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Interview: Lizzy Walker Interviews Hansi Oppenheimer, Director of All Hail the Popcorn King

Image of Hansi Oppenheimer

Hansi Oppenheimer is the director of the recently released documentary on Joe R. Lansdale, All Hail the Popcorn Queen, which we reviewed earlier this year. In addition to her interview with Lansdale, reviewer Lizzy Walker had the opportunity to interview Oppenheimer about her experiences with Lansdale and with making the documentary.

 

LW: How did your All Hail the Popcorn King documentary project come about?

HO: I have been a fan of Joe’s work since the 1980s. I finally had the opportunity to meet him two years ago when I was invited to appear at a con in Houston. I reached out to him to see if he’d be available for an interview for my YouTube channel, and he invited me to Nacogdoches for lunch and the interview. After the interview, I reached out to him for a piece on a short about Joe Bob Briggs that I was working on, and he wrote me the most beautiful, touching, funny piece, and got back to me in a day.

I was so grateful that I promised him my next film would be about him, and I’m so glad I did. I’ve never worked with anyone who was more honest, generous and collaborative.

 

LW: Why did you decide on the title All Hail the Popcorn King for the documentary?

The title of the film All Hail The Popcorn King is a reference to Lansdale’s The Drive-In, in which a group of people get trapped by an inexplicable force and chaos quickly ensues. Two of the characters get fused together (it’s a crazy book), don a popcorn bucket as crown and are blindly worshipped as The Popcorn King. Additionally, Joe came up with the story after a series of nightmares he had after eating popcorn that his wife used to make cooked in Kroger grease. The book has inspired dozens of writers, including Joe Hill, who has said when he read it as a kid, he decided he wanted to be a writer.

 

LW: When and where will the documentary be available outside of the film circuit?

HO: We completed the film and are working on some bonus features for the DVD. Right now, we don’t have a formal distributor. I expect that will change once the world gets back to some kind of normal.

 

LW: What drew you to Joe’s work?

HO: Joe’s been compared to Mark Twain and William Faulkner, won an insane amount of awards (see bio in the Press Kit) and has helped so many young writers with his advice or including them in anthologies. He’s a true American Literary Treasure and yet many people don’t know about him and his work. In part that is because he has never stuck to one genre. Joe Lansdale is his own genre. He has a singular voice which comes through in everything he writes.

He is also an incredibly good human being and there’s far too many documentaries about temperamental tortured artists. Joe loves what he does, and that’s a valuable message for anyone who wants to write.

 

LW: What is your favourite work of Joe R. Lansdale’s?

HO: My favorite books of Joe’s are The Drive-In and The Magic Wagon.

Check out the documentary trailer: https://youtu.be/pSvnb_Hzijk

 

 

Book Review The Virgin by Wol-vriey

Content warning: unless you have a strong stomach you may want to skip over this review.

 

The Virgin by [Wol-vriey]

The Virgin by Wol-vriey  ( Amazon.com)

Burning Bulb Publishing, 2020

ISBN: 9781948278232

Availability: paperback, Kindle

 

Wol-vriey’s latest effort, The Virgin, is unquestionably his best to date, and also the most likely to offend people; this isn’t the kind of book you want your mother seeing you read.  It’s highly creative and original, but fair warning: it revolves around a reality show where rape is expected of the contestants, although the contestants willingly signed up for the show knowing this.  This is true hardcore, if you can handle that, read on.  If not, don’t bother.

“The Virgin” is a reality TV show broadcast on the “dark web” to whatever sleazy individuals are willing to pay the exorbitant fees to watch it.  It involves five ladies (virgins, obviously) who are placed in a Hollywood style mock-up town somewhere in America.  (if you’ve read Wol-vriey before, you can make a pretty good guess where he put the town)  The ladies have to survive and avoid getting raped for three hours, as there are ten “suitors” in the town trying to track them down for forced sex.  The ladies are not defenseless: each of them is given a choice of one weapon to carry with them, and there are plenty of weapons scattered throughout the town.  That’s one advantage to the ladies: they have some defense in the beginning, while the suitors have none.  Once everyone is in the town, anything goes, and it’s a question of survival.

