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Book Review: The Next Time I Die by Jason Starr

The Next Time I Die by Jason Starr

The Next Time I Die by Jason Starr. ( Bookshop.org. |  Amazon.com )

Hard Case Crime, 2022

ISBN-13 ‏ : ‎ 978-1789099515

Available: Paperback, Kindle edition

 

 

I received an unfinished ARC of this from Hard Case Crime.

 

Steven Blitz is the defense lawyer for serial killer Jeffrey Hammond, a high profile case. He is working on the case at home when out of seemingly nowhere his mentally Ill wife demands a divorce, says she’s in love with a woman, and locks him out in a snowstorm. He is driving through the snow when the car skids and he is nearly in an accident. He stops for gas and intervenes in a domestic dispute that ends with him getting stabbed and bleeding out.

 

Or is that really what happened? He wakes up in the hospital with a concussion to a loving wife, and a daughter and dog he never owned, wealthy, a survivor of brain cancer, and with a good life… but he is not a good person. The world has changed and nobody believes him.

 

Steven is a bizarrely unreliable narrator and I was glued to the pages trying to figure out what crazy turn the story would take next, and if it could be believed. The Next Time I Die has been optioned for a movie, and if it’s made, it will be interesting to see how it turns out. Recommended.

 

Reviewed by Kirsten Kowalewski

Book Review: The School for Good Mothers by Jessamine Chan

The School for Good Mothers by Jessamine Chan

 

The School for Good Mothers by Jessamine Chan Amazon.com Bookshop.org )

Simon & Schuster, 2022

ISBN-13 ‏ : ‎ 978-1982156121

Available: Hardcover, paperback, Kindle edition, audiobook

 

This book was like living through a nightmare trainwreck.

 

Single working mother Frida is separated from her two year old daughter Harriet after she leaves her home alone for more than two hours with the back door open. She is sentenced to a year at the School of Good Mothers, a new program that monitors neglectful parents as they work through a sadistic and brutal parenting curriculum that requires them to mother human-appearing child robots while depriving them of actual contact with their children. Mothers who don’t finish or pass will have their parental rights terminated and appear on a neglectful parent registry.

 

This has a similar feel to The Handmaid’s Tale, and the teachers, social workers, and administrators are the absolute worst versions you could come up with for those roles. The difference is, it is set in the present day, and it’s not impossible to imagine something similar actually taking place. The individual characters don’t matter as much.as the overall picture.

 

Frida is lucky in that her parents, ex, and his wife are all supportive of her, but even so, the end is inevitable.

 

Obviously no one  should leave a toddler at home unsupervised for two hours, but the state shouldn’t be rigidly and arbitrarily prescriptive and cruelly controlling of the ways we parent our children. The lessons of The School for Good Mothers are more damaging to Frida and her daughter than reparative.

 

The story flowed well, but it is chilling, a difficult read in our real world environment that is colder to women, and children, every day. Highly recommended.

 

Contains: suicide, suicidal ideation, murderous thoughts, racial slurs, solitary confinement, violence, mentions of pedophilia.

 

 

Reviewed by Kirsten Kowalewski

Book Review: Doll House by John Hunt

 

Doll House by John Hunt  (Bookshop.org)

 Black Rose Writing, 2017

ISBN: 9781612968070

Available: paperback, Kindle

 

Doll House is a white-knuckle horror/thriller that takes a common plot device and spends most of the book on “well, what about after it happens?'” The plot you know: young person abducted by a psycho or two, held captive and tortured for months or years, then escapes at the very end of the book, often killing their torturers in the process.  It’s been done before, sometimes well (Jack Ketchum, Whitley Streiber) and sometimes not so well (Ryan C. Thomas).  In Doll House, that basic plot is wrapped up in the first fortysomething pages.  It’s the “what next?” part that makes up the majority of the book, and it makes for a compelling story.  How will Olivia, the victim, cope with the rest of her life, knowing that one of the abductors got away?  Will the abductor give up and move on, or come back and try again?  How long can the cops provide protection, as the story fades from public eye and budgets are stretched thin?  All good questions, and the book delivers on them all, while providing a rip-snorting good read.

 

A critical part of this story type is hiding the killer’s identity until the end, keeping the reader guessing. The author does an excellent job concealing it, using red herrings and a few scattered clues extremely well.  The clues are there, but you have to read pretty carefully to catch them.  I didn’t guess right, and most readers probably won’t either.  It is very well done.

 

It’s worth nothing that the book is definitely heavy in the narration department, and pretty light on dialogue.  It’s a stylistic choice, but a bit more dialogue would have helped break the story up a bit and pushed it the extra mile. There’s still plenty to generate reader interest, and the story doesn’t drag at any point.  Some of the most interesting parts concern the police and their struggles to track a killer who left no evidence: it’s interesting how difficult detective work really is, and that unfortunately, it can be limited by financial constraints.  As far as nastiness, the author wisely shows restraint and only uses it where needed.  There are a few ugly scenes like toes getting snipped off and an ear getting razored off, but there’s not much blood, and no graphic rape sequences. It’s a horror novel with a few quick bouts of ugliness, and it’s a good one.  There is a sequel to Doll House due to be released later this year, and it will be reviewed here shortly.  Recommended.

 

Reviewed by Murray Samuelson