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Book Review: Vampires Don’t Sparkle! edited by Michael West


Vampires Don’t Sparkleedited by Michael West

Seventh Star Press, 2013

ISBN: 1937929604

Available: New, used and ebook

 

Vampires Don’t Sparkle! is an anthology of vampire tales, both modern and historical.  From fun to splattery, and with a smattering of regional specialties, Michael West has assembled a collection of stories designed to leave prissy, playboy bloodsuckers in their condos and compounds. In his selections, monsters run the streets again.

Standout stories include Joel A. Sutherland’s “Skraeling”, “Dreams of Winter” by Bob Freeman, and Jerry Gordon’s “Vampire Nation”, though with so much great fiction inside it’s hard to pick out just a few. Definitely recommended for public and private horror collections.

 

Contains: violence, gore, sex, language

Reviewed by Michele Lee

 

Stoker Finalists Named

The finalists for the Stoker ballot have been named! It’s unbelievable that Women in Horror Month is already drawing to an end and it will soon be Stoker time! As in past years, we at ML will make a heroic effort to review the finalists (I hope that’s not a surprise, guys). Yes, our reviewers are heroes. Any finalists who happen to be reading this… Please contact us at monsterlibrarian@monsterlibrarian.com so we can get this (heroic) party going!

And now:

“We are proud to present a particularly notable slate of nominees this year, showing the horror genre is strong and popular,” Rocky Wood, the HWA’s President, said.

IMPORTANT: Voting begins on 2/28 and ends on 3/15. Only Active and Lifetime members can vote.

The nominees are:

Superior Achievement in a Novel

      Joe Hill – NOS4A2 (William Morrow)
      Stephen King – Doctor Sleep (Scribner)
      Lisa Morton – Malediction (Evil Jester Press)
      Sarah Pinborough and F. Paul Wilson – A Necessary End (Thunderstorm/Maelstrom Press)
      Christopher Rice – The Heavens Rise (Gallery Books)

Superior Achievement in a First Novel

      Kate Jonez – Candy House (Evil Jester Press)
      John Mantooth – The Year of the Storm (Berkley Trade)
      Rena Mason – The Evolutionist (Nightscape Press)
      Jonathan Moore – Redheads (Samhain Publishing)
      Royce Prouty – Stoker’s Manuscript (G.P. Putnam’s Sons)


Superior Achievement in a Young Adult Novel

      Patrick Freivald – Special Dead (JournalStone)
      Kami Garcia – Unbreakable (Little, Brown Books for Young Readers)
      Geoffrey Girard – Project Cain (Simon & Schuster Books for Young Readers)
      Joe McKinney – Dog Days (JournalStone)
      Cat Winters – In the Shadow of Blackbirds (Harry N. Abrams)


Superior Achievement in a Graphic Novel

      Ed Brubaker – Fatale Book Three: West of Hell (Image Comics)
      Caitlin R. Kiernan – Alabaster: Wolves (Dark Horse Comics)
      Brandon Seifert – Witch Doctor, Vol. 2: Mal Practice (Image Comics)
      Cameron Stewart – Sin Titulo (Dark Horse Comics)
      Paul Tobin – Colder (Dark Horse Comics)


Superior Achievement in Long Fiction

      Dale Bailey – “The Bluehole” (The Magazine of Fantasy & Science Fiction, May/June 2013)
      Gary Braunbeck – “The Great Pity” (Chiral Mad 2, Written Backwards)
      Benjamin K. Ethridge – “The Slaughter Man” (Limbus, Inc., JournalStone)
      Gregory Frost – “No Others Are Genuine” (Asimov’s Science Fiction, Oct./Nov. 2013)
      Greg F. Gifune – House of Rain (DarkFuse)
      Rena Mason – East End Girls (JournalStone)

