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Book Review: House of Salt and Sorrows by Erin A. Craig

cover art for House of Salt and Sorrows by Erin A. Craig

House of Salt and Sorrows by Erin A. Craig

Delacorte, 2019

ISBN-13 ‏ : ‎ 978-1984831927

Available: Hardcover, paperback, Kindle edition, audiobook

( Bookshop.org | Amazon.com )

 

House of Salt and Sorrows is the strangest version of the fairytale “The Twelve Dancing Princesses” I have come across to date.

 

The Duke of Salten had twelve daughters. His wife died in childbirth with the last, and the girls have, one by one, died terrible deaths, until only eight of them are left: Camille, Annaleigh, Rosalie, Ligeia, Lenore, Honor, Mercy, and Verity (yes, there are some very Edgar Allan Poe-influenced names). I’ve seen some complaints about the lack of character development in the girls, but the original tale doesn’t make most of them more than placeholders.

 

Inheritance in Salten goes to the eldest child, regardless of sex. With the death of her sister Eulalie, whose funeral starts the book, Annaleigh, the narrator, is sixteen and now second in line to inherit, after Camille. Annaleigh’s father has recently remarried a much younger woman, Morella, who is now pregnant with twin boys and decides that after years of mourning, another year set aside to mourn Eulalie is a year too long, and it’s time to put the black away.  She orders them special dancing slippers, and plans a party to invite eligible suitors. Annaleigh isn’t ready to set her grief aside, but she isn’t given a choice.

 

Annaleigh believes Eulalie was murdered, and investigates with Cassius, a young man visiting Salten, who is soon entangled in the family’s intrigues (he is also the required love interest for the main character in a YA novel). She also discovers her sister Verity has been drawing disturbing portraits of their dead sisters, insisting that she is seeing their ghosts. A rumor has spread that the girls are cursed, and though invitations to Morella’s party are accepted, no one wants to speak or dance with them. Frustrated with their situation, the girls look for a magical door, find it, and go through it to discover it is an elegant ball where they can dance all night.

 

Or is that really what’s going on? I can’t say more without spoiling the story except to say that Annaleigh is an unreliable narrator and this book is really dark, disturbing, and disorienting. I’m still unclear on how much of the ending was real. The grief in the book felt authentic and the author’s world building was incredible. Salten is on an island in the ocean, and the People of the Salt have their own customs and religious traditions. “Aesthetic” is a popular concept on social media right now, and the aesthetic for this book is what I’d call island gothic. The ocean and the tall cliffs of the island permeate everything. This is a very dark tale, and while it doesn’t get violent or disgusting often, when it does, the imagery is vivid, so it isn’t for everyone, but it may be a treat for those who like their fantasy drenched in darkness.  Recommended.

 

Contains: Images of and references to suicide, murder, body horror, childbirth, stillborn children,  sexual situations, violence, gore, sexual situations, blood, decay.

 

Reviewed by Kirsten Kowalewski

 

 

 

Book Review: The Fatal Move and Other Stories by Conall Cearnach

cover art for The Fatal Move and Other Stories by Conall Cearnach

The Fatal Move and Other Stories by Conall Cearnach

Swan River Press, 2021 (reprint, originally published in 1924)

ISBN: 978-1-78380-037-7

Available: Hardcover  Swan River Press )

 

 

Reprinted for the first time in nearly one hundred years, The Fatal Move is a slim collection of six ghostly tales penned by Conall Cearnach (the pseudonym of F.W. O’Connell, a peculiar and versatile Irish clergyman and scholar).

 

Thus, lovers of ghost and supernatural stories have the opportunity to get a taste of a different author rather than keep reading the classic works of the usual suspects.

 

The title story, “The Fatal Move” effectively portrays two bachelor friends, both passionate chess players, in love with the same woman. In a final chess game, an ingenious trick bound to bring death to one of the players will select the survivor(and winner of the woman’s heart).

