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Musings: The Fate of Rabbits in Watership Down

Watership Down by Richard Adams

Scribner, 2005 (reprint edition)

ISBN-13: 978-0743277709

Available:  Hardcover, paperback, Kindle edition, Audible

I am reading Watership Down with my daughter.  It’s one of my favorite books. She is a little younger than I was when I was first given my copy, but I read it by myself and we are reading it together (never let anyone tell you that kids outgrow reading aloud with loved ones). It’s a long book and it’s possible that many of you have never read it, although you might have been traumatized by the movie as a child (I’ve never seen the movie, myself). People who love a fast-moving plot might lose patience with Watership Down and its fearful, brave group of rabbits on their journey to a new home. But stick with it, and the personalities of the rabbits and their dilemmas start to catch you.

So far, in our reading, the rabbits have escaped arrest, fled into a forest, successfully avoided a skunk and a dog, crossed a river, crossed a road, and traveled for a long distance to finally find what looks like a safe place for a new home, only to be approached by a large, well-fed, and generous rabbit who offers to adopt them into a nearby warren where all the rabbits are large and well-fed, there are no threats and no need to search for food. My Goblin Girl looked at me and said, “These rabbits are going to sacrifice other rabbits, aren’t they, so they can stay well-fed and healthy?”

Have I mentioned that I just re-read “The Lottery”? This prediction gave me chills.

I’m going to spoil the story for you and say that’s kind of exactly what happens.The rabbits in the warren have an unspoken arrangement with the farmer nearby. He kills off all their enemies and leaves them vegetable heap scraps, and they pretend they don’t know what has happened to rabbits that go missing because he’s caught them in a trap.

“Either that, or they’re cannibals”.

Cannibal rabbits?

Given her second guess, I don’t think she read ahead.

“Why do you think that?”

“Because the rabbits are too nice and too healthy and that’s always a trap. Like in The Silver Chair, the giants were kind to Eustace and Lucy but their cookbook had a recipe on “How to Cook Man”. So the rabbits either want to sacrifice Hazel or eat him”.

She’s currently leaning more toward the “cannibal” theory, rather gleefully. Never let it be said that children’s literature is sunny all the time. Those cute, fluffy, bunnies clearly are dangerous creatures. As is a well-read child.

Watership Down is sometimes read as an allegory dealing with different ways of organizing society. And this part of the novel tells us a lot about our current moment. The rabbits of the warren are willing to ignore any question that might force them to think about the brutality behind the bargain they have made, because as long as they don’t, they can enjoy a comfortable, and mostly secure life. They have normalized the disappearance of friends and family as just part of the price they pay to keep their lives easy.

The rabbits of the warren are actually scarier than the people in “The Lottery”. In “The Lottery”, everyone knows someone participating in the drawing is going to be next. The consequence is totally horrific, but at least people know what’s going on. The rabbits of the warren, though, don’t tell Hazel’s band about the arrangement they have with the farmer, that he sets traps to catch them in exchange for their easy life. Instead, they welcome the new rabbits, whose presence makes it less likely that the original rabbits will be the ones trapped, so Hazel’s bunch don’t know what to expect. The original rabbits don’t have to see what happens, so as long as they don’t talk about the missing, they can pretend nothing’s wrong. It’s not viscerally horrific like the events of “The Lottery”, but the “I didn’t see the consequences of my actions so it never happened” attitude is terrifying, because it is so real. It’s a good thing this is a story about rabbits.

I can see why my daughter prefers the cannibal rabbit theory. Nothing says “it can’t happen here” like a carnivorous bunny of evil.

Beyond the particulars, here, I want to say that the predictions she made, based on things she’s read in the past, show how essential it is to read, and hopefully, to read widely. If everyone could see the shape of a narrative, and think critically about the words set in front of them, the world, I think, would be a better place. I don’t care what format you are using for your reading, DO IT. And talk about it with as many people as you can. Seriously, I am a boring person to listen to if you don’t want to hear about books, but I will talk to you about them as much as I can.

The political implications of Watership Down are not something I noticed as a kid and they aren’t related to why I’m reading it with the Goblin Girl now. I just loved the story, and it’s worth reading just for the adventure of it. But I see them now, and just how very human Richard Adams’ rabbits are.

Watership Down is not horror, by a long shot, but it does show how the horrific can become an everyday, normalized experience. So, how’s your reading going?

