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Book Review: The Devouring Light by Kat Ellis

Cover art for The Devouring Light by Kat Ellis

The Devouring Light by Kat Ellis

Harper Collins, 2025

ISBN: 9780063355248

Available: Paperback, Kindle edition

Buy: Bookshop.org | Amazon.com

 

 

Another entry in the growing field of horror/thrillers for the YA crowd, The Devouring Light does it right. It’s a good read for the young ‘uns, (this one would be about junior high to early high school level) but it’s also plenty of fun for adults. In other words, for parents that want books they could read and actually have fun TALKING about with their kids, this would be a good choice. It’s what you want– a good plot, quick pacing, and lightweight enough that it can work with the short attention spans of kids today.

 

Despite being an adult herself, author Ellis has a good grasp on how to write younger characters, as the book’s protagonists are ones that kids can easily relate to. Here, they are constantly relying on their phones (until they have little choice), concerned about their social media feeds, worrying about what to post next, etc. The book is about a group of five young wannabe rock stars (well, four, and one who actually is one) riding the tour bus to their next show. The bus gets waylaid and crashes, and the characters find themselves taking shelter in a house in a swamp called the Light, which is one of those urban legends that everyone has heard of, yet of course no one has any first hand experience with. The story is written in the present tense, which seems to be one that again, younger readers prefer (older grouches like me have a tougher time with that format). It does seem to work for the story, though.

 

So… they are stuck in the house, with no contact with the outside world, and weird things happen. Eventually the mystery of the house starts to unfold, complete with nice, straightforward plot devices that don’t need to rely on a gory mess: some creaking sounds, weird footprints appearing, creepy mannequins, and so forth. Nothing really new, but it’s stuff that still works well, so why try to reinvent the wheel? The story’s narrative is nicely intercut throughout, with chapters that consist of police interview transcripts and transcripts of recovered video footage that do a nice job of providing the backstory for the plot. Splitting the narrative into different formats will work well with today’s young readers, the variety keeps it from being uniform. Again, it’s about appealing to your target audience. There’s enough depth to the characters, and enough happening that the younger crowd should easily stay interested in this to the end, and it will work for adults too. The characters do occasionally demonstrate a lack of deductive reasoning that adult readers will consider foolish, but it doesn’t detract from the quality of the story. The ending is a nice wrap up, that ends with a good bang, and it is a rather clever way of stopping the house from devouring all the characters. Chances are, the majority of readers won’t guess it, and that’s what you want in a mystery.

 

Bottom line here: it’s good for all ages, starting with junior high school aged readers, and is certainly a good choice for parents and teachers trying to find some way to keep kids off their phones, even if it’s only a few short hours. Recommended.

 

 

 

Reviewed by Murray Samuelson

 

 

Posted on December 28, 2025 by , Reply

Book Review: The Blonde Dies First by Joelle Wellington

The Blonde Dies First by Joelle Wellington

Simon & Schuster Books for Young Readers, 2024

ISBN-13 : ‎978-1665922456

Available: Hardcover, paperback, Kindle edtion, audiobook

Buy:   Bookshop.org | Amazon.com

 

 

In The Blonde Dies First, Joelle Wellington tries to subvert the teenage horror slasher movie. She takes an interesting approach, but ultimately there are too many loose ends, unrealistic situations, and undeveloped characters for the book to be successful in its approach.

 

The book follows a group of six teens living in the same neighborhood who have been friends since childhood: Leila, a would-be artist; Gael, a horror lover who has already directed a short film; Malachi, a black queer boy; Devon, twin sister to genius Drew; Drew, the skeptic, who attends private school, and Yaya, Devon’s longtime crush. Most of the friends are Black, with the exception of Leila.

 

When Drew announces her early graduation, Devon is crushed. Although they haven’t been close for many years, Devon makes plans to spend time with Drew and their friends before she leaves for college.

 

The friends go to a party with Drew, held by her school friend Avery in a tony part of town.  During the party, he decides they should summon a demon using a Ouija board and an athame. Devon tamps down her misgivings and participate, but the friends are disturbed by the summoning attempt. Gael recognizes the ritual from a horror movie, Read Your Rites. Avery claims the athame is real, and that his mom contributed to the research behind the movie as part of her job as a museum curator.

 

Gael talks about horror movie tropes: the blonde dies first, the black queer guy dies next, then the asshole, the nerd, the independent girl, and the final girl. Sex will summon the movie’s demon, and the person who summons the demon has to be eliminated to get rid of the creature. The demon summoned in the movie has to go through these character tropes in a specific order and can’t go backwards.

 

Devon, who bleaches her hair, is the first to encounter the demon, at the convenience store where she works with the annoying Alexis.. It drives them out of the store and shoves Alexis, also blonde, into the street, where she is hit and killed by a car. The requirement satisfied, Devon survives. No one believes Devon, with the police insisting Alexis must have jumped in front of the car..

 

While the friends, especially Drew, don’t believe Devon at first, soon Malachi is attacked, but the demon takes his date instead. With two of them vouching for the demon attacks, Gael tries to figure out the rules the demon is following, based on the movie.

