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Graphic Novel Review: Lovesickness: Junji Ito Story Collection by Junji Ito

Cover art for Lovesickness: Junji Ito Story Collection by Junji Ito

 

Lovesickness: Junji Ito Story Collection by Junji Ito

Viz Media, 2021

ISBN: 9781974719846

Available:  Hardcover, Kindle edition

Buy: Bookshop.orgAmazon.com

 

In Lovesickness, originally published in 1996 and told in 5 parts, Ryusuke Fukuda and his parents move back to the town of Nazumi after his father accepts a job there. The story opens with a teenage girl approaching the crossroads of an empty street where a man is emerging from the fog. She quickly places her notebook over her face and asks for a fortune. The older man responds and they part ways. When the man meets his family at the Nazumi train station, it is revealed that he is Ryusuke’s father. He relates the story to his wife and son, the latter shaken by the chance meeting.

 

When he starts at school the next day, he is greeted by an old friend, Midori. Eventually the topic of rumors comes up regarding teenage girls committing suicide after encountering a mysterious handsome young man. Ryusuke, in an attempt to calm his own guilty conscience when he reveals a terrible fortune he gave to a woman in distress, which led to a grisly suicide, hunts for the shadowy figure delivering his own tragic fortunes to innocent strangers at the crossroads.

 

The artwork in Lovesickness is probably some of my favorite in Ito’s work. The effect of the fog and shadows is excellent, and the body horror is fantastic. The handsome stranger is eerily beautiful. The character design reminds me of Fukusuke from the visual kei band Metronome.

 

Four other stories are included in this volume. “The Strange Hikizuri Siblings,” told in two parts, are a strange family, often at odds with each other while still trying to support each other the best they know how… to a degree. The first story, “Narumi’s Boyfriend”, shows the cruelty of the siblings and how they all take part in driving Kotani, the titular boyfriend, albeit in a forced relationship, to madness. In “The Séance”, we see family power dynamics play out in the worst possible way, with the two eldest brothers being just awful people.

 

The next story in the collection, “The Mansion of Phantom Pain”, relates the story of Kozeki, a young man employed to be a live-in caretaker for Yusuke, the son of a wealthy family. Yusuke’s condition is a strange phantom pain that extends beyond his normal body. A team of caretakers who can never leave the bricked up mansion manage the boy’s pain, day and night. When they start to experience their own maladies, and the death of Yusuke’s father, his mother still refuses to let them leave. Some of the caretakers slowly succumb to infections and hallucinations, but those remaining can’t leave, with the promise of the family’s wealth at stake, no matter how much Kozeki pleads for doctors.

 

Following that is “The Rib Woman”,  a cautionary tale of rib removal surgery and  obsession with the perfect figure. Yuki laments the lack of an hourglass figure like her friend Ruriko’s, and decides surgery is the best option. Throughout the story, Ruriko is tormented by strange and discordant music. One evening Yuki and her brother, who is also dating Ruriko, find the latter in agony on the sidewalk as she is trying to find the source of the song. They offer to help, and when they do find the source, they see a mysterious woman in the park playing a small instrument. She flees and leaves behind her instrument, which looks to be a large rib. After Yuki’s surgery, she too can hear the music. She also finds the woman and discovers there is more to the story than she believed. There is some deliciously good body horror in this one.

 

The final story in the collection is the inexplicable “Memories of Real Poop.” It’s the shortest chapter in this collection, at only four pages, but it’s memorable. I’ll just leave it at that. Highly recommended.

 

Reviewed by Lizzy Walker

Graphic Novel Review: Tomie: Complete Deluxe Edition by Junji Ito

cover art for Tomie: Complete Deluxe Edition by Junji Ito

 

Tomie: Complete Deluxe Edition by Junji Ito

Viz Media, 2016

ISBN: 9781421590561

Available: Hardcover, Kindle edition

Buy: Bookshop.orgAmazon.com

 

Femme fatale Tomie Kawakami, with long dark hair, hypnotic eyes, and a signature mole under her left eye, makes men love her, regardless of their age. She drives them to madness and sometimes murder, whether the target is a rival or herself. Dismemberment is the common treatment of her corpse, which comes with unexpected results. Her body has the ability to regenerate, multiply, and animate.

