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Book Review: Hall-Lore-Ween by Josh Spero, illustrated by TT Hernandez

Cover art for Hall-Lore_Ween by Josh Spero

Hall-Lore-Ween, by Josh Spero, illustrations by TT Hernandez

Castle Bridge Media, 2024

ISBN: 9788989593477

Available: Paperback, ebook

Buy:  Bookshop.orgAmazon.com

 

 

A quick 98 page read with a few short stories, a few poems, and some really cool illustrations, Hall-Lore-Ween is the author’s attempt to create Halloween stories for little kids (as well as adults that never grew up, like me) and on that, he succeeds admirably. The stories are short with a bit of spook factor and a lot of charm, and they have (GASP!) happy endings! These would be great to read to your first through third graders, and the adults will get a kick out of them as well. Let’s break it down!

 

The stories: there are three of them, the first involving a possible heritage witch, the second a town with a Halloween tradition/curse, and the last with kids and werewolves. I definitely liked the second one best, and the ending was a real feel-good surprise. It kept me guessing the most. The first story was the closest to a traditional ‘scary’ Halloween story, and the ending wasn’t quite as happy as the others. The last story works with the idea of a new kid trying to find his place, and werewolves are involved. Adult readers will probably guess where the story is going, but remember, the target audience is kids, and they won’t see it coming. And again, a nice, cheerful ending. All the stories are well-done and utterly enjoyable. For me, especially, this is a nice change of pace from the material I am usually asked to review.

 

The poems: hey, I’m no poet, and I know it. Get it? That’s fellow reviewer Nova Hadley’s department. To me, good poems rhyme. These poems rhyme. I enjoyed Shel Silverstein’s poetry, and I enjoyed the Hall-Lore-Ween poems, especially the “Mr. Wolford” poem. OK, no more… I can’t pretend I know beans about poetry.

 

The illustrations: Oh boy, pictures! I like pictures! And these are really cool pictures! Again, I have no art knowledge, I couldn’t tell you the difference between a Jackson Pollock and a finger painting, but I did like the black and white illustrations. The one of the kid with an evil-looking pumpkin head on page 48 was my favorite, and the one of the witch in the first story is a close second. I would have liked two or three illustrations per story instead of only one: they really added to the stories.

 

Bottom line: you will like these, and your kids will probably love them. Purchase this one now, and save it till next October! Recommended.

 

Reviewed by Murray Samuelson

Book Review: Ink Vine by Elizabeth Broadbent

Cover art for Ink Vine by Elizabeth Broadbent

Ink Vine by Elizabeth Broadbent

Undertaker Books, 2024

ISBN-13 ‏ : ‎ 979-8218408091

Available: Hardcover, paperback, Kindle edition

Buy:  Bookshop.org  |  Amazon.com

 

The horror novella can be a powerful entity. When handled properly, it’s a gut punch, a blade twist to the heart, and a mind screw, all at the same time. Elizabeth Broadbent has penned one of those stories here in Ink Vine, a sapphic horror tale that is deeper and more dangerous than the swamp she created within. At 118 pages it hits hard, building an effective setting in a South Carolina that reeks of the dank water, humidity, and scent of the trees which smother visitors who dare to enter. The story is a strong character study with a taut element of horror, yet is so much more.

 

Emmy is suffocating in her wasteland of a small town, hoping to one day escape. She eschews working in the local chicken plant to dance in the local strip club. She holds onto her core values and refuses to reduce herself to what others have done. Her home life is toxic, with her mother berating her for her choices, her sister just existing in their double-wide trailer, and her brother, who also has little hope of escaping town.

 

The world of Lower Congaree offers nothing to Emmy except dread, and dreams that will never come to fruition. The filth of the town, both literal and in human form, stifles her, yet she refuses to accept her lot in life. She’ll use the dancing to get out of the hell that plagues everyone around her.

 

The warning to stay out of the swamp echoes in her thoughts, but one day she breaks free and wanders deep. She meets Zara, a beautiful mystery who entrances her. Who is she, and why does she reside deep within the strange world far removed from society? Emmy begins to fall, realizing how poisonous her surroundings truly are, and wakes up changed. She can’t stop thinking about the swamp — and Zara — somehow aware of both the dangers and allure of the strange world.

 

Broadbent paints the words into a gorgeous setting and places her broken characters within, a juxtaposition between a dying town and the vibrant but dangerous swamp Emmy has been warned about all her life. The dark fantasy/horror that comes to life between the covers seethes with life, conflict, and dark threads, that threaten to pull Emmy’s world into the depths. Ink Vine is an entertaining, quick read that begs to be savored slowly.

 

Recommended reading, and a fine new author to watch.

Book Review: The Devouring Light by Kat Ellis

Cover art for The Devouring Light by Kat Ellis

The Devouring Light by Kat Ellis

Harper Collins, 2025

ISBN: 9780063355248

Available: Paperback, Kindle edition

Buy: Bookshop.org | Amazon.com

 

 

Another entry in the growing field of horror/thrillers for the YA crowd, The Devouring Light does it right. It’s a good read for the young ‘uns, (this one would be about junior high to early high school level) but it’s also plenty of fun for adults. In other words, for parents that want books they could read and actually have fun TALKING about with their kids, this would be a good choice. It’s what you want– a good plot, quick pacing, and lightweight enough that it can work with the short attention spans of kids today.

 

Despite being an adult herself, author Ellis has a good grasp on how to write younger characters, as the book’s protagonists are ones that kids can easily relate to. Here, they are constantly relying on their phones (until they have little choice), concerned about their social media feeds, worrying about what to post next, etc. The book is about a group of five young wannabe rock stars (well, four, and one who actually is one) riding the tour bus to their next show. The bus gets waylaid and crashes, and the characters find themselves taking shelter in a house in a swamp called the Light, which is one of those urban legends that everyone has heard of, yet of course no one has any first hand experience with. The story is written in the present tense, which seems to be one that again, younger readers prefer (older grouches like me have a tougher time with that format). It does seem to work for the story, though.

 

So… they are stuck in the house, with no contact with the outside world, and weird things happen. Eventually the mystery of the house starts to unfold, complete with nice, straightforward plot devices that don’t need to rely on a gory mess: some creaking sounds, weird footprints appearing, creepy mannequins, and so forth. Nothing really new, but it’s stuff that still works well, so why try to reinvent the wheel? The story’s narrative is nicely intercut throughout, with chapters that consist of police interview transcripts and transcripts of recovered video footage that do a nice job of providing the backstory for the plot. Splitting the narrative into different formats will work well with today’s young readers, the variety keeps it from being uniform. Again, it’s about appealing to your target audience. There’s enough depth to the characters, and enough happening that the younger crowd should easily stay interested in this to the end, and it will work for adults too. The characters do occasionally demonstrate a lack of deductive reasoning that adult readers will consider foolish, but it doesn’t detract from the quality of the story. The ending is a nice wrap up, that ends with a good bang, and it is a rather clever way of stopping the house from devouring all the characters. Chances are, the majority of readers won’t guess it, and that’s what you want in a mystery.

 

Bottom line here: it’s good for all ages, starting with junior high school aged readers, and is certainly a good choice for parents and teachers trying to find some way to keep kids off their phones, even if it’s only a few short hours. Recommended.

 

 

 

Reviewed by Murray Samuelson