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Book Review: Lichtenberg by Tom O’Connell

cover art for Lichtenberg by Tom O'Connell

Lichtenberg by Tom O’Connell

Temple Dark Books, 2025

ISBN: 9781068250736

Available: Hardcover, Kindle edition

Buy: Amazon.com  | Temple Dark Books

 

Lichtenberg is a grim, bleak dystopian tale that keeps the reader interested throughout, because it always maintains a flicker of hope throughout the novel.  For the readers out there that enjoyed books like Cormac McCarthy’s The Road, this should be a perfect read.   The book is written in the present tense from the perspective of Riven, a soldier in the Corps, the group tasked with protecting the City of Raidon from the Ramasites. Raidon is one of the remaining bastions of civilization, and all inhabitants have one fear: that the Ramasites, humans trying to survive outside the city, will one day band together and destroy it.  No matter that none of the city’s inhabitants remember the time before whatever calamity happened, it’s just what they have been told, and it’s what the historical archives tell them.

 

The job of the Corps, a loosely disciplined army of troops that love violence, is simple: patrol the countryside, and kill anyone they find.  Men, women, children– all are a threat, and must be eliminated.   The plot centers on Riven, and the doubts he starts having with the validity of the mission of the Corps, which of course is its only reason for existence.  The narrative is really more about Riven and how he sees things.  That’s why the first-person present tense (a style I normally loathe) actually works for this book.  It lets the reader get into Riven’s head in an immersive and immediate way. A significant amount of the writing concerns Riven’s thoughts and feelings regarding the Corps and what they do.  It’s a fairly in-depth character study, and it is well done.  The story doesn’t provide any information from before Riven’s time, or after it, since he is the focal point of the story.  This is one of the few times I have read a book written in this style that actually works, since too many books written in the present tense come off like bad movie scripts.

 

This is not just a detailed psychological novel: there are plenty of things happening in the story, more than enough to keep the pages flipping.  The interactions between the Corps and Ramasites provide a good deal of the action, as well as some of the basis for Riven’s discontent.  There are violent gun battles that show the inhumanity of the Corps members, and some of the training that takes place inside the walls of Raidon helps explain how the soldiers became what they are.  When you are raised on violence, you are likely to do the same to others, as they demonstrate on the Ramasites.  It all builds to a very satisfying conclusion that hits with a bang, and Riven’s fate is quite dramatic: it would look incredible on the silver screen.  The only thing I didn’t understand was the brief epilogue chapter, The way the book ended before that was perfect as it was: open ended, but with hope for the future.   In closing, definitely a good one, and worth checking out. Recommended.

 

 

Reviewed by Murray Samuelson

Book Review: Witchcraft for Wayward Girls by Grady Hendrix

Witchcraft for Wayward Girls by Grady Hendrix

Berkley, 2025

ISBN-13: 978-0593548981

Available: Hardcover, paperback, Kindle edition, audiobook

Buy:   Bookshop.org | Amazon.com

 

It’s 1970. Neva is 15, pregnant, and lost. Her father leaves her at the Wellwood Home in St. Augusta, Florida, a maternity facility for pregnant teens. Miss Wellwood, the proprietor, runs her home with strict rules and reprimands the girls about their loose morals and poor decisions. the adults in charge include Diane, a social worker who guides the girls through their time in the Home;  Dr. Vincent, a cold elderly man with traditional views on women’s healthcare, who prescribes restrictions and other cures for the girls, with a focus on the babies; Nurse Kent, who minds the girls at night and when needed; Hagar, a Black woman who runs the kitchen; and Hagar’s sister Miriam, who instructs the girls on their domestic roles, such as proper cleaning of the Home.

 

The adults are not the focus of the story, of course. It is the girls, renamed by Miss Wellwood as flowers, as though she is tending a special garden. Neva is renamed Fern. Rose, a radical hippie who wants to keep her baby Blossom, is a force to be reckoned with in the Home. Always on strike, she fears nothing and no one… until she does. Holly has been through terrible trauma in her short life, at the hands of a powerful member of the community. She’s wild, refusing to allow people to get close to her, and remaining mute until she finds her voice. Zinnia is a musician who loves the father of her baby, swears they will marry upon her return home, and tries to ignore what she was put through at the hands of her mother when her parents found out she was pregnant. There are other girls, and as one leaves, she is replaced by another flower.

