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Graphic Novel Review: Lucky Devil Volume 1 by Cullen Bunn, art by Fran Galan, lettering by El Torres

Cover art for Lucky Devil volume 1 by Cullen Bunn

Lucky Devil Volume 1 by Cullen Bunn, art by Fran Galán, lettering by El Torres

Dark Horse Comics, 2022

ISBN-13: 9781506721996

Available: Paperback, Kindle edition, Comixology  Bookshop.orgAmazon.com )

 

Stanley has terrible luck. His three-year relationship is tainted by an affair his girlfriend is having. He’s a gofer for a corporate organization where his higher-ups constantly demean him. Then, he gets possessed by the demon Lord Zedirex the Tormenter. After Zed causes a particularly grisly massacre at a burger joint, Stanley goes for an exorcism, but it all goes horribly wrong. The demon lord is definitely shunted from Stanley’s body, but Stanley retains Zed’s powers. After Stanley takes his wrath out on everyone who wronged him, he uses his newly gained power to form a cult, joining forces with the existing International Church of Lucifer. However, Stanley’s message, that God and Satan are no longer important if humans can obtain power on their own, gets him the wrong kind of attention.



When Stanley gets a bit too comfortable with his new role, the legions of Hell take notice. Zed tries to warn Stanley that he is garnering too much attention. The hapless human needs the former demon lord’s help, but Stanley’s hubris might get in the way.

 

There is so much to like with Bunn’s Lucky Devil. The exorcism gone wrong, resulting in the displacement of demonic power, was an interesting plot point and drove the story along well. Stanley is a sympathetic character, even when he is relishing in the attention he gets from the power he wields. He never becomes insufferable, and he remains human, despite his demonic powers. Zed acted as the voice of reason for Stanley at times, something which I didn’t expect.

 

Lucky Devil is necessary for Cullen Bunn fans. Readers who are looking for a unique take on demonic possession or who like a bit of humor in their horror will enjoy this.

 

This volume collects issues #1-4.

 

Recommended.

 

Reviewed by Lizzy Walker

Book Review: Man Made Monsters by Andrea L. Rogers, illustrated by Jeff Edwards

Cover art for Man Made Monsters by Andrea L. Rogers and Jeff Edwards

 

Man Made Monsters by Andrea L. Rogers, illustrated by Jeff Edwards

Levine Querido, 2022

ISBN-13: 9781646141791

Available: Hardcover, paperback, Kindle edition  Bookshop.org  |  Amazon.com )

 

Cherokee writer Andrea L. Rogers makes her YA debut with Man Made Monsters with this 18-story anthology that traces one Cherokee family across time. She starts in the 1830s with the tribe forced off their land and the monster that follows them, and carries the family through to the future with a science fiction story. There are stories of commonly told supernatural monsters, like werewolves and vampires, but also monsters from the Cherokee tradition, such as Deer Woman, one of my new favorite legends. There are also very human monsters. Suicide, domestic violence, racism, school shootings, sexual assault, and indigenous dispossession are heavy topics in this book. Cherokee artist and language technologist Jeff Edwards includes fascinating artwork that accompanies the stories in this anthology.

 

While each of the stories in this anthology have something unique about them, a few of them became my favorites. “Man Made Monsters,” written as a series of letters, concerns a man playing Dr. Frankenstein looking for a means to create life from death. With the death of her little brother looming, Suzanna takes the man’s notes and research to heart. Something common for Victorian-era Gothic novels, Rogers uses this series of letters well to drive this story. I have a soft spot for Gothic novels, and I would have read a whole volume on this storyline alone.

 

In “Homecoming,” Rabbit Wilson’s older brother Joseph is slated to come home from the war with the other wounded “Cherokee boys.” While there is a ghost in this story, the most haunting vision is when Joseph arrives home.

 

“Me and My Monster,” set in 1969, centers on the short-lived relationship between the Goat Man and Gina after he saves her from being assaulted by a bad date. While I would not consider this a horror story, their tale ends in a tragedy of sorts.

 

In “Shame on the Moon,” another story set in 1969, Jimmy King is a self-conscious teenage werewolf football player. His sister, turned into a vampire by a rich white kid from an opposing team, led to his accidental transformation by an old friend. Something locally interesting for me is the mention of the song “Wichita Lineman.” I am a transplant to Wichita, and a few friends here have talked about the song in passing. Seeing this show up, I took the time to listen to it. I reread the story then, and it seemed to add that much more desperation to Jimmy’s search.

