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Book Review: A New York State of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

A New York State Of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

Hippocampus Press, 2018

ISBN-13: 978-1-61498-237-1

Available: Paperback, Kindle edition

 

Horror writers, both established and new, live all over New York State, from the Big Apple to Upstate.  Each has their own take on the macabre.   In this anthology of frightening tales set in their home state, they put their talents and imaginations to good use: the writers, editors, and publisher pledged to donate the proceeds to Girls Write Now, a New York City nonprofit that matches at-risk teen girls with mentor writers, to help create and benefit a new generation of New York writers.

From the beginning, A New York State of Fright promised to give a great variety of tales, and it did.  There is something for everyone here. A woman addicted to fashion gets her shoe fix with an unknown designer.  The incredible heels demand to be worn, no matter the cost. A collection agent for a Latino mob runs the neighborhood handing out beatings to death at will… until the victims decide they’ve had enough.  People trapped in the subway while a hurricane bears down on the city discover that when rain floods the tunnels, the water washes more than rats up out of its darkness.  A visit to the old abandoned lighthouse in New York Sound is said to let you reach out to lost loved ones…  but maybe they will reach back.  A psychopath is recreating the past in murders: a crime reporter has a tip for the lead detective that will break the case wide open.  A man buys an estate and recounts to his realtor how he met his wife, an incredible story filled with werewolves… or is it?  During the dog days of summer three drinking buddies sit in their favorite bar and ogle the hottie outside.  The game is simple: is she alive or dead?

Some stories worked better than others for me.  My favorites were: “Eyes Left by Jack Ketchum and Edward Lee; “Everybody Wins” by Lisa Mannetti; “Blood Will Tell” by JG Faherty; “The Grim” by Allan Burd; and “Heels” by Alps Beck.  Each of these used enough realistic elements to give an authentic feel to their stories, and also had a unique twist.  The pacing and flow was good in them, the descriptions were descriptive without being overdone, and the characters were believable.  The stories drew me in, and wouldn’t let go.  The other tales were okay: some worked better than others for me.  However, this entire collection suffered to one degree or another with a variety of grammar issues.  Spelling, run-ons, telling vs. showing, garbled phrases, and punctuation issues all reared their ugly heads.  Due to this, I had trouble following some works.  The only work that I have read previously by an author with a story in this volume is Lucifer’s Lottery by Edward Lee.

Contains: Sexual situations, Sexism

 

Reviewed by Aaron Fletcher

Editor’s note: A New York State of Fright: Horror Stories From the Empire State is a nominee on the final ballot of the Bram Stoker Awards in the category of Superior Achievement in an Anthology. 

 

Book Review: Lost Highways: Dark Fictions From the Road edited by D. Alexander Ward

Lost Highways: Dark Fictions From The Road edited By D. Alexander Ward

Crystal Lake Publishing, 2018

ISBN-13: 978-1643704722

Available: Paperback, eBook(Kindle)

 

On the open road, opportunities abound.  Anything can happen: you can hitchhike your way across the country depending on the kindness of strangers; go on a pilgrimage to find a lost relative last known to be in a cult; dispose of a cheating ex; run for your life from a mysterious pursuer; clean up your act by traveling through time to hunt yourself; explore the history of a deadly stretch of road.  You can get revenge.  Try the local cuisine, or become it.  Rob a gas station or stop a heist.  Meet a ghost.  Tour the country.  Take a ride with Death.  All this, and more, awaits you on the road.

Lost Highways: Dark Fictions From The Road had a lot of fun stories– 20 to be exact– and a bonus of 5 works of art.  The title got my attention from the start, and I was curious what tales of the road I would find.  I was not disappointed.  The majority of the stories had plotlines that kept me interested and challenged me.  Many gave me twists that I did not expect.  The tone throughout these works was creepy, with the occasional feeling of vindication or awe.  The characters were believable for their situations.  There was enough background to set each story up.  Usually, I was thrown straight into the action and the details of the past popped up as needed.  Fun stuff.  The descriptions and pacing flowed well.  The only complaint I can make is that there were a few grammar issues, mostly typos.  My favorite stories were: Mr. Hugsy by Robert Ford; Jim’s Meats by Kelli Owen; Not From Detroit by Joe R. Lansdale; Room 4 At The Haymaker by Josh Malerman; and The Widow by Rio Youers.  I have not read any of these authors’ work previously, with the exception of I Can Taste the Blood by Josh Malerman. Recommended for adult readers.

 

Reviewed by Aaron Fletcher

 

Editor’s note: Lost Highways: Dark Fictions from the Road is a nominee on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievement in an Anthology.

 

Book Review: Hellhole: An Anthology of Subterranean Terror edited by Lee Murray

Hellhole: An Anthology of Subterranean Terror edited by Lee Murray

Adrenaline Press, 2018

ISBN: 978-1-940095-94-3

Availability: Paperback, Kindle edition

 

Hellhole is a well-put-together anthology of horror stories, where the one common thread is that some of the action takes place underground.  Similarities end there, as the stories use mines, ocean volcanoes, underground city tunnels, river caves, and even the Moon as their settings.   What all the stories do well is two things: they deliver fast excitement, and they manage to take common settings and creatures and breathe new life into them, by throwing in enough twists to keep the reader interested.  There isn’t a bad story in the mix: the worst could still be rated at least as “fair.”  The rest all make the grade, from good to very good, with some being truly excellent.

The writing for all of them is solid, although the reader will have to adjust to different perspectives.  The majority are written in the third person, but there are some that use the first person, and even a couple written in the present tense, which some readers may find annoying.  In all of them, the action flows fast and hooks the reader within the first few pages: there’s no waiting around for unnecessary buildup of the plot.  One of the best examples is “Pit of Ghosts” by Kirsten Cross.  Tourists in an underground mine get a quick bit of background on the mine’s ugly history, then they are quickly stalked by creatures that somewhat resemble the Crawlers from the movie The Descent.  This might have only been an okay story if it continued on that path, but the story takes a major turn when the mine’s history plays into why the tourists were unwittingly chosen to be part of the group.  It’s a twist the reader likely won’t see coming, and it greatly elevates the quality of the story.

All of the stories do this to some degree: it’s what makes the book good.  In Jonathan Maberry’s “All the Devils are Here”, someone is trying to open an underground door to another dimension to unleash Old Gods. Seen it before.  But throw in a team of Special Forces soldiers with almost unlimited ammo trying to blast them apart, and you have something fun.  Michael McBrides’s “A Plague of Locusts” recycles the old “victims of biological experimentation gone wrong” plot and breathes new life into it with a fungus that does ugly things to its victims, allowing them to survive underground for decades.  Of course, someone has to go down there… and complete mayhem results.  For pure, over-the-top insanity, Jake Bible’s “Ginourmous Hell Snake” may be the winner.  Start with a big snake, add in an Amazon river cave, and a cult worshipping the snake.  Throw in two of the most entertaining characters in the book: trained mercenaries with futuristic weapons who act more like stoned California surfers, and are simply too laid back to be scared of anything.  When dudes meet snake, the craziness starts.  These aren’t the kind of stories you can read a little at a time– the excitement demands that the reader finish them right away.

The overall quality of the material in this anthology is high. The action and excitement is delivered in droves, and there are enough firefights and characters either torn apart or blown apart to keep gorehound readers satiated.  Factor in the originality shown to bring  tried and true plot devices roaring back to life, and you’ve got something the reader will not want to miss.  Recommended.

Contains: violence, gore

 

Reviewed by Murray Samuelson

 

Editor’s note: Hellhole: An Anthology of Subterranean Terror is a nominee on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievment in an Anthology.