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Graphic Novel Review: When I Arrived at the Castle by Emily Carroll

Cover art for When I Arrived at the Castle by Emily Carroll

When I Arrived at the Castle by Emily Carroll

Silver Sprocket, 2024 (previously published by Koyama Press in 2019)

ISBN-13: 9798886200409

Available: Paperback, Kindle edition

Buy:    Bookshop.org | Amazon.com

 

On a dark and stormy night, a cat woman arrives at the mysterious Countess’ castle on an unspoken mission. The Countess mentions that this attractive visitor is not the first to come on this mighty errand. She is offered a warm bath after being out in the rain for so long, for which she accepts, and this is interrupted by loud knocks on the door. The cat woman ventures out to search out her prey, peeking through a keyhole, where she sees the Countess shedding her skin. When the Countess catches her at the door, a violent and erotically driven confrontation happens between the noblewoman and the cat.

 

I appreciate Carroll’s attention to Gothic literature tropes in her sequential art. The structure of the story flows in such a way that the eyes do not have time to rest most of the time. The frenetic pace blends with the reader’s sense of unease as the cat woman explores the castle and is dragged along the halls by the Countess, and when the final battle ensues.

 

Something else I enjoy about Carroll’s work is her use of color, as she uses the most bold selection almost as another character itself. In the case of When I Arrived at the Castle, she uses black, white, and red. The red acts as solid backgrounds, text bubbles, the text itself, outlines of various figures, doors, flooring, skin, blood, and more. Spending a few minutes exploring the red in the pages was an interesting exercise in reading images without words.

 

If you are looking for a standalone Gothic horror graphic novel for your collection, you can’t go wrong with When I Arrived at the Castle. If you have not picked up Carroll’s Through the Woods, I encourage you to do that, as well. Recommended.

 

 

Reviewed by Lizzy Walker

Book Review: A Darker Shade of Noir: New Stories of Body Horror by Women Writers edited by Joyce Carol Oates

Cover art for A Darker Shade of Noir edited by Joyce Carol Oates

 

A Darker Shade of Noir: New Stories of Body Horror by Women Writers

Edited by Joyce Carol Oates

Akashic  Books, 2023

ISBN: 978-1636141343

Available: Hardcover, paperback, Kindle edition

Buy:  Bookshop.orgAmazon.com

 

 

A Darker Shade of Noir: New Stories of Body Horror by Women Writers  disturbs the imagination and makes horror reality. Writers Megan Abbott, Margaret Atwood, Aimee Bender, Tananarive Due, Elizabeth Hand, Cassandra Khaw, Sheila Kohler, Aimee LaBrie, Raven Leilani, Lisa Lim, Joanna Margaret, Valerie Martin, Joyce Carol Oates, Lisa Tuttle, and Yumi Dineen Shiroma offer many strange, twisted stories that attest to the diversity of approaches to the genre.

 

Editor Joyce Carol Oates divides these little masterpieces into three sections: “You’ve Created a Monster,” “Morbid Anatomy,” and “Out of Body, Out of Time.” Aimee Bender’s story “Frank Jones” opens the book with the weird creation of a skin tag doll that should not have been taken to the office. Margaret Atwood delves into female anatomy through a snail who suddenly becomes a woman customer service rep in “Metempsychosis, or The Journey of the Soul.” And then we find a new wife, in ““Sydney” by Sheila Kohler, who finds herself in a shocking sexual situation with a gender-bending robot when she ventures into a part of her home that is designated as off limits by her husband.

 

There are often very surprising developments in these stories. In “Concealed Carry” by Lisa Tuttle, Kelly, fresh from London, finds out that there is a strict moral code in Texas that is enforced in a way she could never imagine.  In “Malena” by Joanna Margaret, Laura, who makes sculptures of women with missing body parts, discovers that the artistic “gift inside her” is also literally inside her. In “Dancing with Mirrors” by Lisa Lim,   a beautiful woman addicted to mirrors hides spectacularly murderous veins..

 

In addition to being entertaining, these writers are not afraid to tackle serious issues. “Dancing” by Tananarive Due and “Breathing Exercise” by Raven Leilani grapple with the impact of racism on the mind, body and soul.. Aimee Labrie in “Gross Anatomy”, and Cassandra Khaw in “Muzzle”, deal with physical violence against women. These are stories that head straight to the heart of the matter without becoming entangled in politics and platitudes.