The plotline itself is quite original. Authors have used reality shows before, but this is truly a new concept, although a sick and twisted one.  If this was just a standard hack and slash, it would have been good, not great.  The other elements Wol-vriey thought of and added in are what push this to the next level, and make for great storytelling.  For example, the money pot for the ladies is $10 million, but the catch is, it has to be split among the ladies that survive and avoid sex.  One person survives intact, she gets the ten million.  Two survive, they each get five.  Three survive…you get the idea.  Not only do the ladies have to contend with the suitors, they have excellent incentive to kill each other off.  There are “safe spaces” built into the show, a few churches where you can take a 15 minute break and not be touched.  To counter that, there are also traps built into many of the buildings, to prevent the contestants from hiding for the duration.  Rats, spiders, rattlesnakes, acid vats…they all make an appearance, keeping the story from becoming a standard kill-fest.

The book contains everything you’ve come to expect from Wol-vriey: gore, graphic sex, and his trademark dark humor that shows up at times.  Example: why is the show three hours long?  If you’ve ever heard a Viagra ad, you know the answer.  The writing is fine and pushes the story along at a brisk clip, but it’s the creativity that sets this one apart from his other efforts, and from most horror stories in general.  Highly recommended, but only for hardcore horror readers who want the limits pushed.  Other readers who prefer tamer material would do best to take a pass on this one.

 

 

Contains: violence, extreme gore, graphic sex, profanity, rape.

 

Reviewed by Murray Samuelson

 

Book Review: Sinister Sisterhood by Jane Badrock

Sinister Sisterhood by [Jane Badrock]

Sinister Sisterhood by Jane Badrock ( Bookshop.org  | Amazon.com )

Bad Press Ink, 2020

ISBN: 9781916084520

Available: paperback, Kindle

 

Sinister Sisterhood is an unfortunate example of an outstanding idea that isn’t brought to fruition, due to a number of factors.  The main problems are a lack of focus on the actual plot, and a complete disconnect with reality in the story.  This is one novel where the editor should have complimented the author on the idea, but asked for a total re-write.

The premise is excellent: a small group of women, fed up with the poaching of various species, take matters into their own hands and start eliminating big-game hunters.  It’s a very original idea, and hasn’t been done before, to the best of my knowledge.  However, too much of the time is spent filling in the backstories of the “sisterhood,” and not enough time focusing on the plot.  Example: four of the hunters, and five years’ time, are eliminated in one little paragraph.  The whole story was building up to the “thrill of the hunt”, with the sisters killing the hunters, and it’s glossed over in a few sentences.  The writing style is somewhat scattershot, and it shows up often when detailing the backstories of the characters.  The character of a cyberhacker is just dropped into the story from nowhere, and there isn’t any explanation for him until many chapters later.  Other characters get an overly long chapter detailing their entire lives right from the moment of introduction.  Add in the constant jumps through time with the chapters, and you have a story that feels like a bunch of puzzle pieces that were assembled incorrectly.  They’re the right pieces, just not in the right place.

Even if the story was streamlined better, the disconnect from reality leaves the reader finding the whole story implausible.  There’s a difference between a fiction story that has been researched enough to make it plausible, as opposed to one where the author simply invents everything.  Unfortunately, this story is the latter.  Prime example: one character decides they want to make ladies’ thongs out of bearskin, so the person goes to Colorado and hunts a large number of bears.  News flash: you can’t just go hunt bear and shoot as many as you want in the United States.  Colorado bear hunting is run on a lottery system, and hunters often wait years before they are issued a permit to TRY to hunt a bear.  There’s no guarantee that a hunter will ever get one.

The character of Chloe is the most outrageous example of pure fantasy.  This is a girl who didn’t even finish standard schooling, yet she immediately becomes an “undiscovered master chemist”.  Speaking from nine years’ chemistry experience: it doesn’t work that way.  It takes years to become proficient, and a lot of studying, yet Chloe instantly knows it all.  The silliness continues when she disposes of a body at the hotel she works at with a “portable acid bath” she keeps in the housekeeping closet.  It’s a foolish idea, to say nothing of the basic volume problem that comes with body disposal, and the fumes.  The whole book is like this, with every character an expert in something, with little to no training.  It’s like an army of pseudo-Athenas bursting from the head of Zeus.  It borders on comical, and turns what could have been a good story into a disappointing exercise in slapstick.

Readers that can completely suspend belief may find something worthwhile here, but everyone else would do well to give it a pass.  The potential is there, but the book itself needs improvement. It would be nice to see the author try a rewrite with an editor to keep the story on track, as the idea is worth using.

 

 

 

Contains: violence, profanity

 

Reviewed by Murray Samuelson