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Book Review: The Rack: Stories Inspired by Vintage Horror Paperbacks edited by Tom Deady

Cover art for The Rack edited by Tom Deady

The Rack: Stories Inspired by Vintage Horror Paperbacks, by various authors

Greymore Publishing, 2024

ISBN: 9780990632771

Available: Paperback, Kindle edition

Buy: Bookshop.orgAmazon.com

 

The Rack is a mixed bag.  That’s surprising, considering the pedigree of the authors involved, many whom I’ve read before.  There are some really good ones, but when the best one is a Stephen King one borrowed from his ’80s collection Skeleton Crew, that tells you something.  If you really want good ’80s style horror stories, track down the original ones from that era on Ebay,

 

The reason it’s a bit of a disappointment is that for the five or six really good ones, there are an equal number of clunkers.  The rest are somewhere in the middle: they provide some entertainment, but nothing you are likely to read again. The writing and ideas are fine, but most of them just don’t have any real “grab” to them.  Still, there are some that have plenty of zip,

 

“White Pages” is one of the best and most creative stories, illustrating how prank calling could go horribly wrong in the old days of rotary phones.  “Fuzzy Slippers” is straight, messy, ’80s-inspired lunacy, with yes, killer slippers, and a great twist at the end.  This one really captures the feel of the gory, free-for-all stories that marked some of the best ’80s horror.  “Blood of my Blood” may be the most unusual, with its blood-drinking health zealots.  Mixi them into a marriage ceremony with a groom who has no idea what type of family he’s marrying into, and you have a wonderfully dark humored story.  “The Keeper of Taswomet” and “Lips Like a Scythe” are solid, vintage-inspired monster mashups, with enough character interactions to keep the story humming. They’re not just focused on the monsters and carnage, although there is plenty of that too!  The best story, King’s “The Raft”, is one that doesn’t need to be mentioned; you already know how good it is.

 

As for the rest…again, this is strictly opinion.  There’s nothing lacking in how the stories are written, they just really aren’t page turners, which is my main requirement for a good short story.  Other readers may feel differently..

 

Bottom line?  If you want to read the best ’80s shorts, go back to the originals: they truly hit the mark.  King’s Night Shift or Skeleton Crew, Robert McCammon’s Blue World, or Clive Barker’s Books of Blood are all prime examples of what made the ’80s such a fertile period for creativity in the horror field.

 

 

Reviewed by Murray Samuelson

 

Book Review: Uncertainties 7 edited by Carly Holmes

Cover art for Uncertainties 7 edited by Carly Holmes

Uncertainties 7 edited by Carly Holmes

Swan River Press 2024

ISBN: 0781783800506

Available: Hardcover

Buy: Swan River Press

 

This is the seventh volume in the ongoing anthology series published by the excellent Irish imprint Swan River Press, collecting “strange”, unsettling stories penned by writers from the UK, Europe and USA.

 

The first, successful, six volumes have assembled a number of noteworthy authors and editors, trying their hand at every possible subgenre of speculative fiction: ghost stories, horror tales, science fiction, fantasy and more.

 

And since it’s normal that not everything pleases everybody, I will point out the stories which, in my opinion,are the best in the present volume.

 

In the intriguing and sinister “Pond Scum” by Tyler Keevil, two brothers vacationing in Tuscany are involved in a scary paranormal experience revolving around an unusual pond. This is one of the very few cases of fiction in English  where sentences in Italian are reproduced  and spelled correctly…

 

“Sad Face”, by the prolific Mark Morris, is a disturbing, atmospheric piece where a widower searching for peace in a wild and secluded resort place ends up being literally engulfed in an unwanted embrace.

 

“The Winding of the Willows” by Steve Toase is an effective mix of horror and SF, depicting how the water of a stream brings about disease and death in a small village.

 

“The Good Old Days” by Craig Rosenberg is a kind of neat “ Twilight Zone” story, in which an Aussie man relocated to the USA has to face the past while taking a vacation back in his hometown.

 

I am looking forward to volume number 8.

 

 

Reviewed by Mario Guslandi

 

 

 

 

Book Review: Welcome to the Splatter Club, Volume 3 by various authors

Welcome to the Splatter Club, Volume 3

Welcome to the Splatter Club, Vol. 3, by various authors

Blood Bound Publishing, 2024

ISBN: 9781940250632

Available: Paperback, Kindle edition

Buy: Amazon.com

 

If you read the other Splatter Club books, you know what to expect: gore, raunchiness, creativity, and warped humor. The third installment continues the tradition.  Overall, it’s very good, although not quite to the level of Volume 2: but that’s a pretty high bar to clear.  It’s certainly good enough to confirm the series as one that should keep running in the future.

 

There are nine short stories of varying length, plus four additional stories of a couple pages each that were winners in last year’s gross-out writing contest at Authorcon II.  The book would have been better off leaving those four out, as they really don’t add anything, and just read like an excuse to be disgusting.  Still, for readers that just want some barf-inducing material, they’re here.

 

The other nine stories are all good ‘uns, with Rachel Nussbaum’s ‘”You’re Mine Now” being the runaway winner for the best.  The hard-luck protagonist gets partly possessed by a somewhat nice demon, who proceeds to help him fix his life, in suitably violent and bone-crunching fashion.  It’s the interplay between the lead character and the demon that makes this roaring good fun: their conversations are priceless.  The whole ‘demon with a bit of heart’ is an angle that doesn’t get used often, it’s an intriguing one.

 

Stephen Kozeniewski’s ‘”Self Reporting” also deserves mention, for its wickedly humorous style, and re-doing of a horror trope.  We all know killing your family is bad, but this turns it into survival of the father, in a hilariously warped way.  This is definitely a new way to use a pandemic for a horror story.

 

Setting aside the four gross-out shorties, the rest are what make the Splatter Club series better than the rest.  There are no bad stories to be found. The quality does vary, but the absolute worst you can say about any of them is “pretty good..” There are no misses to be found.  I’ve reviewed a LOT of short story anthologies over the past few years, and it’s almost impossible to find one without at least a couple duds.  Splatter Club pulls off the trick of consistent quality throughout, and that’s pretty rare.  Not all the stories will blow your socks off, but there are none to skip over.

 

Drumroll please!  The BOTTOM LINE is…if you want creative craziness with plenty of bloody mayhem and twisted humor, you want this book.  Read it, destroy your mind, and carry on, till hopefully Volume 4 arrives.  Recommended.

 

Reviewed by Murray Samuelson