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Interview: David Simms Interviews S.A. Barnes

S.A. Barnes is the author of the terrific Dead Silence, out earlier this year. Monster Librarian reviewer David Simms had an opportunity to interview her this summer.

 

David: Dead Silence is space horror at its best. What was the inspiration for this novel?

 

S.A.: I’ve been obsessed with the Titanic for as long as I can remember. I pored over the photos from the wreckage when it was found. And I’ve visited several exhibitions of the artifacts that have been recovered. However, I am a big chicken and afraid of small spaces so you’d never get me in submersible to see it in real life. So I brought the wreck to space instead.  

 

David: Claire is an interesting protagonist. Introvert and damaged. Why do you think flawed/broken characters work best for books in this genre?

 

S.A.: I prefer all stories to have a flawed/broken character because I find it more relatable! And I think it gives the character a clearer growth arc.

 

But I think it’s more prominent in horror because the stories often focus on the character’s flaws, specifically creating their worst nightmare. That’s what makes it horror, you know? I’m terrified of birds and small spaces, so forcing me to belly-crawl into a tunnel filled with flapping wings and scaly feet…I’m shuddering right now. But someone else who’s afraid of heights and spiders might not be bothered. It’s about confronting your own dark terrors in the process of growing as a character, I think.

 

David:  The book has been referred to as The Shining meets Titanic. What’s your opinion on this?

 

Haha! That was actually part of my original pitch line for the manuscript, so I guess it must have been seen as accurate enough. I do hear that Aliens or Event Horizpn would have been closer, and both of those were certainly influences as well.

 

David: The Aurora is a memorable character in itself. Can you describe your process in writing this novel?

 

S.A.: Again, Titanic! I wanted to bring to life that contrast of wealth and gross inequity. I wanted the Aurora to be an object of desire, greed, even, but also for the eeriness to be the most prominent feature. Things are frozen in time, as if the Aurora herself is just waiting for new passengers to arrive.  I wanted that feeling of bated breath, the haunted house that seems to react to your presence.

 

David: Since this is a horror novel at heart, are you a big fan of the genre? If so, what are your favorites?

 

S.A.: I love horror. I grew up reading Stephen King, Dean Koontz and V.C. Andrews. As far as favorites, I adored Strangers by Koontz, Flowers in the Attic by Andrews, and I’ve never been able to finish Pet Sematary by King because it scared me too much! More recently, I adored World War Z by Max Brooks, and anything by Mira Grant, particularly Into the Drowning Deep and the Newsflesh trilogy.

 

David: Dead Silence is chilling in its depiction of the supernatural. What’s your take on beliefs in the paranormal, supernatural (super-normal)?

 

S.A.: I’m sort of an open skeptic. I believe it’s all possible, particularly ghosts and extraterrestrial life. However, when presented with evidence, I’m more inclined to doubt first. Mainly, I think, because I don’t want to get my hopes up!

 

I’ve only had one supernatural experience in my life (a ghost turned a light on for me), and that was more than enough for me!  

 

David: You’ve been successful in writing YA fiction. The Paper Dolls trilogy is great. Do you have a preference– adult, or writing for teens/children?

 

S.A.: Thank you! I love telling stories, for any audience! I think, however, teens and high school have changed enough from my own experiences—in mostly good ways—that I would have a harder time writing for that audience now in an authentic way.

 

David: Speaking of horror, you’re also a teacher. Thank you– this year has been full of horrors! How has that experience helped you cope with writing dark fiction– and vice versa?

 

S.A.: The two help me find balance. Writing is a very isolating profession, especially in the last few years! Going to school, working with students, helps me get out of my own head. Plus, helping a student connect with the right book for them is an amazing feeling. But, as you know, schools are not always easy place to work, especially for the last few years, so writing is a way of exerting control over my environment in a way that doesn’t exist otherwise. But mainly they—writing and school—make me feel like I’m contributing in two very different ways, and I love that.

 

David: Adding on to that last question: you tackle mental health in a strong, adroit manner. This is something that’s coming to the surface more and more in horror, but not science fiction. Any thoughts on this topic in fiction?

 

S.A.: I suspect we hope that mental health will be better addressed in coming years, which is why we don’t see it as much in science fiction, which is frequently set in the future. I’m thinking of Star Trek where poverty and world hunger have been solved by the 24th century. Which is wonderful and optimistic.

 

But I find I’m more drawn to stories with characters I relate to, especially when those stories are set in an unfamiliar environment, like space. And I think as long as people are people, we’re still going to struggle with the issues that come along with being human and imperfect. (Once we’re all uploaded consciousnesses on a computer, I make no guarantees!)

 

 

David: Deep space holds many terrors. What do you think is out there? (sorry– massive X-Files fan here!)

