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Women in Horror Month: An Elvira-stravaganza! Graphic Novel Review: Elvira: Mistress of the Dark, vols. 1 & 2 by David Avallone, art by Dave Acosta and The Shape of Elvira by David Avallone, art by Fran Strukan and Pasquale Qualano

cover art for Elvira: Mistress of the Dark, vol. 1: Timescream

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 Elvira: Mistress of the Dark, vol. 1: Timescream by David Avallone, art by Dave Acosta

Dynamite, 2018-2019

ISBN-13: 9781524108533 (vol.1)

Available: Paperback, Kindle, comiXology (for single and TPB digital issues)

 

I grew up watching Elvira, Mistress of the Dark introducing wonderful and often terrible horror movies, and then starring in a few of her own. I fell in love with her humor and sass, not taking anyone’s crap and going after what she wanted. She holds a special place in my horror-loving heart. When Dynamite announced Elvira would be getting her own comic series starting in 2018, I knew I had to pick it up. I have been collecting the single issues, and what follows is a review of all of them to date. They have now been published as graphic novels, in two volumes. Volume One collects issues 1-4.

 

#1: Timescream, Chapter 1: Frankenstein is the Name of the Doctor: After the leading man in Elvira’s new movie has a wardrobe malfunction (don’t worry, it’s only his dentures falling out), she goes back to her trailer for a long-needed break. After being sucked into a mysterious coffin in her trailer, the Mistress of the Dark meets Mary Wollstonecraft, Percy Shelley, and Lord Byron during the infamous weekend that led to Mary’s penning Frankenstein. They find themselves on the run when Vlad the Impaler crashes the party. Elvira’s journey doesn’t end there, as she finds herself meeting another horror legend after she once again falls into the time traveling coffin.

 

#2: Timescream, Chapter 2: Nevermore!: Elvira is transported to 1838 Philadelphia, coming face to face with one of the greatest poets of horror, Edgar Allan Poe. While are sharing some absinthe at Poe’s favourite pub, Vlad busts in the door and demands that Elvira, who he addresses as Witch, return him to his own time. Will she and Poe come up with the perfect plan to get everyone back to their respective timelines? No, but they’ll sure have fun trying.

 

#3: Timescream, Chapter 3: Stoker? I Hardly Know ‘er!: Elvira time-traveling adventures take her to the author of Dracula himself, Bram Stoker. His wife, Florence, is less than impressed with the Mistress of the Dark upon their meeting. Vlad bursts onto the scene and soon mesmerizes Florence, running away with her. When Bram and Elvira attempt to rescue her, Dr. Faust appears to reveal his part of the story.

 

#4: Timescream, Chapter 4: Fauster, Pussycat! Kill! Kill!: Elvira finally gets back to Los Angeles, but unfortunately to the wrong time. She’s dropped right in the middle of the filming of the iconic Frankenstein with the mysterious Dr. Faust and Vlad in pursuit. What ensues is a chase through various Hollywood film lots, much to the frustration of the directors and actors everywhere. One of them is running out of time…

 

 

cover art for Elvira: Mistress of the Dark, vol. 2: Elvira's Inferno

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Elvira, Mistress of the Dark, vol. 2: Elvira’s Inferno by David Avallone, art by Dave Acosta

Dynamite, 2019-2020

ISBN-13: 9781524112677

Available: Paperback, Kindle edition, comiXology

 

#5: Elvira’s Inferno: Canto One: Elvira and Faust are both dumped in Hell after running into Mephistopheles. Dr. Faust, living with an angry, drunk, and violent Helen of Troy, is left to his personal hell when Mephistopheles agrees to lead her to talk with the Devil himself to get out of Hell.

 

#6: Elvira’s Inferno: Canto Two: Elvira makes her way down to the manager of Hell. Literally. She talks to a demonic whip wielding task master dressed in business attire looking for the way to her destiny. Her journey to Cerberus is fruitful, and she discovers a way to tame the beast to gain passage. She is finally met by her guide through the remaining circles of Hell, a man dressed in plain robes named Glenn.

 

Spring Special: Elvira in…Drive-In of the Dead: Elvira is the horror hostess at a genre film festival at the local drive-in when she discovers the opportunity to star in a film produced by the famous George Rottmero, who makes extremely most realistic horror movies. She finds out the disturbing secret behind the producer’s success, but it may cost Elvira her life. The second story in the Spring Special is “Elvira in…The Satan 500”.  After an eventful trip to the grocery store, Elvira is greeted by outside by Satan who challenges her to a car race. If she loses, she must marry him. She’s got one hope, and he’s sitting in her vehicle and calls himself Jason Voorhees.

 

#7: Elvira’s Inferno: Canto Three Elvira and Glenn, with Faust on their heels, travel further into Hell. Elvira and Glenn face the Minotaur, the traffic jam of the damned, and other unthinkable horrors before they can deal with the Devil.

 

#8: Elvira’s Inferno: Canto Four: Elvira finally meets Satan himself, with the watchful guidance of Glenn at her side, and her journey reaches its amazing conclusion. Our beloved Queen of Halloween must plead her case to the Devil to get out of Hell. Armed with her sassy wit and with Glenn and his secret identity by her side, it shouldn’t be a problem, right?

 

#9: Vroom Vroom, Witches!: Elvira, back in her own time and back on the movie set, she thinks she can finally get back to normal (well, normal for her) life. Little does she know that an evil coven of warlocks is attempting to enact a ritual that may mean her doom.

 

#10: Witches Get Stitches: A cult has taken Elvira to a hospital and has stolen her Darkness, her source of power. Her iconic dress and roadster even fall to the effects. At her time of need, she meets the mysterious superhero, Soul Survivor, who has also been on the chase for the cult. Together, they head out to face the cult members and regain the Queen of Halloween’s Darkness.

