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Book Review: D.O.A. III: An Extreme Horror Anthology edited by S.C. Mendes

 

DOA Vol. 3

D.O.A. III: An Extreme Horror Anthology edited by S.C. Mendes

Blood Bound Books, 2017

ISBN: 9781940250267

Available: Paperback, Kindle edition

Buy from:   Amazon.com

 

The tagline on the back cover of the book reads: “You’ll laugh, you’ll cry, you’ll vomit.”  And, they aren’t kidding.  This is one of the most extreme collections ever published: 30 stories of raunchy, sex-driven, blood-drenched mayhem.  The stories are good, just prepare for revulsion.  This is for true hardcore lovers only– keep the kids away from this one.

 

The book’s pedigree is impressive, as Edward Lee, Jack Ketchum, Wrath James White, Bentley Little, and Richard Matheson are among the authors represented.  The stories are generally entertaining and well-written.  If there’s a theme, most of the stories involve horrible people doing horrible things to each other.  No joke: there are some VERY ugly torture sequences in this book that make Eli Roth films seem like Disney movies.   There are some stories with a paranormal bent, which helps keep the book from getting too one-dimensional.  The originality is decent, although not to the level of the Welcome to the Splat Club series.  As we’ve come to expect from Blood Bound Books, there is an undercurrent of dark humor threaded through many of the stories, which helps balance out the overall story mood. Notable stories worth mentioning include:

 

“Hostile” is only four pages, but it is comedic genius.  Jeff Strand’s hilarious twist on the Hostel movie series proves that the worst situations can be amusing, when written correctly.

 

In “Taking Root”, a virulent strain of plant spores has contaminated Earth, turning people into… plants, of a sort.  Two survivors find that, unfortunately, an apocalypse still doesn’t change peoples’ predatory instincts, or their bad nature.  Despite sounding grim, it’s a light-hearted take on doomsday writing.  Plants growing out of a person’s rear can be funny!

 

In “Ritchie”, Jackson killed Ritchie the bully when he was a kid, but Ritchie has a bad habit of coming back from the dead once a year.  So, Jackson has to kill him, again.  And again, and again.  The fun part is, Ritchie’s injuries from each death carry over year to year, and he becomes less intimidating to the point of hilarity… but Ritchie may still have a trick or two up his sleeve…

 

 It’s worth mentioning that this isn’t ‘peek under the bed and close the curtains out of fear’ horror writing.  These aren’t scary, and aren’t meant to be.  This is straight-up extreme splat writing to the max.  

 

Bottom line: if the members of Cannibal Corpse and GWAR decided to write short stories instead of lyrics, then DOA III is probably what you would get.  Recommended for hardcore fans only.

 

Reviewed by Murray Samuelson

Book Review: Classic Monsters Unleashed edited by James Aquilone

Classic Monsters Unleashed edited by James Aquilone

Black Spot Books, 2022

ISBN-13: 9781645481218

Available: Kindle, Audible, paperback, hardback Bookshop.org | Amazon.com )

 

Classic Monsters Unleashed includes one poem that opens the anthology, followed by twenty-nine stories featuring, well, classic monsters. Dracula, the Invisible Man, Frankenstein, the Mummy, and the Wolf-man are included in this homage to classic monsters. The list does not end there. Nosferatu, Captain Kronos, the Headless Horseman, the Blob and more, all find space in this anthology. I have narrowed my favourites down to my top ten, but that was difficult. Each story deserves its own time in the spotlight, really.



