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Book Review: The Book of X by Sarah Rose Etter

cover for The Book of X by Sarah Rose Etter

The Book of X by Sarah Rose Etter  ( Bookshop.orgAmazon.com )

Two Dollar Radio, 2019

ISBN-13: 978-1937512811

Available: Paperback, Kindle edition, audiobook

Cassie was born with a knot in her torso, a strange genetic mutation that has been carried on through generations of women in her family. The way she lives in and perceives her body, and the way other people react and interact with her because of her body, are also knotted together, in a way she can’t escape. Although her story is shaped by the grotesque, that is something true of most other women, too: the way they live in and perceive their bodies, and what others expect of them because of their bodies, can leave them trapped as well.

The way Cassie describes the realities of her daily life suggests that she is an unreliable narrator– her father makes money from mining from the meat quarry on their land-  but what she describes– doing chores, shopping with her mother, hanging out with a friend, sitting through school– is banal. She has vivid, poetic visions of body parts: rivers of thighs, fields of throats, bodies sliced through at the torso, and her own stomach, flat instead of knotted.  Her mother, who also has a knot, wants Cassie to disguise it with makeup, new clothes, and diet, feeding her rocks instead of ordinary food. Even the boy she likes doesn’t like her body because of the knot. Despite a painful experimental treatment, Cassie is unable to get rid of the knot that causes her physical and emotional pain. The meat that her father mines is bodiless, a place where she feels good about herself. But even that is taken from her when she is sexually assaulted in the meat quarry.

Cassie escapes to the city, where she can be anonymous. Even though people in the city don’t all know about her knot, they still have expectations. At her job she is expected to always be optimistic and cheerful, with a smiling face. When she takes a man back to her apartment and he sees her knot, he leaves. She is not defined by her knot in the same way that she was when everyone knew about it, but she is still trapped, this time by expectations of what a woman is supposed to appear like publicly as well as privately.

More autonomous that she used to be, she once again visits a doctor, but walks away from a supposed “new” treatment that appears identical to the one she has already gone through. Eventually she does find a doctor willing to do a complicated and painful surgery that would allow her torso to be unknotted, but it doesn’t leave her body, or her attitude, unmarked.  She is still unable to endure the trauma of returning to her hometown, where she would have to see the physical pain her mother’s knot is causing her, revisit the scene of her sexual assault, and witness the “normal” existence of getting married and having a family that her best friend has. Even though the knot is no longer there, Cassie can’t see her body or self as being beautiful or worthy of love, and her self-loathing finally destroys her.

Had Etter taken a different path in telling Cassie’s story it would be bleak but not enthralling or horrific. But the surreal elements of Cassie’s environment (like the knot and the meat quarry), while very real to her, make the reader doubt the reality of the situation, coming back to the words more than once to be certain you understand. The Book of X, while giving us Cassie’s point of view of her own story, also embodies the difficult relationships and sometimes unreal feelings and perceptions that many women experience– and that is what makes it so disturbing and unforgettable. It’s no surprise that this book won the Shirley Jackson Award. Recommended.

Reader’s advisory note: Readers who enjoy the work of Carmen Maria Machado may also appreciate The Book of X. 

 

Book Review: Malorie: A Bird Box Novel by Josh Malerman

cover of Malorie: A Bird Box Novel

Malorie: A Bird Box Novel by Josh Malerman ( Bookshop.orgAmazon.com )

Del Rey, 2020

ISBN-13: 978-0593156858

Available: Hardcover, paperback, Kindle edition, audiobook

 

In a world where sequels and reboots are plentiful, encountering a followup that actually measures up to the original is rare. Malorie, the eagerly awaited sequel to the smash hit Bird Box, equals that debut novel in story, scope, characters and sheer emotional power.

Josh Malerman enters this summer as horror’s reigning rock star, both figuratively and literally (he’s the star of his own band, The High Strung), although to pigeonhole him in a single genre would be unfair. Take a deep dive into the dark western Unbury Carol or his supernatural thriller Black Mad Wheel to experience the breadth of his talent.

Malorie picks up a dozen years after Bird Box left off, with a chaotic scene at the school for the blind where the original concluded. A woman falls prey to the creatures introduced in the first book, that cause their victims to become violent and commit suicide, with our main characters escaping. Skip forward ten years, and Malorie, Olympia, and Tom are holed up in a summer camp, which they have modified to fit their every need. Yet, as teenagers,  it is only a matter of time before the kids, once named “Boy” and “Girl”, open Pandora’s Box, their curiosity overriding Malorie’s strict “parenting by paranoia”.

To state much of the plot would venture into spoiler territory, but the trio do leave their safe zone when a “census taker” visits and informs them that other survivors exist, possibly some that Malorie might know, and that a “blind train” exists, a haven that can deliver them to others like them. Much like the journey in the first book, the thrill is getting there. There’s no river here, just roads, with little to guide the characters.

What occurs when they reach the destination is mind-blowing and is world-building at its finest. For a short novel, Malerman nails it.

Of course, Malerman had zero idea that the pandemic would coincide with the book’s release, and its relationship to current events renders the story that much more effective. The issues of mask/blindfold wearers and the cult who refuse common sense and wish to face the terrors of the creatures we can’t see– and survive– mirror society today in a frightening way. To learn that staying alive can be thwarted by the ignorance and arrogance of a few is terrifyingly timely. Yet, Malerman also keeps it entertaining, with twists and turns, and the return of the only character who can best Malorie. Her fears of Gary’s arrival lingers, until her nightmares morph into reality.

The other concepts are handled with style and care. Is Malorie a solid mom or a paranoid woman who’s holding back her kids from developing into the people they need to be? Her guilt consumes her– and them–  a sensation to which any parent today can readily relate. Are her actions selfishness or altruistic? Both? Neither? The conflict and balancing act Malerman portrays display the compelling character readers fell for in the first novel. It’s easy to see why Malerman decided to return to Malorie’s world. Her damaged psyche makes the novel resonate. A new element elevates the story to another level here: her children. Olympia travels through her books and holds a secret that can either kill the family or deliver them to salvation. Tom’s fascination with inventions and gadgets is more than that of a boy with his toys; he’s determined to reshape his world into one that includes sight. How the pair battle their conflicts with Malorie and her maternal instincts and fractures, is crushing emotionally, raw and eviscerating. What could have been a rehash of Bird Box is transformed into a higher level tale that deserves a film, which is on the way.

What makes Malerman such a star in the literary world, and not just the horror genre, is his writing. It’s unobstrusive, yet inviting. It’s far from simple, yet feels as though he scrawled it out whilfe sitting out back, eyes closed and immersed in the Malorie’s mind. He becomes her and lulls the reader into her being, for a disturbed, exciting, and thoroughly enjoyable ride. Highly recommended.

 

Reviewed by David Simms

 

 

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