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Book Review: The Devil and His Advocates by Erik Butler

cover art for The Devil and His Advocates by Erik Butler

The Devil and His Advocates by Erik Butler

Reaktion Books, 2021

ISBN-13: 9781789143737

Available: Hardcover, Kindle edition  Bookshop.org  |  Amazon.com )

 

In Erik Butler’s The Devil and His Advocates, the author argues that Satan is not God’s enemy in the Bible, but that he has been misinterpreted. In fact, he has been doing God’s bidding rather than acting as his own entity all this time. Butler uses the Old and New Testament, especially the trial of Job, to analyze the figure of Satan in literature, music, theology, and visual art from antiquity to the present. Butler asserts that Satan has been tasked by God to test human beings, whose piety leaves room for doubt. Butler argues that while Satan can be manipulative, he facilitates what mortals are inclined to do anyway, and he’s right.

 

In addition to biblical sources, Butler uses works of literature from Dante, Chaucer, Christopher Marlowe, Robert Burton, Jules Amédée Barbey d’Audervilly, James Joyce, Isidore Ducasse, Oskar Panizza, William Butler Yeats, Fyodor Dostoyevsky, Gian Pietro Lucini, Gottfried Benn, C. S. Lewis and more to unveil the nature and depiction of Satan, or the satan (which is an eye-opening discussion itself in the first chapter) to discuss why and how Satan’s role, position, and even personality have been, essentially, misinterpreted or reinterpreted. Butler includes a chapter on music as well.

 

Butler includes references, an index, and illustrations in The Devil and His Advocates. While this isn’t a work of horror, The Devil and His Advocates has the potential to be a valuable research tool for anyone who wants to focus on Satan in their fiction. It could also be useful for numerous classes, such as literature, drama, religious studies, fiction writing, and more. Highly recommended.

 

Reviewed by Lizzy Walker

Book Review: The Last House on Needless Street by Catriona Ward

cover art for The Last House on Needless Street by Catriona Ward

The Last House on Needless Street by Catriona Ward

Tor Nightfire, 2021

ISBN-13 ‏ : ‎ 978-1250812629

Available: Hardcover, Kindle edition, audiobook Bookshop.org |  Amazon.com  )

 

The Last House on Needless Street takes as its starting point the abduction of a little girl, Lulu, from the beach, ten years before the events of the present. Lulu’s disappearance was a turning point in the lives of two children at the beach that day: her older sister Dee, and a young man, Ted Bannerman, who was briefly suspected of carrying Lulu off.  Since then, Dee has been obsessed with finding Lulu and the man who abducted her. A photograph from a news article about the search for Lulu sends Dee in Ted’s direction, and she moves into the house next door to observe him and look for evidence of Lulu.

The book alternates between a variety of first person narrators, and the reader will soon pick up that none of them are reliable. Tragic, violent, and terrible things happen but it’s not clear to whom or when. Characters are not who they seem to be and their actions and thoughts are often scrambled or inexplicable. Ward has constructed an intricate, layered, maze of a book with tragedy, horrific abuse, and trauma at its core.

Mental illness is often demonized in the media and especially in horror fiction and Ward avoids that, writing with compassion and respect. Her author’s note indicates that she did detailed research before writing the book. While it’s possible to read through this quickly, it deserves the time it takes for the reader to process. It will stick with you long after you are done. Highly recommended.

 

Contains: emotional and physical abuse, child abuse, suicide. violence.

Book Review: The Son of Abraham (Diabhal #3) by Kathleen Kaufman

cover art for The Son of Abraham by Kathleen Kaufman

The Son of Abraham (Diabhal #3) by Kathleen Kaufman

Turner Publishing, 2021(to be released Oct. 26)

ISBN: 9781684425389

Available: Hardcover, paperback, Kindle edition Bookshop.org  |  Amazon.com )

 

Note:  The Son of Abraham is the third book in a trilogy.  I haven’t read the other two, but this book, for the most part, can be read as a stand-alone.

 

Cults are always good material for horror stories, since some of the ones seen over the past thirty years (Branch Davidians, Heaven’s Gate, etc.) have truly been stranger than fiction.  The Son of Abraham is a fresh take on the idea, if you like end-of-the-world tales, this book will make the grade for most readers.

 

The first 55 pages detail the hours leading up to a large-scale bombing of Los Angeles, by the Son of Abraham cult that kills 10,000 people, and this section is told from the perspectives of multiple people.  The rest of the story takes place ten years later, and is told primarily for the viewpoint of two characters.  One is Esther Robertson, the only surviving offspring of cult leader Alan Robertson; the other is Cooper Carlson, a news reporter who gets personally involved in the story.  Their adversary is the still-alive Alan Robertson, who is locked down at the Supermax prison in Colorado.  Cities start getting destroyed again, and signs point to Alan and his cult being involved, despite his being behind bars.  Esther and Cooper get pulled into a race to stop Alan Robertson from destroying the entire planet, and the big question becomes: are they really acting on their own to stop him, or are they simply puppets Alan pulls the strings on in his quest for domination?

 

The dynamic between Esther, Cooper, and Alan is a big part of the book, and is a lot of what makes the story fun.  Most people like to see the good guys win, but most readers of The Son of Abraham will be asking if Esther and Cooper even have a chance at all, as Alan is clearly no ordinary man.  Unnatural destruction and murder in his presence do a good job of driving the point home.  He’s a manipulative man, as the small character parts involving his followers, and the sacrifices they make for his ambition, demonstrate.

 

Esther and Cooper make excellent “heroes that don’t want to be heroes”, as they each have their own problems to deal with.  Cooper isn’t sure if his news coverage of Alan is helping or hurting the general population.  Esther is trying to save a world that has a lot of people that want her dead, only because she is Alan’s daughter.  She had nothing to do with the LA bombing and the general public knows that, but it doesn’t matter in the age of sensationalistic news and social media.  Their journey around the country chasing Alan’s web of destruction is fast-paced, striking a good balance between action and story development.  The author adds another level of intrigue by re-writing the whole concept of the afterlife with the “Night Forest”,  which ties into Alan Robertson’s desired goal of domination.  It’s a more creative scenario for a religious leader, and it lifts the originality of the story.

 

Short version: if you like fast-paced Armageddon stories, you will like Son of Abraham.  Recommended.

 

 

Reviewed by Murray Samuelson