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Graphic Novel Review: Mississippi Zombie by Bradley Golden, Alex Barranco, Joe Wight, Marcus H. Roberts, et al.

Mississippi Zombie: A Horror Anthology by Bradley Golden, Alex Barranco, Joe Wight, Marcus H. Roberts, et al.

Caliber Comics, 2020

ISBN-13: 9781643377131

Available: Paperback, Kindle, comiXology

 

Caliber Comics brings us Mississippi Zombie: A Horror Anthology, a series of walking dead tales set in rural Mississippi. In “Mississippi Crossing Part 1”, Private John Hilliard of the 1st Battalion, 155th Infantry tells the story of his fight against the incoming zombie horde from the north. “Mississippi Crossing Part 2” presents two rednecks in a bar arguing over whether the zombie threat on the news is real, part of a government conspiracy, or if the town psychic was right, and it’s the beginning of the Apocalypse. The conspiracy theorist gets fed up and leaves the bar in a huff, only to discover the truth for himself. “Mississippi Crossing Part 3”, begins on a football field, where zombies break into the arena to wreak havoc on the unsuspecting public. One player fights his way free, only to board the wrong school bus. In “Grave Times”, Theodore and Angela Brown are newlyweds when the unthinkable happens. Angela succumbs to a mysterious illness and turns. Her devoted husband keeps her chained and locked in their basement. He delivers a freshly robbed corpse to her, but it isn’t warm enough for her refined palate. “Zombie Attack on Horn Island”, told around a campfire, includes hapless settlers, a vengeful witch, and bloodthirsty zombies. In “It’s All About Commerce”, four friends are trying to get to Commerce, Mississippi for safety to find something potentially much worse than the living dead. “Planet Z” gives us a science fiction take on the zombie story. It’s Christmastime in an industrial colony in Jackson, Mississippi. Unfortunately, the zombies didn’t get the memo about peace on Earth and good will to men.

I thoroughly enjoyed the stories in this anthology. They are short, sweet, and full of zombies. I want to focus on the artwork for a bit. Phil Williams provides chaotic, intense art for the “Mississippi Crossing” segments, especially when the zombies attack. It’s very well executed. The art for “Grave Times” by Antonio Acevedo is highly detailed and has some great shadowy effects. Shaun Barbour’s art in “Zombie Attack on Horn Island” and Harrison Wood’s art in “It’s All About Commerce both feel close to what you would see in Eerie or Creepy. Rod Espinosa has a slick art style that is great for a sci-fi horror comic. It would be great to see him do art for a Warhammer 40K comic.

I would recommend this for anyone who wants to support independent, well-done horror comics. I think it is important for libraries to find ways to hold these in their collections as well. Highly recommended.

Contains: blood, gore, zombies

 

Reviewed by Lizzy Walker

Book Review: The Horror Collection, Black Edition by Kevin Kennedy


The Horror Collection: Black Edition edited by Becky Narron and Kevin J. Kennedy

KJK Publishing, 2019

ISBN-13: 978-1798000991

Available: Paperback, Kindle edition

 

The Horror Collection: Black Edition is an anthology of horror short stories.

“The Lake is Life”, by Richard Chizmar describes a troubled, teenage girl whose parents are facing divorce. She seeks emotional refuge visiting her grandmother at a tranquil lake.  There is a bloody massacre, and the keys to who and why are in the girl’s past. Unfortunately, the author never clearly explains her past.

“Pie Bingo: Last Man Standing”, by Veronica Smith describes a dystopian future with overcrowded jails.  The authorities need to winnow the jail population. Prisoners can opt to play bingo for pies, conjugal visits and freedom. However, if they don’t win, they won’t like the consolation prizes. The story is memorable because of the gruesome, sadistic details of the contest.

“Goblin Financial”, by Lee McGeorge is a lesson about the consequences of bad debts. A woman reneges on a loan she should have used for her education, causing her creditors emotional pain. She runs, but they have a hideous debt collector, and a horrific way of making themselves whole.

Readers familiar with the concept of informed consent in human experiments will cringe at “The Switch”, by Mark Lukens.  A financially desperate man agrees to be locked alone in a room for pay and told he must not flip a switch on the wall. The purpose, benefits, alternative choices and risks are not explained to him. Readers can guess what happens; it’s not really an experiment, because the researchers know the outcome.

