world-building. It’s not truly horror, but it is a wonderful, witchy read that should be relatable to teens.