 

The excellent “The  Fiend That Walks Behind” describes the obsession of a psychiatrist whose fame has usurped that of the real author of a scientific discovery, and becomes the object of a paranormal haunting and vengeance.

 

“The Homing Bone”,  a traditional type of ghost story– featuring an anatomist stealing a femur from a grave site– is  so well-told it entices the reader despite its predictable outcome, while “Professor Danvers’ Disappearance” is an intriguing, clever mystery, with a supernatural veneer.

 

The volume is enhanced by a number of quite enjoyable short essays by the author, addressing topics such as dreams, sleeplessness, nervous children, and the power of languages, plus an Irish alternative view of Dante’s Divina Commedia, “ The Vision of Merlino”.  The book is prefaced by an exhaustive, learned introduction by Reggie Chamberlain-King. “F.W. O’Connell: Master of Strange Tongues”.

 

A delightful change from the usual stuff published nowadays.

 

Reviewed by Mario Guslandi

Book Review: Raising Hell by Bryony Pierce

cover art for Raising Hell by Bryony Pearce

Raising Hell by Bryony Pearce

UClan Publishing, 2021

ISBN-13 ‏ : ‎ 978-1912979547

Available: Paperback  Amazon.com.uk )

 

Four years ago Ivy Mann and her friends Danny and Elena did a ritual to raise their friend Violet from the dead. Violet came back as a revenant and killed Danny before Ivy was able to stop her, and the ritual opened a rift that gives teenagers the ability to spellcast, bringing demons and hellhounds through and raising the dead. Ivy has been abandoned by her parents and Elena, her only company a cat possessed by the spirt of her Gran. Now nineteen, she works as a security guard at her old high school, detecting and confiscating magical contraband to protect other kids. In the case of Norah Ortega, she is too late to stop Norah from manifesting hellhounds in the school hallway. Although she defeats the hellhounds, she accidentally gives Norah a concussion, and Norah’s wealthy older brother Nicholas demands that Ivy be fired. Returning home, her Gran insists that Danny is there.

 

Then Norah shows up at Ivy’s place, asking for help. She is still connected to one of the hellhounds and it is draining her life force away. Nicholas follows shortly, and after surviving another hellhound attack, the three of them are off on a journey, chauffered by Nicholas’ bodyguard Andrews. Norah has to stay on consecrated ground, so Ivy, Nicholas, and Andrews go off to find the mysterious store where Norah got her spellbook, in hopes that the spell can be reversed, and discover Elena, who has found a way to bring Danny back because she believes that the three of them must all be there to reverse the ritual and close the rift.  In the meantime, she’s sold an awful lot of copies of the Necronomicon to unstable teenagers intent on raising the dead. What could possibly go wrong?

 

This fast-paced urban fantasy doesn’t make a lot of sense, but it is a lot of fun and it contained some unexpected surprises, including a political subplot that will probably be better appreciated by residents of England. There’s a fair amount of blood, dead teenagers, and zombie gore– Ivy is not a perfect heroine or superpowered, and she isn’t able to prevent collateral damage from taking place– but she’s funny (her machete is named Matilda), no-nonsense, and kicks butt.  Pearce did a great job bringing her character to life. Pearce’s teenagers are a mix of unlikable and sympathetic– regardless of her previous actions, Norah is grieving the death of her sister– which is pretty realistic, and something I appreciated.

 

The one thing that was really strained was Pearce’s attempt to push Ivy and Nicholas together romantically. Not only did he get her fired over his sister’s actions, but their own interactions weren’t romantic and they had no chemistry. It looks like Pearce has set things up for a sequel, so maybe that will be developed a little more, but that romance has a lot to overcome in order to be convincing. Raising Hell may be enjoyed by young adults who enjoy energetic urban fantasy with a dark edge.

 

Contains: blood, violence, zombie gore, self-harm

Reviewed by Kirsten Kowalewski