Review: Blood Drunk: Faded Blue by Angela Lovell

Blood Drunk: Faded Blue by Angela Lovell*New Review
Ticking Boxes, 2011
ISBN-13: 978-1466308282
Available: New

Blood Drunk: Faded Blue is the first in a new YA vampire series from writer Angela Lovell. It tells the story of ‘Blue’ Knightly, a young man from the South who has to travel to New York to identify the body of his younger sister. Lacy – a bit of a wild child – has been missing for six weeks, and a (disfigured) body has been discovered that seems to match her description. However, though the dead girl has the same hair and tattoos as his sister, Blue finds enough to persuade him that it is not, in fact, Lacy. Convinced that his sister is alive, Blue decides to search for her himself, and soon meets with an oddly compelling woman (and her pet alligator) who promises to lead him to Lacy. It’s not long before Blue is dragged into the sinister world of the vampires who live below the streets of New York.

Unlike a lot of recent YA vampire fiction, Blood Drunk is not a paranormal romance. There is plenty of sexual attraction and fascination between vampires and humans, but this is definitely not a love story. The book begins with quite a horrible murder, and the violence and selfishness of vampires is evident throughout the story. Additionally, though third person, the book is told from the perspective of the male protagonist. I found this to be a particular strength, as Lovell’s hero is compelling and believable (which is not always the case in YA fiction). I particularly enjoyed the way Blue is forced to confront his own prejudices (how to react to gay and ‘metrosexual’ characters) through the haze of the ‘blood drunk’ vampiric world.

Another strength of the book is Lovell’s slightly off-beat writing style. Told in present tense, and often focusing on dialogue and action, rather than description, Blood Drunk feels ‘fresh’ and is very readable. One criticism, however, would be that rather a lot of plot is crammed into the final chapter – after a very even pace in the rest of the book – and I suspect this is to set up the rest of the series. This doesn’t detract hugely from the overall quality of the novel though, and did make me want to read the next installment.

Overall, I recommend Blood Drunk as a good take on the YA vampire genre that avoids many of the clichés. It will appeal to teen fans of vampire fiction, but also adult readers who enjoy YA.

Contains: some violence and reference to sexual behavior (not explicit)

Reviewed by: Hannah Kate

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Outpost by Ann Aguirre–Cover revealed!

One of my favorite authors, Ann Aguirre just released the cover for the second book in her zombie YA series. If you’re not sure where to go after The hunger Games this is a great place to start.

Ann also released a novella about what happened to Stone & Thimble from book one (it’s here). And she’s holding a contest to win ARCs of Outpost!

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Vampire Diaries: Episode One, “Pilot”

I’m not entirely behind on the times here. I knew there was a series. And I even watched the first few episodes before life hiccuped and I fell behind. So for your reading entertainment I’m watching the first season and will be reviewing squeeing rambling about them here. Feel free to chime in!

So, the title “Pilot” is completely un-creative, but also perfectly descriptive. It does what a good pilot does, and the show does what a good show does, dumps us viewers straight into the middle of some drama. Being a teen-aimed show it has all the bits that get us excited, attractive teens with loads of personal and social drama, deliciously emo music and OMG Vampires! Killer vampires! And apparently everyone is keeping a diary.

I do remember that was a huge point in the book series, the interlocking experiences of getting into Elena and Stefan’s head, particularly as they talk about each other. There’s some changes too, namely in the book Elena is a blonde popular girl with eyes the color of lapis lazuli. And Bonnie is a tiny red head with a heart shaped face. In the series Elena is a gorgeous, exotic (um, for a small town on the east coast) girl and Bonnie is African American. I approve of these changes. I like the actresses’ performance so far. Being a fit for the part is 100% better, in my opinion, than matching the covers.

Another change I noticed, Elena isn’t a “mean girl” style socialite who sets out to have or break Stefan. I was happy to see this, because I really disliked the book-Elena.