 

Readers truly benefit from iconic writer Joyce Carol Oates’s expert shaping of this excellent collection of stories. There is not one dull moment in this book, and beginning the next story is like the start of a new and darker adventure.

 

Reviewed by Nova Hadley

 

 

 

Graphic Novel Review: Tombs: Junji Ito Story Collection by Junji Ito

Cover art for Tombs: Junji Ito Story Collection by Junji Ito

Tombs: Junji Ito Story Collection by Junji Ito

Viz Media, 2023

ISBN: 9781974736041

Available: Kindle, hardcover

Buy: Bookshop.orgAmazon.com

 

Junji Ito’s Tombs presents a collection of nine original horror manga tales. In the titular story, Kaoru and her brother Tsuyoshi take a trip to visit their mutual friend, Izumi, in her new town. One the way, Tsuyoshi hits a young woman with his car. The siblings load her into the vehicle, only to find out she is dead and they transfer the body to the trunk. When they make it to town, they are perplexed by the random countless tombstones in the middle of the road. A few townspeople explain that they appear where people have died. Izumi corroborates these claims, even showing them tombstones that are inside her family home. The dead are not to be touched.

 

“Clubhouse” is an intriguing haunted house story. Friends Yukari, Chikako, and Minae enter an abandoned building. Minae decides to explore the second floor, while the other two wander the first. Soon after they leave, the friendship between Chikako and Minae deteriorates. Yukari, upset by her friends not speaking anymore, pleads with Chikako to make up with Minae. Chikako, however, has a new group of friends who frequent the haunted house they explored.

 

The “Slug Girl,” poor Yuko, hates these little creatures. She used to be so talkative, but she falls silent when her tongue transforms into, well, a giant slug. She’s tried cutting it off, but it grows back. Can her family and friends help her?

 

In “The Window Next Door,” Hiroshi and his parents move into a new house, where the closest neighbor only has one window on the second floor. Unlucky for him, it’s right across from his bedroom window. In the middle of the night, Hiroshi hears the woman next door calling to him. He is met with a terrifying sight when he looks out his window. She repeats her call to him night after night.

 

“Washed Ashore” is the story of the corpse of a strange, massive sea creature found on a beach. It is mysteriously luring people to it. The scientists studying the monster notice clear patches along the body. A commonality between all of those who are drawn to it is that they are missing loved ones. When bystanders get closer to the body and look closely into the clear patches, they find the unexpected.

 

In “The Strange Tale of the Tunnel,” a town is plagued by disappearances tied to a train tunnel. Goro, whose mother committed suicide in the tunnel when he was young, finds his sister wandering there when she is not watched. A group of scientists starts to study strange occurrences associated with the disappearances, such as strange sounds, unexplained wind, and blood dripping from the stones.

 

“Bronze Statue” is a cautionary tale. Mrs. Sonobe is a jealous woman obsessed with the beauty she has lost. Tsuchiya, a master of working in bronze, made the statues of Mr. and Mrs. Sonobe installed at the local park. Through her statue, she eavesdrops on conversations of the mothers who bring their children to the park, and she doesn’t like what she hears. She unexpectedly invites them for a social to unveil another statue. When their hostess leaves the room, they begin to discuss their honest feelings about the situation. Mrs. Sonobe, of course, doesn’t like this. How far she is willing to go to preserve her beauty in statues knows no bounds, and the women, as well as her bronzeworking miracle man and herself, will find out the lengths she will go before she exhausts her options.

 

In “Floaters,” Ryoichi finds his friend Masao, who has been out of school for a few days, with a bug net at the side of the road. He tells mutual friend, Kyoko, about it, when they see a hairy mass on a tree branch. It shifts in Ryoichi’s hand and starts proclaiming it’s love for Masao…in Masao’s voice. Soon, everyone in town is seeing these things floating around, some stating other townspeople’s secrets and innermost thoughts. The floaters from celebrities become the most coveted to catch and keep

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The last story in this collection is “The Bloody Story of Shirosuna”. Dr. Furuhata moves to a small village where the townsfolk are all weak and emaciated. Perplexed at what could possibly be afflicting everyone in town, he starts an investigation that reveals a disturbing secret.

 

This is a strong addition to the Junji Ito Story Collection series that Viz Media has been releasing. The body horror in all of the stories is up to par with the best of Ito’s work, such as Uzumaki and Gyo. Highly recommended.

 

 

Reviewed by Lizzy Walker