 

Sissy and Jisdu are stuck out in the cold in “Snow Day,” set in 1979. When they make it home after a difficult and painful trek, they are able to get into the old Cadillac in the closed up garage, where they turn it on, thinking the heater will keep them warm. While Jisdu sleeps, Sissy sees the ghost of her cousin, who tries to save their lives.

 

“Deer Women” is a new twist on the legend of Deer Woman. When Sali’s friend Lisa doesn’t show up for school, she and their other friend, Quanah, get worried. The trio is working on an art project centered around the legend of Deer Woman when she goes missing. After some expert sleuthing, they track Lisa who emerges from a drainpipe where she had been hiding. The girls may have discovered why other Native girls in the area have gone missing, and why it won’t happen again.

 

One of the futuristic stories, “I Come From the Water,” set in 2029, is told through multiple perspectives. In the story that comes just before this one, the band The Toadies are mentioned, and the title of this story is one of their songs, and one that happens to be favourite of mine. Rogers includes little things like this in her stories that are just genius. I recommend listening to the song after reading this one.

 

An interesting aspect of this book is that with the space in between the chapters, the reader can put together what happened with the family as the next story picks up. It’s an ingenious way to drive the overarching story. I thought it would be difficult to follow, given the massive time span, but it was surprisingly coherent, and I was never confused. It helped that at the beginning of each story, Rogers included pertinent names and dates. I think even without those added, I would have been able to follow the plot. Each story flows well into the next. Rogers is an author I will keep my eye on. She graduated with an MFA from the Institute of American Indian Arts in Santa Fe, and her work as been published in literary journals; in You Too? 25 Voices Share Their #METoo stories from Inkyard Press; in Approved: Intertribal Stories for Kids, and more.



I am not sure if the artwork created by Jeff Edwards was in their final versions as I read an ARC copy of Man Made Monsters, but I liked what I saw. Edwards is an award-winning Cherokee graphic artist and is a language activist who has worked for the Cherokee Nation for over 20 years. He attended Haskell Indian Nations University in Lawrence, KS, and deceived an Associate’s Degree in Liberal Arts and completed his Bachelor of Arts in Graphic Design at Northeastern State University in Tahlequah, Oklahoma.

 

Highly recommended.

 

Reviewed by Lizzy Walker

Book Review: The Vessel by Adam L. G. Nevill

The Vessel by Adam L.G. Nevill.

Ritual Limited, 2022

ISBN-13 ‏ : ‎ 978-1739788612

Available: Paperback, Audible, Kindle edition.   ( Bookshop.org | Amazon.com )

 

 

Another Adam Nevill novel means another few days lost in the dark mind of the author.

 

Each of Nevill”s stories is unique. He moves swiftly with a deft hand in unexpected directions. Readers can expect from this author that the same path won’t be tread twice. Nevill’s gorgeous writing embraces the reader with descriptions that recall the best of Ramsey Campbell, Peter Straub, and Shirley Jackson, yet in a style that is entirely his own.

 

This time around, his folk horror stylings bring the reader to Nerthus House,  the home of an elderly woman,  in the middle of a village that, of course, becomes a major character itself..

 

The home of Flo Gardner holds many secrets, especially the garden out back. Flo’s life contains dark shadows that are revealed slowly, a major win in a work this short. She is suffering from dementia, yet has her moments of clarity– and violence.

 

Jess takes the job of caring for Flo, sharing the position with a miserable woman and dealing with a boss who appears to lack much of a soul. Flo doesn’t speak to Jess, and barely survives on the bland food and sustenance the house provides for her. Where is Flo’s family? That unfolds as Jess works the job that nobody else can handle.

 

Jess keeps the position, as she desperately needs the money to escape a horribly manipulative ex-husband and start a new life with her daughter Izzy, a young girl who seems to keep her own heart free from the darkness of others. Soon, Jess brings Izzy to work in the evenings out of necessity. Something awakens in Flo. Does it need her alive, or does what lurks within desire something more?

 

What ensues brings a literary payoff that elicits true horror, but with the finesse only a true master can accomplish. The story clocks in at only 173 pages, shorter than is typical for Nevill, but between the covers he manages to paint an atmospheric novel that feels much bigger than it is. His writing coaxes the reader to take their time and imbibe the darkly sweet imagery. The length is just enough to allow the fractured characters to be affected by the house and what plagues Flo.

 

An utterly enveloping read, The Vessel is unlike all other Adam Nevill books yet is exactly what his fans expect: a near perfect story. 

 

Hopefully, the rest of the world will catch on to this fine author.

 

Highly recommended, as always.

 

Reviewed by David Simms