“Those Who Watch from on High”, by Eric Guignard is an interesting account of emotional and psychological stresses on a drone pilot. Bored, isolated and suffering from disrupted sleep/wake cycles, an Air Force lieutenant in the Nevada desert struggles with reality. Is he looking down at a terrorist’s young son in the Afghan desert with a drone, or is he watching the terrorist’s hut from the desert floor? When he gets the order to fire on the hut, will he obey? If he does, what will he do the next day?

“The Ghost of Agnes Gallow”, by James Byers is an impressive poem about a witch whose curse stalks a family over generations on Halloween Eve.  Reciting his poem of ten stanzas of rhyming couplets out loud adds to the enjoyment.

Kevin Kennedy warns that  “A Tarantino Oz”contains strong doses of sex, violence and profanity. Readers who dislike Quentin Tarantino’s movies and misogyny should skip this story. Kennedy says all fairy tales were originally horror stories. In this tale, characters of L. Frank Baum’s The Wonderful Wizard of Oz meet for an orgy and murderous rampage.

In “Smolder”, Michael Arnzen uses the well-known difficulty of stopping smoking and the Surgeon General’s health warning to draw readers into his story. Who knew that there is something magical about each word of  “SURGEON GENERAL’S WARNING: Smoklng Causes Lung Cancer, Heart Disease, Emphysema, And May Complicate Pregnancy”?  A concerned husband tries to help his pregnant wife kick the habit. He finds a hidden pack of cigarettes, but has no idea that calamity strikes smokers when words of the warning are destroyed.

 

Contains: Gore, graphic sex and profanity

 

Reviewed by Robert D. Yee

Book Review: A New York State of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

A New York State Of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

Hippocampus Press, 2018

ISBN-13: 978-1-61498-237-1

Available: Paperback, Kindle edition

 

Horror writers, both established and new, live all over New York State, from the Big Apple to Upstate.  Each has their own take on the macabre.   In this anthology of frightening tales set in their home state, they put their talents and imaginations to good use: the writers, editors, and publisher pledged to donate the proceeds to Girls Write Now, a New York City nonprofit that matches at-risk teen girls with mentor writers, to help create and benefit a new generation of New York writers.

From the beginning, A New York State of Fright promised to give a great variety of tales, and it did.  There is something for everyone here. A woman addicted to fashion gets her shoe fix with an unknown designer.  The incredible heels demand to be worn, no matter the cost. A collection agent for a Latino mob runs the neighborhood handing out beatings to death at will… until the victims decide they’ve had enough.  People trapped in the subway while a hurricane bears down on the city discover that when rain floods the tunnels, the water washes more than rats up out of its darkness.  A visit to the old abandoned lighthouse in New York Sound is said to let you reach out to lost loved ones…  but maybe they will reach back.  A psychopath is recreating the past in murders: a crime reporter has a tip for the lead detective that will break the case wide open.  A man buys an estate and recounts to his realtor how he met his wife, an incredible story filled with werewolves… or is it?  During the dog days of summer three drinking buddies sit in their favorite bar and ogle the hottie outside.  The game is simple: is she alive or dead?

Some stories worked better than others for me.  My favorites were: “Eyes Left by Jack Ketchum and Edward Lee; “Everybody Wins” by Lisa Mannetti; “Blood Will Tell” by JG Faherty; “The Grim” by Allan Burd; and “Heels” by Alps Beck.  Each of these used enough realistic elements to give an authentic feel to their stories, and also had a unique twist.  The pacing and flow was good in them, the descriptions were descriptive without being overdone, and the characters were believable.  The stories drew me in, and wouldn’t let go.  The other tales were okay: some worked better than others for me.  However, this entire collection suffered to one degree or another with a variety of grammar issues.  Spelling, run-ons, telling vs. showing, garbled phrases, and punctuation issues all reared their ugly heads.  Due to this, I had trouble following some works.  The only work that I have read previously by an author with a story in this volume is Lucifer’s Lottery by Edward Lee.

Contains: Sexual situations, Sexism

 

Reviewed by Aaron Fletcher

Editor’s note: A New York State of Fright: Horror Stories From the Empire State is a nominee on the final ballot of the Bram Stoker Awards in the category of Superior Achievement in an Anthology.