Superior Achievement in Short Fiction

      Michael Bailey – “Primal Tongue” (Zippered Flesh 2, Smart Rhino Publications)
      Patrick Freivald – “Snapshot” (Blood & Roses, Scarlett River Press)
      David Gerrold – “Night Train to Paris” (The Magazine of Fantasy & Science Fiction, Jan./Feb. 2013)
      Lisa Mannetti – “The Hunger Artist” (Zippered Flesh 2, Smart Rhino Publications)
      John Palisano – “The Geminis” (Chiral Mad 2, Written Backwards)
      Michael Reaves – “Code 666” (The Magazine of Fantasy & Science Fiction, March/April 2013)


Superior Achievement in a Screenplay

      Fabien Adda and Fabrice Gobert – The Returned: “The Horde” (Ramaco Media I, Castelao Pictures)
      Brad Falchuk – American Horror Story: Asylum: “Spilt Milk” (Brad Falchuk Teley-Vision, Ryan Murphy Productions)
      Bryan Fuller – Hannibal: “Apéritif” (Dino De Laurentiis Company, Living Dead Guy Productions, AXN: Original X Production, Gaumont International Television)
      Daniel Knauf – Dracula: “A Whiff of Sulfur” (Flame Ventures, Playground, Universal Television, Carnival Films
      Glen Mazzara – The Walking Dead: “Welcome to the Tombs” (AMC TV)


Superior Achievement in an Anthology

      R.J. Cavender and Boyd E. Harris (ed.) – Horror Library: Volume 5 (Cutting Block Press)
      Eric J. Guignard (ed.) – After Death… (Dark Moon Books)
      Michael Knost and Nancy Eden Siegel (ed.) – Barbers & Beauties (Hummingbird House Press)
      Joseph S. Pulver, Sr. (ed.) – The Grimscribe’s Puppets (Miskatonic River Press)
      Anthony Rivera and Sharon Lawson (ed.) – Dark Visions: A Collection of Modern Horror, Volume One (Grey Matter Press)

Superior Achievement in a Fiction Collection

      Nathan Ballingrud – North American Lake Monsters: Stories (Small Beer Press)
      Laird Barron – The Beautiful Thing That Awaits Us All and Other Stories (Night Shade Books)
      James Dorr – The Tears of Isis (Perpetual Motion Machine Publishing)
      Caitlin R. Kiernan – The Ape’s Wife and Other Stories (Subterranean)
      Gene O’Neill – Dance of the Blue Lady (Bad Moon Books)
      S. P. Somtow – Bible Stories for Secular Humanists (Diplodocus Press)


Superior Achievement in Non-Fiction

      Barbara Brodman and James E. Doan (ed.) – Images of the Modern Vampire: The Hip and the Atavistic (Fairleigh Dickinson)
      Gary William Crawford (ed.) – Ramsey Campbell: Critical Essays on the Modern Master of Horror (Scarecrow Press)
      William F. Nolan – Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction (Hippocampus Press)
      Jarkko Toikkanen – The Intermedial Experience of Horror: Suspended Failures (Palgrave Macmillan)
      Robert H. Waugh (ed.) – Lovecraft and Influence: His Predecessors and Successors (Scarecrow Press)

Superior Achievement in a Poetry Collection

      Bruce Boston – Dark Roads: Selected Long Poems 1971-2012 (Dark Renaissance Books)
      Helen Marshall – The Sex Lives of Monsters (Kelp Queen Press)
      Marge Simon and Sandy DeLuca – Dangerous Dreams (Elektrik Milk Bath Press)
      Marge Simon, Rain Graves, Charlee Jacob, and Linda Addison – Four Elements (Bad Moon Books/Evil Jester Press)
      Stephanie M. Wytovich – Hysteria: A Collection of Madness (Raw Dog Screaming Press)

HWA’s voting members will now vote on this Final Ballot, with voting closing on March 31 (only Active and Lifetime Members are eligible to vote).

The Bram Stoker Awards® will be presented at the 27th annual Bram Stoker Awards® Banquet held during the WORLD HORROR CONVENTION 2014 in Portland, Oregon, on May 10th. Purchase of tickets to both the convention and the banquet are open to the public. The awards will also be live-streamed online for those who cannot attend in person.