 

One hot summer day, the local library’s bookmobile arrives with librarian Miss Parcae at the wheel. She presents Fern with a book called How to Be a Groovy Witch, a powerful tome that opens a new world for Fern, Holly, Rose, and Zinnia. There is something special about this book, and it reveals more to them the deeper they go as they form their own small coven and cast their first spell. The unassuming librarian is more than she seems. As Fern and the girls become more involved with witchcraft and the librarian, they find their newfound power comes at a painful price.

 

Witchcraft for Wayward Girls is powerful. I read the ARC, hardcover, and audiobook versions. Author Grady Hendrix opens the ARC with a letter to the reader, while the published version includes a statement in the acknowledgments, where he provides a brief history of these homes, and shares the experiences of his own family members. There are visceral depictions of body horror in terms of giving birth, which I had a difficult time getting through. Medical horror, especially regarding women’s health and trauma, is difficult for me to read.

 

Hendrix’s ability to write about and from the perspective of girls and women is incredibly effective and well-executed. Readers who enjoy this book may also enjoy his other books, especially The Southern Book Club’s Guide to Slaying Vampires, My Best Friend’s Exorcism, and We Sold Our Souls.  Highly recommended.

 

 

Reviewed by Lizzy Walker

Book Review: GabaGhoul: A Mafia Horror Anthology edited by Mark C. Scioneaux and M. Wesley Corie II

cover art for GabaGhoul: A Mafia Horror Anthology

GabaGhoul: A Mafia Horror Anthology, edited by Mark C. Scioneaux and M. Wesley Corie II

October Nights Press, 2025

ISBN: 9798315277019

Available: Paperback, Kindle edition

Buy: Amazon.com

 

GabaGhoul is an enjoyable Mafia-themed horror anthology of short stories, and includes contributions from authors such as Brian Keene, Jeff Strand, Joseph Sale, Jessica McHugh, and JG Faherty, among others. It’s a good collection, but it is best read only a couple stories at a time, as the limited scope of the anthology does get a bit confining at times.

 

All the stories are written well, and the best part is these are not just “shoot em’ up-bang em’ up” stories of mobsters and repetitive gunfights, although there is plenty of shooting. Instead, most of the gunfire is reserved for the creature-feature style monsters that slash and stomp through the pages. Animated corpses put in an appearance, as well as vampires, and best of all, a DRAGON!

 

There is more to the book then just various Vinnies, Tonys, and Angelos getting shredded, though For example, the story “Daddy’s Girl” involves a monster, but its theme centers around a fun question: how do Mafia bosses react when their only daughter starts dating? “The Corpse Box” is a doozy that revolves around a foolproof way of dead body disposal, and “Now That’s a Spicy Meatball!” does a nice job putting a culinary twist on the standard revenge tale. There are other odd tales spaced throughout the book, a nice counterpart to the mob vs. monsters ones. For comic relief, and possibly the most fun, “Donnie’s First Whack” is a side-splitting laugher where everything that can go wrong during a standard murder, does go wrong. Overall, the book provides an entertaining grab-bag of organized crime chaos.

 

That being said, the book could have been improved by broadening out the nature of the crime families in it. All of them focus on the Italian style mob, whether this was by design of the editors or coincidental. While they make good characters, they start to seem like carbon copies after a while. How about some Russian crime groups? (they only put in an appearance as secondary characters in one story) Or some of the Mexican ones? A bit more variety to their activities might have been a good addition also. Most of the mobsters in this seem like they came out of either the movies The Godfather or Goodfellas, and they are usually doing the same thing: racketeering, truck hijackings, etc. A lot of what today’s mob does involves stunts like phone scams, cybercrime, and online gambling: a few stories that put a more modern twist on the traditional gangster stereotype would have been welcome.

 

GabaGhoul is a good anthology, but just a few minor tweaks could have pushed this book up to the next level.  Recommended.

 

 

Reviewed by Murray Samuelson.