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Book Review: The Final Reconciliation by Todd Keisling

 


The Final Reconciliation by Todd Keisling

Crystal Lake Publishing, 2017

ASIN: B01N385I94

Available: Kindle edition, Audible

After thirty long years of silence, Aidan Cross, physically and mentally scarred, is finally granting an interview. He wants to open up about his time with his heavy metal band, The Yellow Kings. Aidan reveals an impossible account of music, the occult, and death with his story about The Yellow Kings’ unreleased album, “The Final Reconciliation”, which led to their live concert resulting in a bloodbath.

After The Yellow Kings sign a record deal and embark on a successful tour, they meet Carmilla Bierce after an intense concert in Texas, and ask her to join them. The lead singer, Johnny, becomes increasingly entranced with this new addition to their tour bus. She convinces them to take her along to Dim Carcosa, her pet name for Los Angeles. Carmilla quickly takes control: her influence over the band comes swift and heavy. Aidan suspects something is wrong, but when he tries to communicate his worry to his friends, they either don’t listen or she is in the way.

The way the new album is being recorded is troubling to Aidan. Carmilla does not permit the band to play more than a small selection of songs at a time, and the recording studio has been set up in a ritualistic way by  Carmilla herself. Then dreams come, of otherworldly robed creatures with their faces hidden behind masks– visions of true Carcosa, all with the same message: “Take off your mask.” Carmilla also orchestrates The Yellow Kings’ final reconciliation, the concert to end all concerts, at least for The Yellow Kings and their fans. Masks for everyone, ritual robes and medallions for The Yellow Kings, and patterns for the band to follow, musically and physically, all add up to a bloody evening.

There is much to like about this novella, especially if you are a fan of horror and metal. The writing keeps a fast pace and engages the reader at every twist and turn. The characters are memorable, particularly Aidan and Camilla. Aidan is clearly struggling with past events, and wants to finally tell his story. When he discovers the reason behind the journalist wanting the interview, Aidan’s reaction is what is to be expected given the way he told his story. I remain conflicted about Carmilla. There is a line in the novella comparing her to Yoko Ono or Courtney Love, which made me wholly suspicious not of her, but of Aidan. Women are often blamed solely for the downfall of something, like a musical group, without blame being leveled at their male counterparts. For this comparison to be assigned to Carmilla immediately made me question Aidan’s motivations. Also, since we are only hearing Aidan’s side of the story, how much of his story is reliable? Several questions remain, but one thing is clear. Nothing is as it seems in the world of Carcosa. Recommended.

Contains: brief sex, brief body horror, some gore, lots of reference to amazing metal bands (I’m looking at you, Mastodon).

Reviewed by Lizzy Walker

Musings: Transmetropolitan, vol 1: Back on the Street by Warren Ellis, art by Darick Robertson

Transmetropolitan, vol. 1: Back on the Street by Warren Ellis, art by Darick Robertson

Vertigo, 2009

ISBN-13: 978-1401220846

Available: Paperback, Kindle edition, comiXology

 

As I was writing this, it became a little too personal to call it a formal review. Suffice it to say, I was wowed by this graphic novel and by Spider Jerusalem.

Transmetropolitan is science fiction, taking place in a near-future dystopia that is far too close to our present culture and government– uncannily so. The protagonist, Spider Jerusalem, is a former investigative reporter forced into contact with civilization after five years in hiding, in order to fulfill a book contract. Once back in the city, he reverts to the hard-hitting journalist he used to be: a foul-mouthed, vulgar, cranky, wily, angry prankster, ready to take on city government, police, religious cults, and even the President ( who is frighteningly similar to our president-elect, although this issue was published originally in 1997). Ellis has imagined a seedy, violent, consumerist future that challenges what it means to be human. Spider faces it head-on: to him, “journalism is a gun. It’s only got one bullet in it, but if you aim it right, that’s all you need”. As we are living age of false equivalencies, fake news, and media mistrust, it’s inspiring to see that in his world, Spider is on the scene, live, and in the face of anyone claiming to have authority or truth. Outrageous, obnoxious, and blunt to the point of rudeness, Spider is not anything near a traditional hero– but his world, feels so close to ours that they could almost touch, and that someone like him (well, maybe not exactly like him) might exist outside a fictional future gives me hope.

