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Book Review: The Festering Ones by S.H. Cooper

The Festering Ones by S. H. Cooper

Independently published

ISBN-13: 978-1693388583

Available: Paperback, Kindle edition

 

The Festering Ones by S. H. Cooper is a horror novella featuring an avenging heroine, straightforward action, and plenty of gore. In this story, parallel realities exist alongside, but mostly separate from ours. One of them, however, is inhabited by hideous monsters that can invade our world by dreams, illusions and possession of our bodies. Human cults strive to open doorways for the monsters, who will destroy all normal life if they gain control.

On a hunting trip in Pennsylvania, a young girl, Faith, sees her father ambushed and killed by a spider-armed, Woken Daughter of the monster Gorrorum, but no one believes her story. Years later, she discovers more disappearances in the mountain town, and uncovers a local cult. On the trail of another cult in Florida, she teams up with Janice, who is seeking her kidnapped boy, and Sasha, who is searching for her missing sister. The women fight factotums of a rival monster. Faith and Sasha return to the mountain to avenge their loved ones, but they meet more than the Woken Daughters in the tunnels and cavern of the mountain.

Cooper’s writing is simple and direct. The plot is straightforward. Although her characters are not complex, the female heroines are determined and strong.

 

Contains: violence, gore

 

Robert D. Yee

Long Fiction Review: Dead Lovers on Each Blade, Hung by Usman Malik (Nightmare Magazine, Issue 74)

“Dead Lovers on Each Blade, Hung” by Usman Malik

Nightmare Magazine, Issue 74, November 2018

ASIN: B07K386T2B

Available: Kindle edition

 

“Dead Lovers on Each Blade, Hung” is an #ownvoices novelette that takes place in Pakistan. The narrator is a cleaned-up heroin addict who has been accused of killing a doctor in Uch, a site of pilgrimage, at various times, for Sufis, Hindus, Sikhs and Muslims. The tale is his confession to the police, who he is certain will turn him over to some very angry heroin dealers who think he swindled them.

The narrator tells the story of being rescued and sobered up by a doctor studying snake venoms for their healing uses,  who has been asking addicts in the park if they have seen a girl in a photo he carries. The girl turns out to be his wife, Maliha, purchased by him when she was eight years old, who became a herpetologist. Maliha ran away to seek the Serpent Pearl, a mythological stone given by the Serpent King of the underworld to his wife, which gave her the power to command animals and birds, immunity to venom, open a gateway to other worlds, and immortality, that she believed could be found in Uch. The doctor decides to follow her to Uch, accompanied by the narrator, who is now on the run from heroin dealers.

In Uch, they approach a shrine during a musical festival. The narrator follows the doctor past the crowd and into the shrine, and witnesses the doctor’s apparent, and fatal, reunion with his wife, who may be a cobra, or an apparition, or may be something else entirely, driving him to poison the water supply of Uch with snake venom as he loses touch with reality.

The setting and much of the language are way outside of my realm of experience, and I don’t feel that I can truly do this story justice, but I can say that the summary above in no way can express the feeling of this tale. It is a fever dream that creates a world that envelops the reader in a combination of the grim life of a heroin addict, with a dark mythology grounded in both Pakistani folklore and cosmic horror.  At the same time, it is grounded in a terrible real-life story: the doctor who purchases a wife when she is eight, and chases her down when she runs away as a young woman. In “Dead Lovers on Each Blade, Hung” Usman Malik steps the reader into an unreal, fantastic, and horrifying world that he makes very, very real.

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: “Dead Lovers on Each Blade, Hung” is a nominee on the final ballot of the 2018 Bram Stoker Awards in the category of Superior Achievement in Long Fiction. 

Book Review: Nightmares: A New Decade of Modern Horror, edited by Ellen Datlow

Nightmares: A New Decade of Modern Horror edited by Ellen Datlow
Tachyon Publications, 2016
ISBN-13: 978-1616962326
Available: Paperback, Kindle edition

Nightmares is a collection of stories chosen by Ellen Datlow as the best stories of 2005-2015. It is a companion volume to Darkness, a previously published anthology of stories chosen by her as the best stories written between 1985 and 2005. Not being as widely read in contemporary short horror fiction as Datlow is, I can’t say whether I agree with her choices or not, but I can say that the stories she chose do live up to the book’s title: in one way or another, they are all nightmares.

Datlow chose stories that take a variety of approaches to instilling horror, from the understated to over-the-top: you’ll find weird fiction, cosmic horror, twisted fairy tales, disturbing family secrets, ghosts and hauntings, Gothic horrors, body horror, incestuous relationships, and more than enough blood and gore. As a reader who prefers creepy and atmospheric writing to graphic descriptions, I found this book to be emotionally, mentally, and even physically exhausting. I received it as an ebook from NetGalley and am not sure how long it actually was, but it required several days for me to read it through. However, as a sampler of well-done short fiction in the horror genre, I think it is successful. Certainly, I have found that several stories have stuck with me even though a few weeks have passed since I finished it.

Standout stories include “Shallaballah” by Mark Samuels, a surreal tale that takes a disoriented plastic surgery patient through a disturbing Punch-and-Judy inspired hospital experience; “Dead Sea Fruit” by Kaaron Warren, about a dentist with a taste for revenge who destroys a man whose kiss drives girls to starve themselves to death; “Closet Dreams” by Lisa Tuttle, the story of a girl who was trapped in a closet by her kidnapper;  “The Goosle” by Margo Lanagan, a horrific take on the Hansel and Gretel story requiring the reader to have an iron stomach; “The Shallows” by John Langan, a tale of a gardener trying to keep going after his wife has died, his son has left, and tentacled aliens have begun their invasion; and “Interstate Love Song (Murder Ballad No. 8)” by Caitlin Kiernan, a bloody tale of a road trip of serial murders by vicious, incestuous, necrophiliac sisters that you won’t soon forget.

For those horror readers who enjoy variety in their short fiction,  Nightmares is an excellent way to discover authors they may not have tried out before. With her choices for this collection of short fiction from the past decade, despite her disclaimer, Ellen Datlow continues to show not just her enthusiasm as a fan of the horror genre, but her excellence as an anthologist. Recommended.

Contains: graphic gore and torture, cannibalism, incest, necrophilia, violent murders, disturbing sexual situations, body horror, rape