In Jonathan Mayberry’s “Hollenlegion,” Nazis search for the allegedly abandoned island of Dr. Moreau. Simon Bestwick’s “Mummy Calls” is one of the best, and most humorous, stories in the collection. Written as a submission letter to the anthology editor, Simon explains the story of the “Manchester Mummy” and how real she actually is. Lucy A. Snyder gives us a unique story of the Phantom of the Opera meeting Jack the Ripper in “The Viscount and the Phantom.” I do not want to give anything away, so I will just leave it at that. In “Modern Monsters” by Monique Snyman, a whistleblower contacts the crew of paranormal reality show Modern Monsters to document a science experiment gone wrong. There is some body horror in this one, but not so much that it gets too gruesome. “Hacking the Horseman’s Code” by Lisa Morton is a modern day take on The Legend of Sleepy Hollow. Gil contracts a Headless Horseman AI for Halloween festivities, much to his wife’s chagrin. To mess with a political rival, he alters the AI’s programming, which backfires spectacularly. Maurice Broaddus gives us a unique vision with his “The Invisible Man: The Fire This Time.” Broaddus weaves his story through a societal racial critique that is well done and very powerful. Mercedes M. Yardley’s “The Picture of Doriana Gray” is an excellent gender-swapped take on The Picture of Dorian Gray. Crystal Sapphire, a popular social media influencer, makes a new friend who in turn influences her. In “Da Noise, Da Funk, Da Blob” by Linda D. Addison, we are presented with the Blob in a new light and Its purpose for landing on Earth. Leverett Butts and Dacre Stoker’s “Enter, the Dragon,” told through text chats, emails, YouTube transcriptions, and CCTV coverage in the shadow of COVID, tells the story of a man kidnapped by an underground group to resurrect Vlad Tepes. It’s Dracula with a dash of the X-Files. Rounding out the anthology is Joe R. Lansdale with “God of the Razor,” focusing on an antique dealer who unexpectedly meets with Jack the Ripper. 

 

Other authors who contributed great additions to this anthology include Gary A. Braunbeck, Ramsey Campbell, JG Faherty, Geneve Flynn, Owl Goingback, Michael Knost, Alessandro Manzetti, Rena Mason, Richard Christian Matheson, Seanan McGuire, John Palisano, Lindy Ryan, Carlie St. George, David Surface, Gaby Triana, Tim Waggoner, Paul Wilson, Kelsea Yu, Sean Eads, and Joshua Viola.

 

I would be remiss if I did not mention the incredible artwork. Artists include Zac Atkinson, Frank Frazetta, Jeremiah Lambert, Sam Shearan, and Colton Worley. 

 

Pick this up if you want an anthology that pays homage to both the traditional classic monsters, as well as ones that do not get much attention.  Highly recommended.

 

Reviewed by Lizzy Walker

 

 

 

 

Book Review: Shallow Waters: A Flash Fiction Anthology: Special Halloween Edition edited by Joe Mynhardt

cover art for Shallow Waters: A Flash Fiction Anthology: Special Halloween Edition

Shallow Waters: A Flash Fiction Anthology; Special Halloween Edition Book 9 of 10) edited by Joe Mynhardt

Crystal Lake Publishing, 2022

ASIN:: B0BGYXGH4D

Available: Kindle edition Amazon.com )

 

Shallow Waters, a monthly flash fiction contest hosted by Crystal Lake Publishing, collects stories with different themes each month. This volume presents 18 pieces of flash fiction centered around Halloween. While I enjoyed all of the stories in this anthology, there are a some that stuck with me long after I finished the book.

 

William Meikle is one of my favorite genre writers, and his “Tumshie” is my top pick in in this book. A drunkard of an abusive father refuses to let his son have a Halloween pumpkin, rather insisting on a tumshie, a carved turnip. When John discovers the secret of the tumshie, he embraces his new tradition.

 

I enjoy stories that aren’t told in a typical format. Letters, newspaper articles, and diaries lend stories a more intimate feel. “West Pennfield Township Newsletter, October 2021” by Tom Coombe presents a, well, newsletter to the township regarding “simple rules” that the townspeople need to follow lest The Judges be awakened. Another story told in a unique format is Francesca Maria’s “How to Create the Perfect Pumpkin.” Carving a fresh pumpkin can be so exciting, but there is something about this list of instructions that doesn’t seem right.

 

In “I Want Candy” by Larry Hinkle, Erik’s addiction to candy leads him to do the unthinkable when his wife and child come home from a successful night of trick-or-treating.

 

Rick Whatley’s “Let the Darkness In” comes from the perspective of two parties. Four Class of 2022 high school seniors set out to kill a witch. Behind closed doors and still in mourning, Edith doesn’t know what is coming.

 

In “The Pumpkin Fetch” by Tom Deady, the Halloween traditional of a pumpkin thieving contest ends in a different kind of harvest.

 

The chaos of a Halloween party where parents and children are in attendance results in an urban legend becoming a reality in “One Parent Survives” by Wil Dalton.

 

I have only read a few flash fiction collections, and I am impressed with how some authors can evoke fear in a reader with few words. Because of the impact this anthology had on me, I will be reading other volumes in Shallow Waters. Recommended

 

 

Reviewed by Lizzy Walker