 

Chapter 1 opens with Reiko, Tomie’s classmate and best friend, discussing the titular character’s death. However, Tomie returns during the middle of a classroom lecture, much to the shock of everyone. Tomie’s death is told in a flashback. When the class heads out for a field trip, Tomie and the teacher are having a conversation where it is revealed they are involved in an affair. This turns into an argument and Tomie falls off the cliffside. The teacher and students agree to dispose of the body by dismembering and passing all 42 pieces out to everyone with instructions to dump the pieces in different places. Tomie’s heart is given to Reiko for disposal. Upon Tomie’s return, Reiko and another classmate want to turn themselves in for what happened, but the rest of the class gives chase, only to be rescued, in a way, by Tomie. At the end of the chapter, Reiko has moved and wonders about her mysterious friend. The last panel reveals a heart regenerating limbs and a face that has the same mole and telltale beauty in a cave near the beach.

 

This first chapter sets the tone for the entire manga. Ultimately, the reader is left with more questions than answers, but Ito still manages to tell a compelling story. Is Tomie a monster, or is it possible that depending on the chapter she is the reflection of humanity’s fears and obsessions? She can dig into the minds of the men she attracts, often by a mere glance. She’s often sweet to her victims (or targets} one minute, and insufferably cruel the next. Tomie is adept at gaslighting anyone she interacts with. In one chapter, a piece of her is kept in a vat in the basement of Morita Hospital. When Tomie fully regenerates, the doctor responsible for the experiment attempts to take ownership of her, which goes badly for him and those involved. In another chapter, two men are obsessed with Tomie, both convinced that their rival’s’ version is the false Tomie and needs to be murdered.

 

That is not to say that everyone that comes into Tomie’s crosshairs is an appropriate target. A young woman babysits for a deranged couple who found a swaddled baby Tomie on their property one night. The infant is obsessed with anything red, and the parents are driven to do everything they can to accommodate their new child. Another chapter, which is rather disturbing, reveals that Tomie affects the mind of a child so much that he becomes obsessed with her to the point of denying his real mother and starts calling Tomie by that title. Her tendencies to seduce men are leveled at this young boy and can be considered grooming behavior.

 

This volume is more than the story of Tomie. It is the evolution of Ito in his storytelling and his artwork. With over 700 pages, the omnibus is massive. The first installment of the Tomie series was published in 1987 and the last in 2000. Ito’s artwork and storytelling becomes more detailed over time, so the volume not only provides a great story but also a kind of archive of Ito’s work. This was not the last appearance of Tomie, as there was a series of films produced between 1998 and 2011. This was my first exposure to Tomie, which ultimately led me to the manga. These are worth a look if you are so inclined. Highly recommended.

 

Reviewed by Lizzy Walker

Book Review: Marriage by Wol-vriey

cover art for Marriage by Wol-Vriey

Marriage by Wol-vriey

Burning Bulb Publishing, 2023

ISBN: 9781948278621

Available: Paperback, Kindle edition

Buy: Amazon.com

 

Marriage is the equivalent of a silly 80’s B-grade horror film. There’s plenty of gore and graphic sex, a crazy plot, and little depth or making sense.  The last third of the story finishes out the book with a bang that helps make up for a lackluster beginning.

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The protagonist, Adam Norwood, has an affliction that causes his skin to catch on fire when exposed to sunlight, so he inhabits a darkened mansion on an river-island, with his wife and father in law.  Drunken debauchery takes place at the mansion every couple weeks, with a somewhat rotating cast of overage party animals.  Sounds like fun, but Adam keeps having dreams of his wife killing him, in vivid detail–, vivid enough to seem real.

 

That’s the plot for the first part, and it’s pretty thin.  There’s no real character development of interest, rather they are standard caricatures of 30-something drunken lechers.  Most readers probably won’t find them interesting, since they are all interchangeable: it would have helped the story to flesh the characters out. As it is, if anything, you’ll be rooting for them to all get killed off!   Adam also needed further character development. What does he do every day, living in a darkened mansion on a permanent basis?  Binge-watch old WCCW wrestling matches?  Write a memoir of the trials of living with his affliction?  Deify plums?  And how in the world did his father-in-law become a genius at witchcraft?  This part of the book is rather tedious, and tough to get through.

 

BUT… on page 83, the narrative moves away from its early repetitiveness and shifts into gear, introducing a black magic element.  On page 128, it kicks into overdrive, and it’s a wild ride to the finish of the 171 pages.  There are worm-hole creatures that remind one of the movie “Tremors”, some resurrection, and a wacky but entertaining set of explanations for the weird happenings on the island.  They may be pretty outlandish, but this IS horror fiction: realism isn’t required.  The most intriguing part is Adam’s sleuthing, to find if what he sees is really happening, or all in his head.  It’s the best part of the book: it keeps you guessing, and holds your interest.

 

Bottom line: it’s short on making much sense, but the last part of the book provides enough of a payoff to make getting through the first part worth it.  It’s not on the level of the author’s real bell-ringers like The Final Girl and Women, but it’s still fun.

 

Reviewed by Murray Samuelson