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Book Review: All These Bodies by Kendare Blake

All These Bodies by [Kendare Blake]

All These Bodies by Kendare Blake

Quill Tree Books, 2021

ISBN-13 ‏ : ‎ 978-0062977168

Available: Hardcover, Kindle edition, audiobook Bookshop.orgAmazon.com )

 

In All These Bodies, Kendare Blake imagines a murder spree throughout the Midwest in the summer of 1958, known as the “Bloodless Murders” or “Dracula Murders” because the victims have all been drained of blood. On September 19, the Carlson family is found murdered in their Minnesota farmhouse, with a fifteen-year-old girl, Marie Catherine Hale, drenched in blood, still alive. Is she a victim, accomplice, or killer?

 

Michael Jensen, the seventeen-year-old son of the sheriff with hopes of becoming a journalist, is the only person Marie Catherine will talk to, and revealing the killer is her one chance to avoid being extradited to Nebraska and tried for the death penalty. Getting the truth out of Marie Catherine is trickier than just asking her questions once and expecting straightforward answers, though; it becomes a long, drawn out process that creates a sympathetic connection between the two teens. Michael is also facing other dangers: his peers are turning against him as he continues to spend time with Marie Catherine, and he’s almost certain he’s being watched, and perhaps even hunted, in a way that feels almost supernatural.

 

Inspired by the fictionalized murders in Truman Capote’s In Cold Blood and a murder spree that occurred in the Midwest in 1958, Blake has created a gripping, grisly, fictional “true crime” story that clarifies what it means to be human, a monster, or both.  Recommended.

 

Contains: murder, graphic descriptions of gore, blood drinking, mentions of pedophilia

 

Reviewed by Kirsten Kowalewski

 

 

 

Book Review: All Our Hidden Gifts by Caroline O’Donoghue

cover art for All Our Hidden Gifts by Caroline O'Donoghue

All Our Hidden Gifts by Caroline O’Donoghue

Walker Books, 2021

ISBN: 978-1536213942

Available: Hardcover, audiobook, ebook (Bookshop.org)

 

 

O’Donoghue’s foray into YA literature delivers tricks and treats for fans of Gothic, mystic stories dealing with social themes; but magic doesn’t solve everything this character-driven YA paranormal fantasy set in contemporary Ireland.

 

Sentenced to cleanup duty in detention, 16 year old Maeve discovers an old mixtape, a Tarot deck, and an uncanny knack for reading the cards. When her former best friend Lily goes missing after a heated exchange, classmates soon start avoiding Maeve like she’s some kind of creepy occultist. As she finds herself immersed in a world of fantastic possibilities she doesn’t fully comprehend, Maeve discovers a new friend in artsy Fiona. Ultimately, Maeve confronts a dangerous entity summoned by powerful emotions and explores her uncorked inner magic skills, while becoming increasingly regretful about how she dumped and ostracized Lily.

 

There are supernatural elements to the story at every turn, but this subtle gem explores far more than magic. This is also a book about another secret superpower: empathy. Maeve, who is white and from a comfortably middle class family, navigates themes of diversity with detailed, well-developed characters that include non-binary, bisexual love interest Roe; biracial, Filipina friend Fiona; former BFF Lily who has hearing loss; and queer lesbian sister Jo.  Perspectives on racism, homophobia, and classism are explored in context, in unscripted, messy, and uncomfortably realistic ways.  O’Donoghue deftly creates a tone of authentic growth across these topics instead of patching over tough spots. Maeve fumbles, misunderstands, and makes bad choices, but keeps trying. Growth doesn’t happen easily, and Donoghue sidesteps an investment in “likability”,  so readers journey with the protagonist in learning that while intention matters in magic, it doesn’t count in interpersonal relationships or the fight for social justice.

 

The romantic interludes sometimes feel a bit out of place, but packed with mysticism, magic, queer liberation, and the drama of teen friendships, this contemporary tale will likely have strong appeal for readers looking for complex characters and edgy situations in a speculative framework. Readers of DeAngelis’ Bones & All, Older’s Shadowshaper, Okorafor’s Akata Witch, Power’s Wilder Girls, and Adeyemi’s Children of Blood and Bone will find much to enjoy in Gifts. Ages 14+. Highly recommend.

 

Minimal gore, but contains bullying, references to hate crimes and homophobia.

 

Reviewed by E.F. Schraeder

Book Review: Ghost Wood Song by Erica Waters

cover art for Ghost Wood Song by Erica Waters

Ghost Wood Song by Erica Waters

HarperTeen, 2020

ISBN-13 : 978-0062894229

Available: Hardcover, Kindle edition, audiobook  ( Bookshop.org  | Amazon.com )

 

 

Shady Grove grew up in a haunted house, and her father owned a violin that could raise ghosts, but it disappeared when he died in a car accident when she was twelve. Like him, Shady is a talented bluegrass fiddle player, but she’s never gotten over her father’s death, and is obsessed with the violin.

 

After her father’s death, Shady’s mother remarried to his best friend, Jim. Shady, her troublemaking older brother Jesse, her toddler half-sister Honey, her mother, and Jim live in a trailer on the edge of town. Jim is an alcoholic with an anger management problem, and he and Jesse are always clashing.

 

Shady and her friends Orlando and Sarah enter a music competition at a local cafe. They discover Jim’s son Kenneth is also participating, as are his friend Cedar and Cedar’s sister Rose. Shady is impressed by Cedar and Rose’s playing (and a little by Cedar himself) but is unsure about asking to play with them out of loyalty to Sarah and Orlando. Jim and his older and more respectable brother Frank show up as well. Kenneth gets into an altercation with Jesse that ends with Kenneth in the emergency room. Jim and Jesse end up in a fight, Jesse storms out, and the next morning Jim is found dead, killed with a hammer. The logical conclusion is that Jesse did it in a fit of anger, but Shady refuses to believe that Jesse could be responsible and decides the only way to find out for sure is to find her father’s violin and raise Jim’s ghost for the true story. But there is a dark and terrifying price to pay for playing the violin.

 

Set in small-town Florida, Erica Waters tells this Southern Gothic tale of grief, guilt, shame, anger, and family secrets, with gorgeous prose. Her poetic language flows through wild areas, jolting both characters and readers with electrical shocks from emotional events. Hauntings unsettle, and Shady’s violin pulls her deep into shadows that may lead to her destruction… or to discover what her family has been hiding all these years.  Waters describes the setting in such a way that I could see stepping right in to the forest or climbing into the attic of Shady’s former house.

 

In addition to the ghosts, the mystery of Jim’s death, and the secrets of the house she grew up in, Shady has to navigate relationships. She has deep feelings for her best friend Sarah, but is getting mixed signals. She’s also attracted to Cedar, who loves the same music, and is waiting for Shady to figure out how she really feels. Sarah and Rose are both lesbians, but with very different personalities, and it’s nice to see varied representation there. While it’s more common to see gay and lesbian protagonists in YA fiction, bi protagonists (and characters) are less frequently seen. With bi erasure a problem in society as well as fiction, I was glad to see bisexual representation.

 

Ghost Wood Song is a beautifully, darkly told story filled with moments of terror and deep feelings of love, grief, obsession, and fear, most certainly worth its place on the Stoker ballot and an excellent contender for the award.

 

Contains: attempted suicide, violence, murder

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: Ghost Wood Song is a nominee on the final ballot for this year’s Bram Stoker Awards in the category of Superior Achievement in a Young Adult Novel.