 

S.A.: The truth! (Sorry, also a massive X-Files fan!) In all seriousness, I’m fascinated by deep space. I think most of us have a tendency to forget that we’re on this rock, floating out in the middle of nowhere. And we’re one rock of billions. Who knows what we’ll find out there? I hope it will be friendly intelligence, but, as I believe, Stephen Hawking pointed out, anyone who can reach us is probably more advanced than we are and that usually doesn’t end well. Meanwhile we’re just blithely broadcasting our location for anyone—or anything—to hear.

 

David: What’s next for you?

S.A.: I’m working on another sci-fi horror novel! Set on an exo-planet this time.

 

David: Do you have any recommendations for your readers? Any favorite new authors or ones you think your readers would enjoy?

 

S.A.: Oh yes, I loved Dead Space and Salvation Day by Kali Wallace. Salvaged by Madeleine Roux is also excellent.

 

David: Why do you think space horror is such a draw for readers/film buffs?  Do you have a favorite?

 

S.A.: I think it’s a draw because it projects a future in which space has become a relatively normal environment in which to work, suggesting a hopeful outcome, but also that human arrogance, frequently a flaw that comes into play in these stories, is still around. I also think space horror offers the same appeal science fiction does—the chance to learn about our society and its issues at a distance that allows discussion rather than immediate heated emotion.

Book Review: The Keepers by Tan Van Huizen

The Keepers, by Tan Van Huizen (Bookshop.org)

Black Rose Writing, 2022

ISBN: 9781684339525

Available: Paperback, Kindle edition 

 

The Keepers  has a frustrating ending: it becomes clear towards the end of the book that there are way too many questions to be answered in the remaining pages.  There is a sequel coming, which is a good thing, as ending the story where it is would be a crime. You’ll want to read The Keepers, and the sequel as well.

 

Set in a small rural town on the edge of a swamp in western Massachusetts, the Keepers are certain members of the local police force charged with upholding a pact made between the Indians who lived there in the 1600’s and the settlers that wiped them out.   The details are intentionally vague in the book, but the gist is, if anyone dishonors the Indian spirits or ancestral land, there will be hell to pay for the town, even if it’s hundreds of years in the future.  People do disappear from the town from time to time, but as for exactly why, and what that has to do with the pact…that’s for the sequel to explain.

 

To be clear, this isn’t a case of an author slapping together a ho-hum book and saving all the big guns for a future story: t’s a solid, exciting read by itself.  The cast of characters is fairly large, but each group connects to the plot.  For the juvenile delinquents, the father of one of them survived a disappearance incident years ago and won’t discuss it with anyone, but it has something to do with the cops.  The cops (only some of them Keepers) are supposed to maintain order, but that’s secondary to maintaining the old settlers’/Indians pact.  There’s also an investigative news crew in town, trying to solve some of the cold case disappearances.  It’s quite a few story threads, but they are slowly drawing together by the end of the book.  However, there is clearly a lot to come in terms of further plot.

 

Despite the lack of plot answers (for now) there’s plenty to keeps readers entertained.  High speed chases, an axe murder or two, people blowing themselves up in the swamp, some dark creature from hoodoo-land that rides the wind across the skies…you know, the usual.  The author clearly knows how to write a page turner, keeping most of the plot details vague until it’s time to reveal them.  Let’s hope that the timeframe for releasing the next book is not on a George R.R. Martin time scale!  

 

Reviewed by Murray Samuelson

Book Review: Blood Scion by Deborah Falaye

   Blood Scion by [Deborah Falaye]

Blood Scion by Deborah Falaye    ( Bookshop.org  |  Amazon.com )

HarperTeen, 2022

ISBN-13: ‏ :978-0062954046

Available: Hardcover, paperback, Kindle edition, audiobook

 

Blood Scion  is horrific but I don’t know if I would call it horror– it is African fantasy.

 

Sloane Shade is a Scion– a blood descendant of an Orisha, a child of the gods that ruled over ancient kingdoms. As the descendant of the fire Orisha, she has power over fire, but she has hidden it because the colonizers of her country, the Lucis, punish Scions by execution. At 15, she is drafted into the army to fight the Shadow Rebels and Scions, and it is extraordinarily brutal, and hard to read about her training and the compromises she makes with her humanity for her survival.

 

Sloane wants to find out what happened to her mother, who disappeared, by breaking into the archives and consulting the official Book of Records. Her findings are a complete surprise. She decides to seize an upcoming opportunity to see the queen to assassinate her and the heads of all the royal families.

 

This is a brutal book that the author intended to reflect the experiences of child soldiers. There are scenes of sexual assault, children forced to murder loved ones, brutal and violent murders committed by the protagonist, and torture. Watching Sloane attempt to hang on to her humanity while also surviving is difficult but it is a compelling book with surprising twists. Highly recommended.

 

Reviewed by Kirsten Kowalewski