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Book Review: Litani by Jess Lourey

cover art for Litani by Jess Lourey

Litani by Jess Lourey

Thomas & Mercer, 2021 (release date: Oct. 19)

ISBN: 9781542027014

Available: Paperback, Kindle edition, compact disc, MP3   ( Bookshop.org  |  Amazon.com )

 

 

Set in the mid-1980s, Litani is a mystery/thriller dealing with the unpleasant subject of child molesters, but the book is couched into language that will work for younger readers.  While written for adults, it has value as a “crossover” title to the young adult crowd. Fourteen-year-old Francesca “Frankie” Jubilee moves in with her mom after her dad’s untimely demise.  She is quickly beaten up by three 10 year old girls. The girls allude to The Game, something many kids know about and fear.  Frankie finds her town to be one with an unpleasant past that centers around children that have gone missing over time.  The story follows a fairly predictable path, with Frankie trying to find the truth, and getting it in bits and pieces.  There’s a minor story thread of Satanism, but it’s really just window-dressing and could have been left out.  There’s a big reveal at the end to explain it all, and everything ends up okay, more or less.

 

The writing is simple and to the point, and the plot devices are familiar: Frankie’s past may have secrets, she makes one friend with a troubled past of his own, she doesn’t get along with her mom due to her being absent from her life for years, etc.  The Game itself is no big mystery, and most of the characters act in a pretty predictable manner. The predictability and basic nature of the writing may not be enough for adult readers to get caught up in the story, but for high school kids, it’s perfect. Entertaining enough to keep teens enthralled, there’s mystery, some excitement, a dead body, characters that kids will understand, and nothing too violent or graphic.  Example: while some of the characters are child molesters, the author wisely doesn’t use any graphic firsthand descriptions of molestation.  Same goes for the Satanic angle: no elaborate ceremonies or sacrifices, just a few pentagrams and candles.  It takes skill to write about vile subjects for a younger age bracket, and Jess Lourey does it extremely well.  The violence is also mild: a couple fights, a rock to the head, nothing over the top.  All of the above and the straightforward nature of Litani make it a good choice for teen readers.

 

 

Recommended for high school readers.

 

Reviewed by Murray Samuelson

Posted on October 10, 2021 by , Reply

Book Review: Tortured Willows: Bent. Bowed. Unbroken. by Lee Murray, Geneve Flynn, Christina Sng, and Angela Yuriko Smith

cover art for Tortured Willows by Lee Murray and others

Tortured Willows: Bent. Bowed. Unbroken. by Lee Murray, Geneve Flynn, Christina Sng, and Angela Yuriko Smith

Yuriko Publishing, 2021

ISBN: 9781737208

Available: Paperback  (Amazon.com)

 

A striking, heart-wrenching masterpiece, comprised of four vital voices in verse.

 

This four-poet compilation of works extends on themes addressed in the multiple award winning anthology, Black Cranes: Tales of Unquiet Women (Lee Murray and Geneve Flynn, editors). The individual poems are highly accessible and strike fiercely, each bringing to life “a story on skin” (Angela Yuriko Smith, “Her Hajichi”), and each written with unyielding voice and unique strength.

 

At once painful and powerful, the collection as a whole exemplifies the best of speculative poetry and is a collection that will be re-read again and again: first all at once because the poems bring you quickly into their vivid images and worlds, and then returned to over time for their courageous meanings and profound insights.

 

Highlights includes Murray’s “Defining Character,” which explores language itself and the associations inherent to female life; Flynn’s remarkable blackout poem “Abridge,” unearthing hidden realities and hopes for an end to gendered violence”; the harsh cruelties imposed by the wealthy on a young immigrant girl employed in the home in Sng’s “Phoenix.”

 

Alongside a combination of traditional forms and free verse work, the poets also offer short commentaries. This addition invites readers into deeper reflection on and conversation with the authors’ processes and purposes, an engaging and inspired aspect of the collection. Filled with diverse poems that explore complex themes like ancestral obligations, cultural appropriation and violence, intimate exotification and misogyny, the impact of the work also moves in intriguing, new directions toward empowering, reimagined histories and myths.

 

Beautifully arranged by individual author, each set of poems works on its own and contributes to the overall themes. The resulting range of voices and styles is merged into a magnificently cohesive set addressing intersecting issues of culture and gender. Potent truths, rich details, and dynamic verse, these poems bloom with taut images that slice away preconceptions and deepen attention to appropriations of heritage and impositions of restricting expectations.

 

Fans of Black Cranes looking for more work by the authors, as well as fans of modern speculative verse and horror poetry will revel in this impressive collection. From goddesses and teenagers to angry ghosts, these poems will haunt and inspire. Highly Recommend.

 

 

Reviewed by E.F. Schraeder

Posted on October 8, 2021 by , Reply

Haunted Travels: Essex County, Massachusetts: Lovecraft Country

 

topographical map of essex county massachusetts by Henry Francis WallingIf you’re visiting Salem already, you can take your haunted travels further; it is a county seat for Essex County, Massachusetts, frequently referred to as “Lovecraft country” (not to be mistaken with the novel by Matt Ruff or the HBO show).  While not all of his tales were set here, many of horror master H.P. Lovecraft’s stories are set in the area, and while the locations and geography have been fictionalized and altered,  Marblehead, Salem, Gloucester, and Newburyport in particular have been suggested as inspirations for the towns of Kingsport, Arkham (home of Miskatonic University), Innsmouth, and Dunwich (although not necessarily in that order). In an article for The Toast, Rebecca Turkewitz writes:

 

 

Although Lovecraft’s towns and rivers have invented names and the geography is slightly altered, Lovecraft is adamant about the importance of his rural New England locations. He nestled his fictional towns, such as Arkham and Dunwich, in between real places, such as Newburyport and Plum Island. In his story “The Picture in the House,” Lovecraft describes the ghastly spell of the “ancient, lonely farmhouses of backwoods New England,” and the “elements of strength, solitude, grotesqueness and ignorance” which skulk there.

 

That Lovecraft mentions nonfictional places and place names in the same stories gives the reader a sense that it all could be real, and yet the fact that his imagined places are not quite analogues contributes to his creation of an uncanny atmosphere for the stories. Trying to identify exactly where they are can be difficult, as Lovecraft locatescover for The Shadow Over Innsmouth and Other Stories Arkham in different places in his stories. Luckily, there are fans of Lovecraft who have done the work of mapping out the inspirations and possible locations of his tales. Donovan Loucks of the H.P. Lovecraft Archive has researched Massachusetts sites tied into Lovecraft’s stories: while his short tour of Lovecraftian Massachusetts sites  includes Boston and Cambridge, most are in Essex County.

 

1920s Essex County and 2020s Essex County are very different places, as you can see in this Lovecraft lover’s 1997 journey, but bring your copy of The Shadow Over Innsmouth and imagine the geography and architecture of Essex County through a glass darkly.

 

 

Interested in Lovecraft-inspired fiction? Here’s a list of some relatively recent books that give his fiction a twist.

Posted on October 5, 2021 by , Reply
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