 


 

Book Review: The Singing Bones by Shaun Tan

The Singing Bones by Shaun Tan
Arthur A. Levine Books, 2016
ISBN-13: 978-0545946124
Available: Hardcover

 

My most memorable previous experience of Shaun Tan’s work was the surrealist graphic novel The Arrival; a touching, wordless tale of an immigrant arriving in an unfamiliar place. The art and story together have a powerful impact in showing the universality of what it means to be a stranger arriving in a strange land, using unique images to communicate what words are unable to. The Singing Bones is completely different, but it also expresses universality using images with a powerful visual impact.

The Singing Bones has an introduction by author Neil Gaiman and a foreword by fairy tale scholar Jack Zipes, clues that the reader is in for a fascinating tour of the Grimm brothers’ tales. Tan pairs snippets from stories by the Grimm brothers with photographs of minimalist sculptures based on the stories. The sculptures were influenced by the styles used by Inuit and Pre-Columbian people. and are mainly made out of paper mache, found objects, and clay, primarily in red, black, and white. Each is presented in a double-paged spread, with the story snippet on the otherwise blank left hand page and the photograph of the sculpture it inspired on the right. The lines and curves in the sculptures are clean and uncluttered. Some sculptures represent the story fully– the one devoted to “Rapunzel” could be a tower, or a girl, or both. Others show a single moment– the one for “The Frog King” depicts the frog’s head poking out of circular ripples at the moment just before he would have spoken to the princess.  The first look is not enough; while the sculptures may seem simple, reading the snippets and spending time looking at the photographs of the sculptures reveals that there is a lot to see in what might seem like uncomplicated objects. Be advised that these are not Disneyfied stories; Tan includes the story “Mother Trudy”, which has a very unpleasant ending for the child protagonist. There’s a very primal, visceral feel to the experience of going through these pages. The photographic spreads are followed by an explanation by Tan of the process used, and then by an index that fully summarizes the Grimm’s tale associated with each sculpture.

I discovered this book in the children’s section of my library, and I’m not sure it belongs there. As an art book and an exploration of Grimm’s tales, it is outstanding, but in a very nontraditional way, and I think many adults would really enjoy it. However, while my nine year old was enchanted by it, it also gave her nightmares, and required considerable discussion and research as a follow-up. It was a good experience for us together, but would have been difficult for her on her own. I can highly recommend it for elementary-aged and middle school children with an adult as a read-and-share title, and as a stand-alone title for ages 14 and older.


Book Review: Relics by Tim Lebbon

Relics by Tim Lebbon
Titan Books,  March 2017
ISBN-13: 978-1785650307
Available: Pre-order, paperback and Kindle edition

Tim Lebbon is no stranger to penning genre-twisting tales. He has written the apocalyptic novels Silence, Coldbrook, and The Nature of Balance, and the more fantastic Fallen and Echo City. Now he has hit 2017 hard, with the first book of what promises to be a breathtaking trilogy. Equal parts thriller, horror, and fantasy, Relics showcases Lebbon’s skill at world building. A dark market exists in this world, a place where items that harken back to “The Time”, can be bought and sold.  The market is hidden from most of humanity, but those who do know of it seek to collect these artifacts, at all costs.

Angela Gough lives a quiet existence, a happy one, with her lover, Vince. When he disappears, she fears the mundane: a new lover, an accident, or even murder. What she discovers is almost beyond her comprehension; another world exists, and she needs to become a part of it to have any chance of retrieving him alive.  On her journey, she discovers unlikely allies: some are human, others are not. Figuring out who is deadly and who she can trust is a challenge, with everyone promising to be a savior to her lover, even while pursuing their own dark agendas. With her partners in adventuring, she begins a journey into the darkness. There, she discovers creatures hidden both in the shadows and right under our noses; some wish for peace, while others seek our destruction.  What Angela finds shatters her view of reality; in her quest to find her lover,  a new world that might spell disaster for humankind, is converging with ours.

In Relics, Tim Lebbon has created yet another wonderful world for readers to lose themselves in, one that will likely remind of both Gaiman and Barker, yet speeds along with the thriller pace of a James Rollins or John Connelly novel.  Lebbon’s writing, as always, seduces his readers, inviting them into his imagination, where they find themselves immersed in a fantastic, horrific roller coaster ride that ends too soon. Luckily, there will be two additional books to allow us back into this world, and complete the journey begun here.

Highly recommended. If you weren’t a fan of Tim Lebbon before, this will likely be the novel to change your mind.

Reviewed by David Simms