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Book Review: Shredder Orpheus by David Irons (based on the screenplay by Robert McGinley)

Shredder Orpheus by David Irons, based on a screenplay by Robert McGinley

 

Shredder Orpheus (Encyclocalyspe Movie Tie-In Series), by David Irons, (based on the screenplay by Robert McGinley)

Encyclopocalypse Publications, 2025

ISBN: 9781966037200

Available: Paperback, Kindle edition

Buy:  Bookshop.org  |  Amazon.com

 

One advantage to the multitude of small publishing houses that have sprung up: they can take on projects that large publishers would never touch, but will be loved by a small but devoted audience. Such is the case with Shredder Orpheus, a novelization of the 1980s cult skaterock/dystopia film. I haven’t seen the film so I can’t say how it compares, but the book is a fun read all on its own.

 

As far as plots go, it’s probably one of the more ridiculous, even for the 80s, when such plots were all the rage. And that’s what makes it fun. In the dismal urban landscape of the Gray Zone, where people live in shipping containers, life revolves around survival, thrashing (riding skateboards) and rock n’ roll. Orpheus is kind of a local hero, since he can shred with the best of them, be it on his board or a guitar. He’s one of the few bright spots in an area that never seems to see the sun. Tragedy strikes when his beloved Eurydice is killed by Video Vampires on their wedding night, and she is taken to Hell to resign with Hades. Hades also happens to run the EBN TV network, which broadcasts brain-deadening shows on all the TVs, which allows him to steal souls. The lovelorn Orpheus decides to travel to Hell to confront Hades and try to get Eurydice back, armed with his guitar-lyre (a powerful instrument conceived by Jimi Hendrix) and his gift-from-the-abyss apocalyptic skateboard. It’s up to Orpheus and his buddies Scratch, Axel, and Razoreus to thrash and shred their way through Hell, and Hades’ TV studio, to rescue the darling Eurydice.

 

Still with me? Ok, good. All of the above is ludicrous, but it’s entertaining, and that’s what matters. The author writes in a fast and loose fashion, and the story clips along, moving from underground rock clubs, to the EBN studios, to a secret garage entrance that leads to Hell. The story moves quickly, and there is just enough there to make you interested in the characters. Their lives are really bleak– one way of getting food consists of raiding dumpsters for thrown-away pizzas, the pizzas being thrown away because the protagonists called them in as bogus orders, then waited by the dumpster for them to be discarded. This takes dumpster diving to an art form. Orpheus gets most of the book’s time: the other three are fairly minor characters, but they are entertaining when they do show up. There’s enough in the book that the romance and devotion of Orpheus and Eurydice feels relatively real, and not just like a plot device used as an excuse to have him skate through the underworld. Orpheus’ sojourn through the realms of Hades is a blast, as he encounters lost souls, a lot of paper shredding, the strange video vampires, some chainsaw decapitation, and he gets to shred his board across fire and lava pools. Totally rad! This is completely deranged silliness, and completely thrilling for those who remember the days when Powell Peralta, Bones Brigade, and VISION were words in every kid’s lexicon. The only minor change I would liked to have seen was a bit more focus on the skating itself. Where it’s a skate-rock adventure, more added rail slides, wheel grinds, truck slides, and 720s would have seemed appropriate. Then again, I don’t know how much was actually in the film itself, so maybe it makes sense.

 

Bottom line is, it’s a crazy story about crazy times, and should be able to find an audience outside of just the film fans. Recommended.

 

Reviewed by Murray Samuelson

 

Book Review: Tick Town by Christopher A. Micklos

Cover art for Tick Town by Christopher A Micklos

Tick Town by Christopher A. Micklos

Castle Bridge Media, 2025

ISBN: 9798991785549

Available: Paperback, Kindle edition

Buy: Bookshop.orgAmazon.com

 

 

Do you miss the good old days of 80s pulp fiction? The times of old, when books like Guy N. Smith’s Crabs series, James Herbert’s The Rats and Graham Masterton’s The Wells of Hell terrorized bookshelves everywhere? Fear not, for Christopher Micklos’s Tick Town is here, and he’s clearly learned from the best of the genre masters. This is a true homage to those days, a smashmouth, blood-spewing classic, right down to its purposefully cheeseball cover art. Readers will devour this faster than the giant ticks in the books devour humans, for Tick Town is a true “rage on the page” that will stomp all over you.