Women in Horror Fiction: Michele Lee

Image of Michele Lee Michele Lee, one of our own book reviewers and the mind behind our teen-focused blog Reading Bites, is the author of such books as Wolf Heart (2012 Violet Ivy Press), the heartbreaking zombie novella Rot (2013 Skullvines Press), the self-published ebooks The List  (2013)  and On Halloween (a choose-your-own-path book co-written with Mini Lee). Her latest work, Last Brother, Last Sister (2014 Skullvines Press), was published earlier this month.  Michele’s short stories can be found in anthologies including Dark Futures: Tales of Dystopian SF (2011 Dark Quest) and Horror Library, Volume 4 (2012 Cutting Block Press). Michele also writes erotic fiction under the name M. Lush.

 

1. Can you give our readers a brief introduction?

My name is Michele Lee. I’m a multi-genre writer (Horror, SF/F and erotic romance), a reviewer and a vet tech by day.

 

2. Why do you write horror?  What draws you to the genre?

Way back when I was a teenager, horror was the only place you could find stories of the paranormal. Now we have urban fantasy and paranormal romance, both of which I also like, but sometimes you just want that spooky story. Also, I think a lot of the setups in horror, especially the monsters, are a powerful thematic way to deal with the darker stuff in our real lives. Violence, rape, fear of the true nature of human evil; the nameless thing that might be waiting to devour us in the dark is a perfect allegory for facing cancer, abuse, fiscal devastation and more. We can, as either writers or readers, work through and face our feelings on some Really Big Issues ™ without freezing up when the boogie man has the face of our abuser or looks like that shadow on the radiogram. And maybe, for a little bit, we can fantasize that beating cancer or a recession is as easy as staking that vampire or stopping that serial killer.

3. Can you describe your writing style or the tone you prefer to set for your stories?


The tone of my stories, I hope, is different because I really like to let characterization come through in how things are set up and described and how the characters react to things. I seem to be drawn to people working through things, maybe outside discoveries, but often things about themselves that are exposed because of things happening around them.

In my novella Rot, for example I wanted to take a typical rough/bad ass male character (stoic, former military man, zero illusions about life) and make him incredibly emotional without making him any less of a strong male lead. I also wanted to take on the “flamboyant gay” stereotype and the “damsel in distress” that you see in horror a lot and do something meaningful with them.

 

4. Who are some of your influences?  Are there any women authors who have particularly inspired you to write?


Anna Sewell, actually. My mom was really restrictive with me when it came to…everything, but she encouraged me to read Black Beauty. Maybe because it was about horses, or was a classic. But honestly it’s very brutal. You see horses die in war combat, serious cruelty to dogs, cats and horses and real world events like illnesses and alcoholism which leads to disaster for Beauty. It was the darkest book I had ever read.

An Anne Rice phase led me to the far more amazing authors Poppy Z. Brite and Nancy A. Collins, the latter of which not just writes fairly hardcore horror, but also wedged her way into comics. What geek girl doesn’t admire that?

On the male side of the spectrum, Roald Dahl, Terry Pratchett and Neil Gaiman are all glorious masters among us plebs.

5. What authors do you like to read?  Any recommendations?


I read a lot, over many genres. If you’re comfortable being seen in the urban fantasy section, Ann Aguirre is doing great things with demons and zombies (her zombie books are YA). Stacia Kane is a favorite for sure. Ilona Andrews is an auto-buy.

As for Authors You’re Probably Missing; Sara M. Harvey and Jennifer Pelland write dark speculative fiction, K.H. Koehler, Lucy Snyder and Chesya Burke are all amazing horror authors.

 

6. Where can readers find your work?

I’m mostly in ebooks these days, so all the usually places, Amazon, B&N, Kobo, OmniLit and iBooks. I have a werewolf book out (Wolf Heart), two zombie novellas (Rot and The List) and a zombie novel that just came out (Last Brother, Last Sister). I have short stories here and there, and my erotic romance stuff is published under the pen name M. Lush.

Interested in learning more ? Check out Michele Lee’s Amazon page, this interview, her blog, or Reading Bites.