Given the setting I have described, it should not be a surprise that the storylines are dark and gritty, and Darick Robertson’s art brings Spider and his grim world to life. The artwork for the Angels 8 riot is fiery and explosive, and Robertson doesn’t shy from depicting dripping blood and bizarre bodies. In a separate storyline, he impressively manages to depict action, along with despair and anger, as Spider attempts to watch an entire day of television, something which requires almost no movement at all. Ellis is a master at character development and world building– not every issue covers a great crusade, but there are moments that are either small victories for Spider, or illuminate aspects of the society Spider is reporting on, both positive and negative. Transmetropolitan portrays a messy world through the eyes of a complicated character, with moments of both bleakness and laughter, and leaves a space for optimism in what seems, recently, to be a very dark time for the First Amendment. Very highly recommended.

I would like to credit Susie Rodarme at Book Riot for cluing me in to this series. She did me a great service.

Transmetropolitan, vol. 1: Back on the Streets includes issues #1-6.

Contains: body horror, violence, gore, nudity, language, drug use.

 

Reviewed by Kirsten Kowalewski


Book Review: Nightmares: A New Decade of Modern Horror, edited by Ellen Datlow

Nightmares: A New Decade of Modern Horror edited by Ellen Datlow
Tachyon Publications, 2016
ISBN-13: 978-1616962326
Available: Paperback, Kindle edition

Nightmares is a collection of stories chosen by Ellen Datlow as the best stories of 2005-2015. It is a companion volume to Darkness, a previously published anthology of stories chosen by her as the best stories written between 1985 and 2005. Not being as widely read in contemporary short horror fiction as Datlow is, I can’t say whether I agree with her choices or not, but I can say that the stories she chose do live up to the book’s title: in one way or another, they are all nightmares.

Datlow chose stories that take a variety of approaches to instilling horror, from the understated to over-the-top: you’ll find weird fiction, cosmic horror, twisted fairy tales, disturbing family secrets, ghosts and hauntings, Gothic horrors, body horror, incestuous relationships, and more than enough blood and gore. As a reader who prefers creepy and atmospheric writing to graphic descriptions, I found this book to be emotionally, mentally, and even physically exhausting. I received it as an ebook from NetGalley and am not sure how long it actually was, but it required several days for me to read it through. However, as a sampler of well-done short fiction in the horror genre, I think it is successful. Certainly, I have found that several stories have stuck with me even though a few weeks have passed since I finished it.

Standout stories include “Shallaballah” by Mark Samuels, a surreal tale that takes a disoriented plastic surgery patient through a disturbing Punch-and-Judy inspired hospital experience; “Dead Sea Fruit” by Kaaron Warren, about a dentist with a taste for revenge who destroys a man whose kiss drives girls to starve themselves to death; “Closet Dreams” by Lisa Tuttle, the story of a girl who was trapped in a closet by her kidnapper;  “The Goosle” by Margo Lanagan, a horrific take on the Hansel and Gretel story requiring the reader to have an iron stomach; “The Shallows” by John Langan, a tale of a gardener trying to keep going after his wife has died, his son has left, and tentacled aliens have begun their invasion; and “Interstate Love Song (Murder Ballad No. 8)” by Caitlin Kiernan, a bloody tale of a road trip of serial murders by vicious, incestuous, necrophiliac sisters that you won’t soon forget.

For those horror readers who enjoy variety in their short fiction,  Nightmares is an excellent way to discover authors they may not have tried out before. With her choices for this collection of short fiction from the past decade, despite her disclaimer, Ellen Datlow continues to show not just her enthusiasm as a fan of the horror genre, but her excellence as an anthologist. Recommended.

Contains: graphic gore and torture, cannibalism, incest, necrophilia, violent murders, disturbing sexual situations, body horror, rape