 

#11: Witch Way to the Apocalypse?: In the last issue, Elvira became separated from Soul Survivor and found herself magicked back to her house, Gonk greeting her upon arrival. She hops in her white roadster and tracks the cult to the Dark Ages Dinner Theatre where she faces her most frightening challenge yet: amusement park mascots! Can she get to the Soul Survivor in time?

 

#12: Vlad to See You Again: What, did you think Elvira was safe from the Impaler? Elvira and Soul Survivor are ready to vanquish the cult, but the cult is successful in summoning Vlad from Hell. He’s not having it. He captures our Mistress of the Dark but may not like the results when Elvira discovers the way she can regain her darkness.

 

Avallone and Acosta make a fantastic team on the Elvira: Mistress of the Dark series. Avallone captures the campy sass of Elvira, which of course is full of double entendres and terrible puns, all while weaving a compelling tale that keeps the reader’s interest through each issue. Acosta’s art is a great complement to the stories. He is able to depict the likeness of Elvira perfectly. Both volumes are highly recommended.

 

Reviewed by Lizzy Walker

Posted on February 9, 2021 by , Reply

Women in Horror Month: Book Review: A Collection of Dreamscapes by Christina Sng

cover art for A Collection of Dreamscapes by Christina Sng

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A Collection of Dreamscapes by Christina Sng

Raw Dog Screaming Press, 2020

ISBN: 978-1-947879-17-1

Available: Paperback, Kindle

 

Christina Sng’s A Collection of Dreamscapes is a deceptive title for dark and subversive poems about myths and fairytales. Sng takes Emily Dickinson’s advice to “Tell all the truth but tell it slant” and not only slants it, but twists it into a more horrible truth than she found in the original stories. The poems are divided into five sections, with titles for the first three that are, again, deceptive. We begin with “The Love Song of Allegra”, about the exploits of a viciously murderous warrior, and recognize childhood favorites in “Fairy Tales”, involving female victims who choose revenge. Next, “All the Monsters in the World” are overcome by strong women who refuse to give up. The horror increases and becomes more explicitly described in the section called “The Capacity of Violence” and concludes with glimpses of hope in “Myths and Dreamscapes.”

 

The opening poems in this collection create a mythological backdrop for the horror heroines of the fairytales. However, these tales combined with predictable new narratives make the second section feel longer than it needs to be. The third and fourth sections include the most important poems of the book in terms of revealing the world’s horrors. Although the reality of pervasive evil, the idea that no place is completely safe, and the thought that we can never really know a person’s deepest darkness until it is too late are truths spun into many a story and poem, Sng brings them to greater heights through artistry. The speakers in these poems deny the existence of monsters while actually being or becoming monsters. It seems the dividing line is in the doing: sewing body parts together; performing a lobotomy; strangling the man who left you, an infant, to die in the forest. After all of the violence, the final poems suggest that there could be a fresh start, a new way, an end to the horror, but that reaching that point will also involve violence and possible death. The question remains whether the future is just as much a cruel myth or terrifying fairytale as what we have already experienced. Recommended.

 

Reviewed by Nova Hadley

Posted on February 8, 2021 by , Reply

Book Review: Women in Horror Month: The Year I Flew Away by Marie Arnold

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The Year I Flew Away  by Marie Arnold

Versify, 2021

ISBN-13 : 978-0358272755

Available: Hardcover, Kindle edition, audiobook

 

Ten-year-old Gabrielle has left her home, family, and friends in Haiti to live in America with family she barely knows. Arriving in New York City in the winter, she is being bullied, having a hard time learning and understanding English and fitting in. She knows better than to trust a witch, but determined to be accepted, she accepts three slices of mango from the witch Lady Lydia. Each piece Gabrielle eats will grant a wish, but take something else away.

Gabrielle is a character who squeezes everything she can out of life. At the beginning of the book, she is mischievous and playful, active, curious, imaginative, loving, strong-minded, and brave. Marie Arnold sets her story to be descriptive of all the senses: flavors, textures, colors, and smells.  As much as Gabrielle loves her home, there is still poverty, hunger, and violence, and her parents, unable to get papers for themselves, decide to send her to America on her own, to stay with her uncle’s family. The qualities that serve Gabrielle well in Haiti, though, aren’t appreciated or apparent in New York City.

When she meets the witch, Lady Lydia, Gabrielle is wary, but after turning Lady Lydia away several times, Gabrielle finally decides she wants to belong enough to accept the consequences. Lady Lydia warns Gabrielle that if she eats all three pieces of the mango, she will have to give her essence to Lady Lydia. Gabrielle wishes for perfect English, and gains friends (Carmen and a talking rat named Rocky) but she also loses understanding of her home language, Haitian Creole, meaning she can no longer speak to or understand her family. What will the next wish take away? Gabrielle, along with help from her friends, must save herself and her family from Lady Lydia and figure out how to balance fitting in as an American with pride in her Haitian identity.

Arnold does a really wonderful job depicting the varying characters in the book, and addresses skillfully tough issues like racism and anti-immigrant sentiment. She presents a rounded picture of Gabrielle’s aunt and uncle, Carmen’s large family, and even the girl who bullies her. The tricky Lady Lydia is dramatically and vividly depicted, as is her nearly completed and disturbing spell. This is an entertaining, thoughtful, witchy, #OwnVoices book for middle grade students, and although the protagonist is a little young, could also be enjoyed by middle schoolers. Highly recommended for ages 8–12.

 

Reviewed by Kirsten Kowalewski

Posted on February 7, 2021 by , Reply
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