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Book Review: Little Heaven by Nick Cutter

Little Heaven by Nick Cutter
Gallery Books, 2017
ISBN-13: 978-1501104213
Available: Hardcover, paperback, Kindle edition, Audible

Nick Cutter is one of the hottest names in horror fiction, and for good reason. I have read all four of his books now, and I the praise for each was certainly warranted. I enjoyed The Deep and The Acolyte but his debut novel, The Troop, is outstanding. At a time when major publishers were shy about hardcover horror, this wicked intense, character-rich, body horror novel was a major hit. It worked in part because, despite a modern setting, it felt retro in all the right ways, like a a golden age of horror paperback classic. People rightly compared to it to classic Stephen King. I thought it was an effective and disturbing horror novel that made the best of a lean prose style.

Little Heaven, Cutter’s fourth book, is a masterpiece of horror fiction, and a tribute to the 1980s, even more so than The Troop did. As good as his last two books were, they missed the retro feel that made The Troop special.  Although some readers have compared Little Heaven to classic King, it’s more influenced by the work of Clive Barker and Robert McCammon. The setting and characters suggest that Cutter was also influenced by Cormac McCarthy, and the structure and dialogue are reminiscent of Quentin Tarantino. Take all this narrative chemistry, and it adds up to a novel that feels like others, but is actually like nothing I have read before (it’s also nice to see that he has escaped the Bentley Little title disease– finally, a novel that is not The ___ Whatever “.)

Little Heaven is the story of four trained killers given the mission to rescue a young boy whose father has taken him to a compound called Little Heaven, in the New Mexico desert. Cutter clearly has fashioned the cult after real-life cults. We soon learn that the killers are not normal humans. The supernatural elements have a surreal quality that brings to mind early Clive Barker. Monsters, such as the Long Walker, were disturbing in how unnatural they were, yet described so well you can see them in your mind. It’s nothing short of creepy.  Cutter creates vivid landscapes, and the horrors pop off the page, causing several cringeworthy moments of supernatural horror.

The narrative switches back and forth from the mid-60s to the 80s, and the structure unrolls the story in an unconventional but very effective manner. We know the four mercenaries survived something which changed them, and they are haunted by what they have seen. As in Robert McCammon’s Gone South, the characters are both scary and hilarious at times. The prose itself is excellent. This novel delivers exactly the feeling of the classics, and causes me to turn the pages, and that’s all I’m asking for. I think this is the best Cutter book to date, and the best horror novel in years. Highly recommended.

Reviewed by David Agranoff

Here’s an audio review David did of Little Heaven with fellow author Anthony Trevino.

 


Book Review: Haven by Tom Deady

Haven by Tom Deady
Greymore Publications, 2017
ISBN-13: 978-0990632726
Available: Paperback, Kindle edition

 

With the release of Haven, it is clear that Tom Deady is ready to make his mark in the horror world.  While “coming home” and “coming-of-age” stories have been done masterfully before in books like Dan Simmons’ Summer of Night, Robert McCammon’s Boy’s Life, and the monumental IT, Haven is a fresh take on the trope. With characters who stand out and plot twists that push comparisons to the side, the pages fly by.  Deady weaves a story of mystery and horror that will leave readers not just frightened, but feeling a powerful emotional impact.

Paul Greymore has been locked away in prison for 17 years, serving a sentence for being a child murderer, despite evidence to the contrary. Disfigured in childhood, and already an outcast when the murders occurred, he was blamed for the deaths as he emerged from a lake with a wounded girl. With his imprisonment, the killings stopped. The town of Haven has not been a “safe haven” for him.

Paul’s main ally, the local priest, believes it best for Paul to return home and start anew, yet the killings begin again just as he arrives. Sheriff Crawford, the cop who put Paul away despite the evidence, is still hellbent on putting him back behind bars. Along with his friend Billy and young Denny, the damaged crew set out to solve the mystery of who, or what, is actually killing the children. More than any monstrous outside force, though, Haven explores the the darkness within the human characters, and how that line of good and evil burns pieces of our souls off with each struggle.

Deady’s writing is strong here, sidestepping many of the first novel pitfalls, a big accomplishment for a story that tops five hundred pages. The characterization, especially of Paul, shines. Haven is definitely one of the best debuts of the year. Highly recommended.

 

Reviewed by Dave Simms


Book Review: Ararat by Christopher Golden

Ararat by Christopher Golden

St. Martin’s Press, 2017

ISBN-13: 978-1250117052

Available: Hardcover, paperback, Kindle edition. Audible, audio CD.

 

It has been several years since a novel truly unsettled this reviewer enough to produce repeated nightmares. Ararat, though, is a read that nestles under the skin.

In Ararat, a team of explorers, scientists, and scholars have discovered something embedded into the rock of Mount Ararat that may be Noah’s Ark. However, instead of animals two by two, they find a handful of human corpses… and one mummified being with horns. Something on the mountain is not quite dead, but is waiting until the time is right for it to show itself. The expedition’s members struggle to figure out the dark puzzle, as a blizzard threatens to make the mountain cave their tomb.

Golden’s characters breathe, live, and fear on every page. Adam and Meryam, who spearhead the Ararat expedition, drive the story, along with Ben Walker, sent from DARPA to assist in ascertaining the true nature of the find. Secondary characters become fully fleshed beings, with nearly everyone turning a bit part into something crucial.

Christopher Golden has penned some great tales in the past– most recently, the disturbing Dead Ringers– but Ararat just might be his best. In this novel, Golden takes advantage of tropes common to the thriller and horror genres, while stepping deftly around the typical pitfalls. Golden tears perceptions and twists the plot in unexpected directions throughout.  Is it a thriller with horror, or horror in a thriller format?  Doesn’t matter– labels will soon be forgotten once the pages whiz by.

Ararat calls to mind classics like The Thing, The Exorcist, and The Omen,  but it stands on its own. Golden’s knack for intertwining sympathetic characters and the horrific with suspense ensures that this unsettling story will be read in just a few sittings. This is a story that begs for a blockbuster-style movie, but it’s one that this reviewer won’t be viewing. The nightmares aren’t worth it. Readers of thrillers and horror will be talking about this one for year.

Reviewed by Dave Simms