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Book Review: Within These Wicked Walls by Lauren Blackwood

 

cover art for Within These Wicked Walls by Lauren Blackwood

Within These Wicked Walls by Lauren Blackwood

Wednesday Books, 2021

ISBN-13 ‏ : ‎ 978-1250787101

Available: Hardcover, Kindle edition, audiobook ( Bookshop.org | Amazon.com )

 

 

Within These Wicked Walls takes its inspiration from the classic gothic romance Jane Eyre. Set in England, Jane is an orphan who arrives to work as a governess in Thornfield Hall, home to the wealthy Edward Rochester, and the two fall in love. Author Lauren Blackwood moves the story to contemporary Ethiopia, replacing Jane with Andi, an impoverished Black debtera, who is hired to exorcise the malevolent spirits haunting the opulent Thorne House and its owner, nineteen-year-old Magnus Thorne. The book is focused in on Andi and Magnus and their attempts to eliminate the curse of the Evil Eye that dooms anyone who looks into Magnus’ eyes and causes the deeply disturbing hauntings in the house. Blackwood turns the horror and the supernatural up and intensifies the romance, creating an emotional whirlwind that will blow the reader away. Blackwood does not shy away from addressing race, women’s independence, and colonialism, all of which impact the story in a much different manner than in the original book.

 

Recommended for readers, especially teens, in the mood for a gothic romance, an African-inspired fantasy, a terrifying haunted house, or any combination.

 

Contains: body horror, gore, violence, death, physical and emotional abuse, references to suicide.

 

Reviewed by Kirsten Kowalewski

 

Book Review: House of Salt and Sorrows by Erin A. Craig

cover art for House of Salt and Sorrows by Erin A. Craig

House of Salt and Sorrows by Erin A. Craig

Delacorte, 2019

ISBN-13 ‏ : ‎ 978-1984831927

Available: Hardcover, paperback, Kindle edition, audiobook

( Bookshop.org | Amazon.com )

 

House of Salt and Sorrows is the strangest version of the fairytale “The Twelve Dancing Princesses” I have come across to date.

 

The Duke of Salten had twelve daughters. His wife died in childbirth with the last, and the girls have, one by one, died terrible deaths, until only eight of them are left: Camille, Annaleigh, Rosalie, Ligeia, Lenore, Honor, Mercy, and Verity (yes, there are some very Edgar Allan Poe-influenced names). I’ve seen some complaints about the lack of character development in the girls, but the original tale doesn’t make most of them more than placeholders.

 

Inheritance in Salten goes to the eldest child, regardless of sex. With the death of her sister Eulalie, whose funeral starts the book, Annaleigh, the narrator, is sixteen and now second in line to inherit, after Camille. Annaleigh’s father has recently remarried a much younger woman, Morella, who is now pregnant with twin boys and decides that after years of mourning, another year set aside to mourn Eulalie is a year too long, and it’s time to put the black away.  She orders them special dancing slippers, and plans a party to invite eligible suitors. Annaleigh isn’t ready to set her grief aside, but she isn’t given a choice.

 

Annaleigh believes Eulalie was murdered, and investigates with Cassius, a young man visiting Salten, who is soon entangled in the family’s intrigues (he is also the required love interest for the main character in a YA novel). She also discovers her sister Verity has been drawing disturbing portraits of their dead sisters, insisting that she is seeing their ghosts. A rumor has spread that the girls are cursed, and though invitations to Morella’s party are accepted, no one wants to speak or dance with them. Frustrated with their situation, the girls look for a magical door, find it, and go through it to discover it is an elegant ball where they can dance all night.

 

Or is that really what’s going on? I can’t say more without spoiling the story except to say that Annaleigh is an unreliable narrator and this book is really dark, disturbing, and disorienting. I’m still unclear on how much of the ending was real. The grief in the book felt authentic and the author’s world building was incredible. Salten is on an island in the ocean, and the People of the Salt have their own customs and religious traditions. “Aesthetic” is a popular concept on social media right now, and the aesthetic for this book is what I’d call island gothic. The ocean and the tall cliffs of the island permeate everything. This is a very dark tale, and while it doesn’t get violent or disgusting often, when it does, the imagery is vivid, so it isn’t for everyone, but it may be a treat for those who like their fantasy drenched in darkness.  Recommended.

 

Contains: Images of and references to suicide, murder, body horror, childbirth, stillborn children,  sexual situations, violence, gore, sexual situations, blood, decay.

 

Reviewed by Kirsten Kowalewski

 

 

 

Book Review: Tome by Ross Jeffrey

cover art for Tome by Ross Jeffrey

Tome by Ross Jeffrey

Independently published, 2020

ISBN-13 : 979-8647504074

Available: Paperback, Kindle edition ( Amazon.com )

 

Ross Jeffrey has penned a thrilling, brutal Stoker finalist that pulls zero punches yet has the class of a Ketchum story.  Juniper Correctional facility, a blight on human’s blistered history, has long housed the worst of the worst, the people who operate below the level of human beings.

The story belongs to pair of characters who are both steered by Juniper, the machine that churns and spits out souls: Warden Fleming sits on one end of the spectrum, hoarding secrets that boil beneath the prison surface, and Frank Whitten, a guard who refuses to give up the last strand of light within him.

The story spirals inward up on itself, devouring everything in its path. Juniper is pure hell incarnate, infesting its inmates, guards, and others with a darkness that is more pitch than anything supernatural. It’s not for the squeamish: Jeffrey aims for the jugular, without much subtlety, yet somehow, still manages to build an effective, claustrophobic atmosphere to constrict our deepest insecurities. Juniper as a setting becomes the main character between the pages, an effective and frightening tool that likely scored this nomination.

For fans of brutal, effective horror, with echoes of Edward Lee, Richard Laymon, and Jack Ketchum, Tome will not disappoint. Recommended.

 

Contains: Extreme gore and violence, body horror, racism

 

Reviewed by David Simms

Editor’s note: Tome is a nominee on the final ballot of this year’s Bram Stoker Award in the category of Superior Achievement in a First Novel.