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Book Review: The Smallest of Bones by Holly Lyn Walrath

The Smallest of Bones by Holly Lyn Walrath

Clash Books, 2021

ISBN-13: 978-1944866952

Available: Paperback Bookshop.org |  Amazon.com )

 

“If you strip me down to my bones / am I yours?” the speaker asks, in Holly Ryn Walrath’s poetry collection The Smallest of Bones. Groups of poems divided into sections called Cranium, Mandible, Sternum, Sacrum, Spine, Calcaneus, and Temporal provide a larger osteo-literary structure into which the poems slip like so many small bones surrounding the artistic organs of thought and emotion.

 

Sometimes surprising, often disturbing and provocative, these poems are the life-blood emerging from the marrow of meaning. There are vivid images of “ocean eyes” and “demon’s tongue,” a couple symbolized as “the tree burning after” and “condemned women” as metaphorical “rare birds” who should be studied. One speaker asks, “hold me under your tongue / like unspoken regret,”  another confesses, “I carry my face in my pocket.”

 

There are many memorable lines to savor throughout the collection. Some of these rhyme: “the smallest of bones / is a part of the hammer in your ear / love is a heartbreak you can hear.” Some are startling: “ask me, where is your wild woman? I shot her in the face” and “wouldn’t you rather be something violent if you had the choice?”

 

Walrath also considers love, but it is not in the usual terms. In the moment of connection, “his hands tensile slipping under my radar my heart was sonar,” the speaker remembers, and “to love so much your body changes / curving together like two halves of the taijitu or the earth and the moon / must be dreadful and excruciating,” reflects another.

 

Walrath also comments on many other topics like sex and gender, physical attraction, memories, science, ghosts, birds, parasites, the nature of women, death, dreams, pain, bodies, flowers and writing. Even the Table of Contents, composed of the section headings and first lines of the poems, can be read as a poem. Try it!

 

“I wrap bone chains around your head,” Walrath writes. Yes, she does, and I recommend it.

 

Reviewed by Nova Hadley

Book Review: Encyclopedia Sharksplotanica by Susan Snyder

cover art for Encyclopedia Sharksploitanica by Susan Snyder

Encyclopedia Sharksploitanica by Susan Snyder

Madness Heart Press, 2021

ISBN-13: 9781955745994

Available: Paperback, Kindle

 

Since Jaws emerged from the depths to create the subgenre known as sharksploitation, shark movies and their rip offs have “scared the swimsuits off us”, rendered us immobile from gut-wrenching laughter, or left us speechless with the badness of it all. Susan Snyder, a marine biologist who has experience diving with these toothy beasts, presents her perspective on a whopping 85 sharkploitation movies.

 

Sections are divided into “Rip Offs”, “The Bastardization of Science”, “The Swimming Dead”, “Mix and Match Mutants, Two for One”: “The “Versus” Movies”, “Bad Environments”, “The Big ‘Uns”, “Terror in the Real World”, “The Paranormals”, “Fins in Funnels: The Sharknado Franchise”, and “Shark-pourri”. Snyder’s collection includes interviews, essays, reviews, and some choice rants about the films she presents. Make no mistake, though. Despite the rants, it is clear that Snyder loves the subgenre. After reading this, I tracked down some of the movies she discussed and found a renewed interest in shark horror.

 

Highly recommended

 

Reviewed by Lizzy Walker

 

 

Book Review: The Other Black Girl by Zakiya Dalila Harris

cover art for The Other Black Girl

 

The Other Black Girl by Zakiya Dalila Harris

Atria Books, 2021

ISBN-13 ‏ : ‎ 978-1982160135

Available: Hardcover, paperback, Kindle edition, audiobook Bookshop.org | Amazon.com )

 

Nella is an editorial assistant at Wagner Books, and the only Black woman on the editorial staff.  Editorial assistants are poorly paid, and most of the editors have been there for years and aren’t going anywhere, so there isn’t a lot of likelihood of moving up. Most editorial assistants are young white women with a financial cushion that allows them to afford the job, and there is a lot of turnover.  Nella faces frequent microaggressions from the lily-white staff. There has been a token effort at diversity and inclusion, but most staff have tuned it out.

 

Nella is struggling with her supervising editor over the latest book of a well-known author, which includes a racist stereotype, while hoping to bring in a manuscript by a controversial Black activist. As she attempts to balance keeping her job with staying true to herself, she is pleased to discover that Wagner has hired another Black woman as editorial assistant, Hazel. At first Nella is relieved and excited to have someone to vent with, but Hazel comes across as more “genuine” and is an expert code-switcher. Soon Nella finds that Hazel is undermining her and going behind her back to take on what had previously been Nella’s assignments and roles. It’s almost like Nella is becoming invisible. Something ominous is going on. There are occasionally interruptions from other narrators, which is a little confusing, but eventually helps to create an understanding of the larger picture in which Nella’s story exists.

 

The Other Black Girl is slow to begin, but it is worth it to see the development of the office environment in which Nella and Hazel find themselves competing. Readers who don’t follow publishing news will need this background. As the story progresses, it draws the reader in, and the suspense and growing dread make it impossible to put down. It critiques the whiteness of publishing, the performativity of diversity initiatives, the necessity for code-switching, and stereotypes like the “strong black woman” in the midst of a conspiracy that couldn’t exist in another context. It is a compelling story that pulls back the curtains on the publishing world, showing that there is much more that needs to occur for real diversity and change.  Highly recommended.

 

Reviewed by Kirsten Kowalewski