Now for a definite squeeing (cover your ears!) OMG Damon! Not only is he picture perfect, but the first thing he does is make fun of Stefan for going to high school? Love it! It’s a perfect balance to Stefan’s guilty vampire thing, plus Damon’s very existence makes fun of the whole passive/vegan/angsty teen vampire thing. So you get that character who wants to not hurt people and fight the vampire thirst. But you get the character that makes fun of it too (and yet, isn’t quite a bad guy.)

Vampire Diaries hits all the notes better than shows like Moonlight did. It sticks to the spirit of the books, but makes them (so far) better and appeal to a wider audience. And the tongue in cheek moments say it’s okay to find the very premise of the show cheesy, because hey, isn’t life pretty absurd anyway?

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Teens Self Publishing

A few days ago the New York Times published an article about the trend of kids and teens becoming published authors thanks to self publishing and indulgent parents willing to fork over thousands of dollars for the cause. It’s an interesting article that in the end says parents paying for self publishing aren’t any different that parents paying for baseball camp or ballet lessons.

Maureen Johnson wrote this interesting blog with her reactions, and now I’m bringing my opinion here so we can talk about it.

Of course the first bit of the debate is, does self publishing count as “being a published author”? I’m self published and “traditionally” published. In my personal goals I really only count the non-self publishing works as credits. But I chose to self publish (in a different genre) as an experiment and found I really liked every aspect of it. From writing something wildly different than what readers expect from me, and having the challenge of making covers and formatting and everything else it’s fun, it’s different, and it makes me appreciate working with publishers on my other projects.

I think self publishing is different than being published by someone else. But also, being published by a micro-online-press is different than being picked up by Tor or Random House. There were already ranks of publishing before the big self publishing trend, so yeah, I think self publishing does count as being published, as much as being in a school newspaper or lit journal or local magazine does. If the work was still done it counts!

The next question is should we be spending thousands of dollars on this? I think no. First, many self publishing companies have a reputation for bad practices (like gobbling up copyrights, or putting out books that fall apart). I think it’s a parent’s job to do some research and make sure you’re going to get a quality service if you’re paying (just like making sure that sports camp really is taught by qualified people).

Second, it is totally possible to self publish without spending thousands of dollars just on the printing. I think if you are going to put that kind of money into it, spend it on a good editor and good cover art.

Then there’s the question of whether this is helping kids or not. If you didn’t know the publishing world can be, and often is, a very vicious place. It seems there’s some hubbub weekly about someone getting a bad review and not liking it. Which is why it’s also the job of the parent to explain (or find out if they don’t know) that putting your work up for sale to the public is completely different from writing it for yourself, or a teacher, or friends. The public is everyone, which includes people with no tolerance for beginning writing and people who will hate your book with a passion just because it’s got a girl on the cover, or because there are vampires in it.

Most ADULTS have a hard time handling the levels of apathy and vitriol that can be found in publishing for the public, so of course teens and kids are going to have a problem with it too. So they really should be prepared for that kind of thing. Well, no, because you can’t be prepared for the moment someone calls you a sexist slur and implies you’re better off dead than writing another word. But you should know that it happens.

There’s also the question of whether teens are capable of writing quality work or not. No one person can determine that. I know I got a whole lot better in the last 10 years or so. But in school I was “the writer” and already winning awards, so yeah, I would have loved to have been published. And you know what, looking back now at some of the things I was writing then (I still have much of it) I wouldn’t be embarrassed to have it published. Because I was a teen, and of course if you keep writing and keep working, you’ll grow your writing skills.

So now, a confession. My daughter (she’s 8) and I self published a book together. It’s a Choose-Your-Own-Adventure Halloween book. We wrote it together. And by that I mean, we brainstormed it together, chose the character names together, I wrote some of it, read it to her and then we talked about what else should happen and why. I did the writing, she was very involved in the process, including helping to line edit (for typos) and make the cover.

We didn’t write it for publication though, we wrote it to read in her class during their Halloween party. And after we finished writing it, we had 2 other people (one of whom is a children’s librarian) help us edit it. I turned it into an ebook and gave a free copies to the teachers at her school, then figured since we’d made it anyway, there was no harm in offering it for sale. We spent no money on it, just lots of time together. And selling it was not the primary reason we wrote it.