 

As for the plot, the story begins with…oh, never mind. Why bother? Based on the type of book this is, do you really need plot details? This is pulp fiction, which is just about one thing: pure, fast-paced entertainment. The basics are: giant mutant ticks, small midwestern town, good guy reporters and cops, slimy town officials and EEEVIL corporations. Any new, little used literary devices or elaborate character expositions? Perhaps some social commentary on the travails of the oppressed lower class? Hell, no! And that, my friends, is a good thing. Micklos wisely doesn’t waste time trying to write some kind of horror literary masterpiece. Instead, he sticks to the three engraved rules of pulp fiction:

  1. Hit the reader hard.
  2. Hit the reader fast.
  3. Get the heck out and end the story.

It’s also a good idea to throw in a good mess of blood and guts, and a minor touch of sleaze never hurts, and the author checks all the boxes. Tick Town races out of the gate in the first chapter, featuring two dumb teenagers fooling around in a tent in the woods. They hear something and go investigate, and you know what happens next. The throttle is now open, and it’s WFO. right to the end of the book’s 197 pages. There’s no slowdown: this is heart-pounding to the end. One thing to note: most people are probably not that familiar with how ticks kill their prey, this isn’t just teeth and claws. The author cleverly finds a way to work in a lesson on that for the readers, using a video call with a biologist to explain all the details. It helps with comprehending the ticks’ slaughter as the book progresses. Who says you can’t write pulp and be smart with it?

 

Based on this book, pulp-style horror thrillers are not only still alive and well, but the genre just may have found a new torch-bearer. The fact that this is a debut novel makes it all the more impressive. This is a must-read for horror fans and one of my favorites of 2025 so far, this book will occupy a spot of honor on the shelf next to my yellowed paperbacks of Grizzly, Piranha, and Croc. Beyond highly recommended, and that is certainly the bottom line!

 

 

Reviewed by Murray Samuelson

 

 

Book Review: Their Monstrous Hearts: A Gothic Horror Novel with a Dual Timeline and a Suspenseful Mystery by Yigit Turan

Cover art for Their Monstrous Hearts

Their Monstrous Hearts: A Gothic Horror Novel with a Dual Timeline and a Suspenseful Mystery by Yigit Turan

MIRA, 2025

ISBN-13: 978-0778368274<

Available: Hardcover, Paperback, Kindle edition, audiobook

Buy:   Bookshop.orgAmazon.com

 

 

A feeling of impending doom hangs over the characters of Their Monstrous Hearts emanating from, of all things, beauty. The narrator tells us: “Beauty had a threshold, and beyond it, it became a captivating terror.” This terrible beauty finds its expression in the overwhelming presence of living and preserved butterflies and the cloying smell of tuberoses connected with the elegant, sinister Perihan, grandmother of Ricardo, who wields a secret power over the elite of Milan.

 

When Riccardo, a struggling writer, leaves Paris to attend his Turkish grandmother’s funeral, he has mixed feelings about returning to Milan. When he finally reaches Perihan’s home, he discovers her once beautiful garden has been left untended, and there is a cloud of butterflies hovering over her house. He also finds that Perihan’s employees, familiar to him from childhood, are still there, but they are acting very oddly.

 

As he prepares for the funeral, Ricardo discovers a manuscript written by his grandmother, with his name on it, and immediately begins reading what seems to be a very strange horror myth. He finds himself wondering whether she has left him a phantasmagoric novel or a shocking memoir. The answer to that question will determine how much danger Ricardo is in and whether he will be able to face the terrors Perihan has prepared for him.

 

Their Monstrous Hearts is notable for its originality of plot, its complicated juxtaposition of magical goodness and mythic horror in the characters’ motivations, and its European locations infused with a Turkish sensibility. At times, Riccardo’s constant reading of the manuscript is an unwelcome distraction, until the final scenes in the book. But there is also a luxurious languor, ironically, in the mesmerizing prose that leads to the best part of the tale. That is when Turhan answers his own question: what would happen if you extracted something from a fairytale and placed it outside its original context, dragging it back into the center of reality?

 

Reviewed by Nova Hadley