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Monster Movie Month: Guest Post by K.H. Koehler- Godzilla On My Mind

How can you possibly have Monster Movie Month without Godzilla? While technically most of the Godzilla and other giant monster movies of Japanese cinema (referred to as kaiju) aren’t horror movies, you can’t deny that there are some truly creative approaches to monster-making in the genre. K.H. Koehler, a self-confessed kaijuholic and author of many books, including her own ongoing kaiju series, The Kaiju Hunter, has taken some time to share her Godzilla obsession and discuss Godzilla fiction.

For more Godzilla goodness, check out our Monster Movie Month page here.

 

Godzilla On My Mind

By K.H. Koehler


So with Toho beating the drums about a new, upcoming Godzilla movie, I can’t help but look back at my lifetime obsession with the big grey guy. Yes, I said grey, because, let’s be frank, G-man is grey, not green, and calling him green risks you receiving a tongue-lashing from the fans.

 

I remember when the first big Godzilla revolution hit our shores, and the waves it made. This was back in the day of the ill-fated Tristar Godzilla, known surreptitiously among the G-fans as “GINO”–Godzilla in Name Only. The movie was something of a legendary kaiju-fail, but its presence did get Godzilla on the fiction shelves, however briefly. Though aimed toward young adults, these books caused adult fans to crowd the fiction shelves in Wal-marts all across the country–at least, in a time when readers of any type crowded shelves. Below, I’ll talk a little bit about the books.

 

Godzilla by Kazuhisa Iwata and Mike Richardson is something of an introductory guide for Godzilla virgins into the wild and wacky world of kaijudom. It chronicles the “return of Godzilla” and reads a bit like a literary version of the film Godzilla 1985, only with teens. It’s a good enough book, though it treads no real new ground.

 

Godzilla 2000 by Marc Cerasini is a bit more fun and chronicles a secret government experiment intent on training teens to defeat monsters using super hi-tech (for their time) weapons and vehicles. I highly recommend it for action aficionados.

 

Next we have Godzilla at World’s End by Marc Cerasini and Godzilla Vs. the Space Monster by Scott Ciencin, which came out pretty much simultaneously and calls back to the old Showa (1960’s and 1970’s) series of “big battle” Godzilla, whereby Godzilla goes up against some very familiar (and popular) foes like Biollante, King Ghidorah and others.

 

Finally, we have Godzilla Vs. the Robot Monsters by Marc Cerasini which sort of rounds out the whole collection by calling back to one of Godzilla’s greatest and most dangerous foes, Mecha-Godzilla.

 

There are many other books, of course, both on the history of kaiju as well as fiction books for all different kinds of readerships, but if you want a solid place to start, and you can find them (I would check Ebay and set Google alerts to the book, if you’re interested) I suggest starting with the above books. And yes, I own them all. Forever and ever and ever. 😉

 

With the newly revised interest in Godzilla, we can only hope that a new collection of kaiju books will hit the shelves–or Kindle readers, be that as it may. We need more Godzilla weighing the shelves, and let’s be frank, who wouldn’t want Godzilla on their e-book reading device these days?

 

–K. H. Koehler

Ann Aguirre Wins A RITA for Enclave

People are sometimes surprised to realize that romance and horror have the same roots, but every once in awhile we get to see where they intertwine, and this is one of those times. Ann Aguirre, known for her dark and gritty urban fantasy and paranormal fiction for adults,  just won the RITA for Young Adult Romance for her post-apocalyptic novel Enclave, which we reviewed here.

Congratulations, Ann!

 

A Monster Calls Wins Carnegie and Kate Greenaway Medals

A Monster Calls by Patrick Ness was a 2011 Bram Stoker nominee for superior achievement in a Young Adult novel, a category that contained truly brilliant writing.  A Monster Calls was much different than the other books in the category, though, an experience as much as a powerful story, due to the dark and frightening world drawn in the margins and throughout the pages- the illustrations and text complemented each other perfectly,  packing an incredible and terrifying emotional punch. The chair of the committee, Rachel Levy(quoted in this article in Publishers Weekly), said it better than I can, when expressing why the book would win both an award for the text (the Carnegie) and one for its illustration (the Greenaway):

Jim Kay’s illustrations for A Monster Calls created the perfect synergy between the text and illustrations… Using only shades of black, white, and gray, he has beautifully, skillfully captured the atmosphere and emotion of the story and has produced a book that gives you a whole and satisfying experience.

 

That’s it exactly. This intense and emotional story was completely deserving of the double award it received. Congratulations to Patrick Ness and Jim Kay for their awards, and for bringing a new dimension to storytelling. Now go read the book.