We had lots of fun, and have been working on other projects as well. But I’ve always been careful to keep her expectations realistic (no, she will not be the next R.L. Stine anytime soon.)

I think a lot of cases are missing this aspect though, largely because a lot of parents don’t know what to expect themselves. I think it can be done right, and can be a great experience. I can also see how it could go very, very wrong.

So what do you think? Would you, should you self publish?

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Review: Dust Girl by Sarah Zettel

Random House Children’s, 2012
ISBN: 0375869387
Available: hardcover & multiformat ebook

Callie lives with her mom in a grand old hotel in the middle of the Dust Bowl and has spent the last years watching it, and their town, slowly blow away with the wind. If this life wasn’t difficult enough Callie has a dark secret—she’s half black. Her dad is a jazz musician who promised to come back for her mother someday. Or so Callie thinks. Then in the middle of a giant dust storm Callie’s mother reveals the truth, he dad isn’t human at all. He’s a fae prince. Callie’s anger at her father’s abandonment fuels the storm around them and her mom disappears, taken by fae who want to come for Callie as well. Because neither court is terribly happy about Callie’s existence.
Dust Girl is a fantastic period fantasy tale. It will appeal to lovers of classical fairy tales (the old Grimm types, not the Disney re-makes). The blending of Depression-era conflict with tricky fairy prophecies is enchanting. Highly recommended.

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Baby Be-Bop by Francesca Lia Block

Baby Be-Bop is the last novelette in the Weetzie series included in the Dangerous Angels collection. Sadly, it’s also the weakest.

Baby Be-Bop tells Dirk’s story. Cherokee’s maybe-dad and Weetzie best friend he’s the reason these books are often challenged or banned in school libraries, because he’s gay. On one hand I can see Baby Be-Bop being Block’s reaction to those banning calls.

Dirk’s story is as vivid and poetic as the other stories (and more fantastic). But halfway through the tale Dirk is beat, nearly to death, for being gay, and the rest of the book is possibly hallucinations he has of his dead family members. Any one of them could be a beautiful story on their own (even Dirk’s father’s story, which in the end is disappointing because his father and mother just “lost interest” in living, despite Dirk being a young boy who needed parents). But inserted into the style and pacing readers come to expect from the Weetzie stories it leads to a screeching halt of the already minimal action for overwhelming dreaminess.

The theme is that everyone has a story to live, but this book gets so caught up in the storytelling that it wanders severely off into wishy-washy-ness. It would have been better earlier in the series, rather than after Missing Angel Juan, so readers might want to consider reading it before they read Witch Baby.

Of course it is a challenge to write a book about a character who has already grown and found happiness in previous books. Prequels are always a challenge since you know how things turn out. So in the end I was excited to read a story focusing on Dirk, but dismayed that it veered into dreaminess and message instead of continuing to tell Dirk’s story.

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Missing Angel Juan by Francesca Lia Block

*Apologies as I accidentally set this and the review for Baby Be-Bop to save as draft instead of scheduling it to be posted this week.*

Missing Angel Juan is the best Weetzie book, in my opinion. First it’s the only one in first person. Second it’s another story from Witch Baby, who is my favorite character of the series. Also the thematic elements are very good, and there’s even a bad guy!

Angel Juan decides he needs to go to New York to find himself (or at least find out who he might be outside of Witch Baby’s male half). After a while Witch Baby gets (as Witch Baby does) over obsessive, and needs to go find him to try to bring him back to L.A.

Along the way she stays in the apartment where Charlie Bat (Weetzie’s dad) died of a drug overdose and stumbles on his ghost. Charlie wants to live vicariously through Witch Baby again and leads her on various adventures throughout the city.

It’s clear to readers that Charlie is clinging to the past as much as Witch Baby is clinging to Angel Juan (and is unwilling to be a person without being attached to him). But the themes are worked in with a subtly that avoids it being a MESSAGE book. The first person point of view also lends positively to the smoothness of the theme since readers get to see Witch Baby struggle with these realizations herself.

