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Book Review: House of Salt and Sorrows by Erin A. Craig

cover art for House of Salt and Sorrows by Erin A. Craig

House of Salt and Sorrows by Erin A. Craig

Delacorte, 2019

ISBN-13 ‏ : ‎ 978-1984831927

Available: Hardcover, paperback, Kindle edition, audiobook

( Bookshop.org | Amazon.com )

 

House of Salt and Sorrows is the strangest version of the fairytale “The Twelve Dancing Princesses” I have come across to date.

 

The Duke of Salten had twelve daughters. His wife died in childbirth with the last, and the girls have, one by one, died terrible deaths, until only eight of them are left: Camille, Annaleigh, Rosalie, Ligeia, Lenore, Honor, Mercy, and Verity (yes, there are some very Edgar Allan Poe-influenced names). I’ve seen some complaints about the lack of character development in the girls, but the original tale doesn’t make most of them more than placeholders.

 

Inheritance in Salten goes to the eldest child, regardless of sex. With the death of her sister Eulalie, whose funeral starts the book, Annaleigh, the narrator, is sixteen and now second in line to inherit, after Camille. Annaleigh’s father has recently remarried a much younger woman, Morella, who is now pregnant with twin boys and decides that after years of mourning, another year set aside to mourn Eulalie is a year too long, and it’s time to put the black away.  She orders them special dancing slippers, and plans a party to invite eligible suitors. Annaleigh isn’t ready to set her grief aside, but she isn’t given a choice.

 

Annaleigh believes Eulalie was murdered, and investigates with Cassius, a young man visiting Salten, who is soon entangled in the family’s intrigues (he is also the required love interest for the main character in a YA novel). She also discovers her sister Verity has been drawing disturbing portraits of their dead sisters, insisting that she is seeing their ghosts. A rumor has spread that the girls are cursed, and though invitations to Morella’s party are accepted, no one wants to speak or dance with them. Frustrated with their situation, the girls look for a magical door, find it, and go through it to discover it is an elegant ball where they can dance all night.

 

Or is that really what’s going on? I can’t say more without spoiling the story except to say that Annaleigh is an unreliable narrator and this book is really dark, disturbing, and disorienting. I’m still unclear on how much of the ending was real. The grief in the book felt authentic and the author’s world building was incredible. Salten is on an island in the ocean, and the People of the Salt have their own customs and religious traditions. “Aesthetic” is a popular concept on social media right now, and the aesthetic for this book is what I’d call island gothic. The ocean and the tall cliffs of the island permeate everything. This is a very dark tale, and while it doesn’t get violent or disgusting often, when it does, the imagery is vivid, so it isn’t for everyone, but it may be a treat for those who like their fantasy drenched in darkness.  Recommended.

 

Contains: Images of and references to suicide, murder, body horror, childbirth, stillborn children,  sexual situations, violence, gore, sexual situations, blood, decay.

 

Reviewed by Kirsten Kowalewski

 

 

 

Book Review: Tome by Ross Jeffrey

cover art for Tome by Ross Jeffrey

Tome by Ross Jeffrey

Independently published, 2020

ISBN-13 : 979-8647504074

Available: Paperback, Kindle edition Amazon.com )

 

Ross Jeffrey has penned a thrilling, brutal Stoker finalist that pulls zero punches yet has the class of a Ketchum story.  Juniper Correctional facility, a blight on human’s blistered history, has long housed the worst of the worst, the people who operate below the level of human beings.

The story belongs to pair of characters who are both steered by Juniper, the machine that churns and spits out souls: Warden Fleming sits on one end of the spectrum, hoarding secrets that boil beneath the prison surface, and Frank Whitten, a guard who refuses to give up the last strand of light within him.

The story spirals inward up on itself, devouring everything in its path. Juniper is pure hell incarnate, infesting its inmates, guards, and others with a darkness that is more pitch than anything supernatural. It’s not for the squeamish: Jeffrey aims for the jugular, without much subtlety, yet somehow, still manages to build an effective, claustrophobic atmosphere to constrict our deepest insecurities. Juniper as a setting becomes the main character between the pages, an effective and frightening tool that likely scored this nomination.

For fans of brutal, effective horror, with echoes of Edward Lee, Richard Laymon, and Jack Ketchum, Tome will not disappoint. Recommended.

 

Contains: Extreme gore and violence, body horror, racism

 

Reviewed by David Simms

Editor’s note: Tome is a nominee on the final ballot of this year’s Bram Stoker Award in the category of Superior Achievement in a First Novel. 

Book Review: You Know It’s True by J.R. Hamantaschen

cover art for You Know It's True by J.R. Hamantaschen

You Know It’s True by J.R. Hamantaschen

Self-published, 2021

ISBN: 9798706071196

Available: Paperback, Kindle  ( Amazon.com )

 

A more fitting title for this collection of short stories would be The World’s Absolute Weirdest Tales.  These aren’t just out of left field: they leave left field, clear the Green Monster and land somewhere beyond Lansdowne St.

 

Readers who prefer stories that move from Point A to Point B in a  straightforward fashion will find that those are in the minority, although the ones included are real barn-burners.  “Short Bloom”, “Grab More Knives”, and ‘”More as a Keeper” are phenomenal, the only real letdown being that the last of them ends right when the story cranks into overdrive.  “Short Bloom” features an Earth where tiny holes open anywhere on the ground at random, and a fiber-thin appendage protrudes and painfully kills any living thing.  “Grab More Knives” is a brilliant and ironic look at what happens when people who justify vandalism and harassment under the guise of activism for a cause get a freight-load of payback, all due to a simple misunderstanding.  It’ll make some readers cheer, and others cry.  “More as a Keeper” is a look at what happens when the dead in purgatory get a chance for revenge.  It’s outstanding, and these three stories alone could probably justify the purchase of the book.

 

The other stories are more likely to appeal to fans of non-traditional stories, as some of them feel more like in-depth sketches or portraits of an individual.  The stories in this mold have a fully-developed character backstory, but then the actual story ends quickly, often with little resolve, and sometimes making no sense at all.  “Sad Life” is a good example.  Set at a wedding, it details a woman’s failed attempts and lack of desire for a standard relationship.  It’s well-written and detailed,  but then her face splits apart and the story ends.  This is what you have to enjoy to really like this book– excellent buildup, but a sometimes incomprehensible ending.  The stories “Night Devours My Days” and ” I Should Have Been a Pair of Ragged Claws/Scuttling Across The Floors of Silent Seas” also fall into this category.  The prose is solid, but the style may not be for everyone.

 

The last two stories, “It’s Always Time to Go” and “Beholden to the Past” are excellent ones that combine the above two story types.  “Beholden to the Past” is also notable for its unusual plot.  A college student has a serious addiction to whacking off, often to live online porn.  The catch?  When he has an orgasm, the person he was fantasizing about and/or watching dies.  It doesn’t get stranger than that, and seems a fitting final story for a very strange collection.  Overall, this book has a lot to recommend it, but enjoyment will depend greatly on the reader.  You Know It’s True defies categorization: there’s nothing else out there like it. Recommended for fans of unusual writing.

 

Contains: profanity, gore, murder, violence, sex, body horror, miscarriage, necrophilia, suicide, self-harm, and large doses of utter lunacy

 

 

 

Reviewed by Murray Samuelson