 

Gael assumes he’s the asshole and will be next, The others film him and Leila making out in Leila’s bedroom in hopes of summoning the demon,, but it turns out the demon wants Drew for that role . As they battle the demon, Leila falls down the stairs and breaks her ankle. While they’re waiting at the hospital, they spot the demon, who is still after Drew. Leila’s racist doctor follows them into a room and demands they leave, and the demon attacks and kills him instead of Drew.

 

These kids get away with a lot, even for YA fiction. Leila’s parents know they are smoking weed, drinking, and involved in some pretty risky behaviors that they never outright address. Because they are involved in a group chat with the other kids’ parents, all of them must be pretty aware of what the kids are into. It’s only when Leila breaks her ankle that the parents clamp down.

 

Drew and Devon’s mother has been planning a summer block party every year for years and it is the big summer event in the community. The friends are sure the block party will be the final act in their living horror movie and plan to face it together, but Drew and Devon have a blowout fight and Devon takes off to see Yaya, finally tells Yaya she likes her romantically. In a surprise twist, (spoiler) it turns out that Devon is the final girl, and Yaya is the love interest who is supposed to be killed at the end of the movie. In another surprise twist, the demon is controlled by entitled neighborhood creep Keith, whose gentrifier mother Kendra was a production assistant on Read Your RItes,(meaning Avery has nothing to do with the monster stalking them). Kendra has no qualms about Keith eating the friends to satisfy the demon and make the neighborhood quieter.

 

The story touches on issues but doesn’t really address them. After Alexis is hit by the car, Devon is hostile to the police in her interview. Her hostility and interactions with the police are a potential plot thread, but Wellington does not explore it. Kendra, determined to gentrify the community, who is generally disliked also threatens them with calling the cops.

 

This gentrification storyline could be stronger: trusted neighbors and friends give Kendra and Keith the benefit of the doubt, treating them as if they are annoying, not dangerous. There’s also room to explore privilege and entitlement further: Keith, in his 20s, is routinely excused for his predatory behavior towards Yaya, and Drew, usually a skeptic, humors Avery’s pushy, irrational actions. Alyssa Cole did a great job dealing with class, race, police hostility, and gentrification in When No One Is Watching. Wellington is not as successful here. But it’s an ambitious book: Wellington had to integrate a supernatural element, a metafictional approach to horror movie elements, and a fair amount of teenage and sisterly drama involving six kids. Despite the unwieldy number of characters and missed opportunities, she keeps the reader entertained and turning the pages.

 

Reviewed by Kirsten Kowalewski

 

 

 

 

 

Posted on September 15, 2024 by , Reply

Book Review: Deep in Providence by Riss M. Neilson

cover art for Deep in Providence by Riss L. Neilson

Deep in Providence by Riss m. Neilson.

Henry Holt and Company Books for Young Readers

ISBN-13 ‏ : ‎ 978-1250788528

Available: Hardcover, paperback, Kindle edition, audiobook

Buy:  Bookshop.org  |  Amazon.com

 

 

Taking place in Providence, Rhode Island, Deep in Providence introduces Miliani, Natalie, and Inez, whose friend Jasmine was recently killed suddenly in a car accident, Miliani is determined to bring her back. Inez and Natalie are skittish about it, but it seems so important to Miliani they agree and swear a blood pact. The story is told from the alternating points of view of the three girls.

 

Miliani’s family is Filipino. She has witchcraft in her blood but did not learn how to use it before her grandfather died, and her mother has forbidden it, and visits to her “dangerous” aunt, Lindy. Despite this, Miliani visits Lindy, who says it may be possible to anchor Jasmine’s spirit to another person if Miliani and her friends will do enough spells to thin the boundaries between worlds. Knowing her friends would not consent to anchoring Jasmine to another person, when she tells them, she omits that from her explanation.

 

Natalie is a half-Black, half-white biracial girl with a younger brother, Devin and an emancipated older half-sister. Her mother is a heroin addict and disappears for long periods of time. Her sister contributes to the household financially and wants Natalie and Devin to stay with her. Natalie refuses, and does a locator spell to find her mother, who they discover fatally overdosing. The girls do a spell and reverse her mother’s coma, but Natalie can’t control her mother’s addiction long-term. Natalie also does a truth spell on her sister and learns that she is a stripper and that’s how she is able to make the money to help them.

 

Inez is a Dominican-American citizen whose father was deported. She plans to sponsor him once she turns 18, but she has unprotected sex with her boyfriend and becomes pregnant. She tells him, and finds he is selling drugs. She does a spell to stop her boyfriend, and he is arrested and jailed for armed robbery. Inez also casts a spell to cause a miscarriage that nearly kills her.

 

Although her friends are seeing spirits, Miliani’s mother has been casting spells of protection to keep spirits away, so Miliani doesn’t see the damage her plan is causing. The issue of consent hung over the book and I was relieved to see it resolved.

 

The book goes into some pretty dark places: drug addiction, abandonment, grief, miscarriage and abortion are never easy to read about. But the girls’ friendship as they navigate  difficult situations and their grief over Jasmine is powerful, regardless of their magic.

 

Reviewed by Kirsten Kowalewski

 

 

Posted on August 16, 2024 by , Reply
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