In the end, this is a great book, a great story, well told, poignant and powerful. Of all the novelettes this is the one I’m most likely to read over and over just because.

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Cherokee Bat and the Goat Guys by Francesca Lia Block

Book one (Weetzie Bat) was a modern fairy tale, book two (Witch Baby) was more akin to the Grimm tales. This tale (book three) still has that surreal fantasy-feel, but it heads straight for the Aesop’s fables section.

Magic just seems to find Cherokee Bat. Maybe it’s because of how hard her mother Weetzie worked for it, or one more side effect of the three wishes that started the series. But even she doesn’t recognize the power around her.

With the adults all gone on a movie shoot Witch Baby, Cherokee, Raphael and Angel Juan are left alone under the (mostly non-present) care of family friend, Coyote. Coyote and Cherokee unwittingly give the teens power without any caution or oversight.

Sure they find inner strength and confidence. But they also find ego, lust, drugs and fame. Their power band takes off–directly into the the path of self-destruction.

It’s nice to see more of the kids, and that Cherokee isn’t all that perfect after all. (The previous books frustratingly show her a a perfect, blonde dream-baby princess and Witch Baby as the ones who can never do right.) But in the end I thought Cherokee came off as an oversensitive heroine who was right but no one would listened to. Until she, of course, almost self-destructs and then all of a sudden all the bad stuff stops because everyone loves her too much to keep hurting her by being druggies, or selfish, or what not (ahem, inattentive–like ALL the adults). I think something was lost by this story only being in Cherokee’s point of view.

Where the first two books were about finding yourself and your place in the world, this one is about losing yourself too much to dreams.

 

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Witch Baby by Francesca Lia Block

Witch Baby is likely my favorite of Block’s books. (I say likely because I haven’t read them all…yet.) Less hipster/fairy tale than Weetzie Bat, it centers on the black sheep of the family, Lily aka Witch Baby. A dark-fae child born at a dark time Witch Baby is obsessed with the tragedies of life. In fact, she can’t turn her observations off, even though she realizes she should be in a pleasant fantasy like Weetzie.

Witch Baby is about the search for oneself, even if it might take you to dark or dangerous places. It’s almost the opposite of Weetzie’s desperation for happiness. With Baby wan’t pretend the bad stuff doesn’t exist and that puts her at odds with the rest od the family who are determined to have their happily ever after.

In the end it;s not just about Witch Baby finding her place, but also about the Bat family letting her be what she is instead of trying to make her what they are.

Block first tells a beautiful love fairy tale in one of the most vicious cities in America (using some of the most hated types of people) then turns the characters against themselves to tell this tale.

 

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Weetzie Bat by Francesca Lia Block

I remember when my Theater Arts teacher recommended Weetzie Bat (side note, he also recommended Poppy Z. Brite to me, both of whom significantly shaped my fiction and writing tastes). I remember thinking what a weird title and giggling. But then he let me borrow it. What a weird tale.

Weetzie Bat is a teen/young adult (several years pass even though this is a short book) who is struggling to define family and love and find both for herself and her friend, Dirk. Dirk is the hottest boy in school, who quickly reveals he’s gay, who also becomes the first member of Weetzie’s fairy tale family.

Because this is a fairy tale book, magic pulled straight out of the tired sadness of L.A. Weetzie’s first Prince Charming finds his own surfer Prince Charming after she wishes on a genie lamp for them to have love and a happily ever after. But happily ever after is what you make of it, and here readers will find not just gay characters, but all manner of alternative relationships, love children, witches, disease scares, drug-induced tragedies and victories sown in blood and tears.

Weetzie Bat is a tragically hipster book with its own surreal lyrical style, but a core of modern myth making. A handful of readers will be too annoyed by the style, but most find Weetzie to be a coming-of-age story about coming to terms with the hand life has dealt you and how little it tends to look like what you expected.

If there’s anything readers should find in these pages it’s that magic exists, if you look for it, and family (and love) is what you make of it.

*This book is also available in all in one form as Dangerous Angels by Francesca Lia Block.

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